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@Georgio Cocklord

Let's try this.

When it comes to the Christian part, I disagree, Ennis might hate christianity and be a cringe atheist but he is much more nuanced than other British writers, say Pat Mills. Pat Mills and John Wagner, to a lesser extent Moore and Gaiman, they will always make christcucks the evil people or make christianity seem like a cult (Despite being Pagancucks and worshipping nonsensical native american gods or Pagan Norse Greek entities or fucking Snake gods) cause organized religion is always a cult full of pedophilia violence oppression and whatnot, basically scientology. Nemesis the Warlock in fact has Torquemada and the Terminators as a standin for the catholic church, even evoking the spanish inquisition, the KKK and the Spanish Capirote at times.

I don't see much difference in Moore or Wagner compared to Ennis. Moore is staggeringly dumb in his criticism of christianity in Promethea (ie Jesus being a fictional character when regardless of what any of use feel; there was a historical Christ).

Regardless, my issue is less to do with being anti-anything than it just not being well used through the lens of story telling in Ennis work generally (with some exceptions).

Be thankful Ennis at least makes Starlight a good person, her rejection of religion makes sense within the context of the story

Does it? One bad thing happened and we get an issue. An issue that's an outlier because comic Starlight is virtually a nonexistent character outside of her role as Huey's girl and that issue as far as I'm concerned.

It's her rejection, sans challenge or depth that I object to. For contrast, take fellow atheist JMS. He does not believe in any god or what have you. But religion is a vital core of humanity. Whether it's B5, comics, or anything else, he's written. believers, Passing through Gethsamne. He takes something he doesn't believe in and provides multiple sides creating drama and tension.

Another example, since you bring up John Wagner, would be Judge Dredd's Jesus Syndrome. All much better written with a complex conflict that didn't fail to address the nuances of faith or lack thereof.

cause she has left the small town and her idealized version of Superheroism is being brutally broken down by the Seven and Corporate exploitation of the Superhero Image. If you know small town people moving to the big city, part of the process is that they believe religion is the guiding force in their lives and most of their trials and tribulations are a result of Jesus or whatnot. So it makes sense Starlight rejects Christianity cause the unexpected brutal actions and events she is subjected to makes her believe in organized religion/fate less and less cause god wouldnt punish devout repentant people in the christians view, especially the undeserving.

Yet, there a a number of people who remain faithful, whether to christianity or something else. Their are Christians in the Middle East and China. I could google, but I'm pretty sure christianity isn't about becoming a christian and nothing bad will ever happen to you.

I would also emphasize the less and less part. This wasn't much of a journey. At least in the comics. The point isn't her being faithful or not, it's that it was a rushed, shallow hit at one of Ennis' pet irritants, Christianity. That's not good storytelling. That's an edgy teen boy's internet screed.

The pet supe point is just completely unrelated and a bit stupid, the point of Huey and Starlight's relationship is to highlight

No need to insult a position because you disagree. As you list multiple points, I'll take them in stride.

A. The two people from opposite sides of the aisle coming together in shared alienation trope

Which would be fine, but what is Starlight, in the comic, other than her being tied to Huey?

B. The fact that despite their horrible experiences and the horrible world they live in, people can still love each other and create something wholesome worth living for instead of letting the horror of the outside world paint their character, which is a really good moral for someone coming from the 2000AD clique cause most people who are from that clique always tend to push very depressing bleak and downright abhorrent morals

I...dunno? I mean, I feel the Boys morality is skewed. The book consists of them doing the vilest things and then justifying it by having cartoonishly one dimensional villains opposite of them. The fact Ennis gave his Simon Pegg (please give me a TV show Hollywood) a GF doesn't to me alter/undermine my criticism that she's more Huey's pet sup/girl then the more complex character with agency the show turned her into.

C. That women can be empowered, have everything they want and still desire a normal relationship with a subpar man which is something I think is a good thing

Well....that's more a taste than quality point. I personally don't really care? I'm more interested in an actual character, drama and conflict.

Yes she has less agency wrt the events pertaining the Boys and the Seven but it isnt as bad as you are portraying it is, she has enough agency to still make her feel like an authentic character. Shes not a girlboss or some revenge filled exploited woman who wants to lash out like a wild animal, which is unfortunately the modern standard for empowered female characters.

Okay, so now you admit that she exists to be Huey's GF plot wise? Note that my standard isn't any of the things you mention.

I could point....again, to the countless love interests in other comics. Who is Starlight? Really?

Another way to look at it, who do I put her with, in the comic, and she creates good story drama and tension? Her christianity is a wonderful foil for Butcher, her wholesomeness a nice contrast for Frenchie. But in the comic where does that go?

I could talk about others. I could point to Homelander. I didn't like Stormfront or Soldier boy in the show, but fucking hell were they better than in the comic book.

In fact a really good illustration of the humanizing tendencies of Ennis is from Dear Becky, where he portrays a troon character as sympathetic and possibly even human at times. Generally for progressives to portray troon characters and bigotry they will make it as black and white as possible but in Dear Becky the troon is ugly, he is very abhorrent even but he is aware of that, even if hes supposed to be a troon he still calls himself he at points. He doesnt lash out or demand things of other people, generally accepts neutrality or non acceptance as something average or normal, even is good friends with Hughie despite Hughie clearly being on the fence about a childhood friend of his from his hometown becoming a troon. Same thing happens in Jimmys Bastards where strong empowered negressa froths at the mouth initially about taking down Jimmy, the james bond esque slightly misogynist womanizing secret agent. But towards the middle she says even if he is all of the bad things she thinks is bad, he wasnt evil or a villain as she thought he was but was in fact one of the most talented people working in the spy industry whose work was crucial to the industry and that he was a very good man.

And that's lovely. Ennis usually is beloved because he gives a woobie moment. He's always done that. But when it comes time, he doesn't really fulfill conflict, does he?

If it was Alan Moore, he would make Jimmy a deranged lunatic like Rorschach who might as well become the comics final boss.

Yet Rosarch is the moral one. He's the one who refuses to allow the murder of millions to go by. He's the only one not so far caught up in his own selfish hangups that he let's Veidt run wild. Moore's problem with Rosarch was he was too good of a writer to properly undermine the character and his drama and conflicts. Rosarch gets the added humanization you talk about (his mother the whore, his experience with the killers, his relationship with Dan). But, at the end it actually leads somewhere. It's tied to story. A story where everyone isn't a psychotic sociopath, with real drama and conflict; even though the author clearly has his own pet peeves and issues.

You point to Ennis being generous to Troons and mysogynists. But those are groups he somewhat is neutral to personally and what does that relate to the story; compared to Rosarch's deranged lunatic playing into a character, fully formed, and ultimately acting in a righteous way.

Ennis at the end of the day is still a progressive but he wants to see the good in people and he almost always does, he might be an atheist but he can understand why christcucks are christcucks which is much better than anybody else in the modern world. He may not be the best writer but is a good writer and a good person, ethically and thats all that matters at least to me

I find his ethics lacking, his understanding of christianity shallow to non-existent, and progressive tendencies irrelevant. My issue with the Boys are his failure to, after including things he hates, address them in a way other than that of an angry 15 year old.

I'm not suggesting he's never created a character (He's been doing this for over thirty years/he better have by now), I'm specifically talking about the Boys. About it's poor characterization, it's lackluster addressing of issues and topics Ennis chose to drudge up. About his failures to create tension and drama.

I was never scared for Butcher when he faced a Supe in the comic. In the show anytime they appear they are menacing because of the power gap. I point to Starlight, but I could point to 90% of the cast. I pointed to her because though both the show and book dunked on Christians; the show, at least, took time to make an actual point that was related to characterization and it resulted in interesting character development, drama, and pathos.
 
God, that artwork is SHIT! Digital inks are the bane of my existance. Everything looks lifeless and lacklustre. I can't even get mad about the shit dialogue because that's par for the course in modern capeshit but everything looking so blatantly unappealing to the eye makes me wonder why these fucks chose comics as a medium in the first place. Terrible.
I now shudder a the thought of anything I like getting an adaptation. Those two are nightmare scenarios for me, and Preacher already happened with that fucking show.

I learned that hard lesson long ago with Constantine, but it has been driven like a bullet into my fucking forehead over and over for the last couple decades
I thought the Constantine TV show wasn't even half bad and was sad to see it getting cancelled. Was years ago, though, i might see it with different eyes now. Loved the Delano and Ennis run on Hellblazer.
The Preacher show is a complete disgrace, though, unwatchable garbage wether you are a fan of the comics or not, everything Seth Rogen gets his greasy mitts on is fucking tainted.
I think the comic was generally dogshit but the show has long since fallen for the siren call of lefty soy political pandering. It's also just drawn out to the point of retardation, it should have ramped up and hit a conclusion a season ago.
I think the comic was exceptionally bad (reread it earlier this year and stand by my opinion that its pretty much overall shitty), too, but the first season of The Boys was surprisingly good. Cue mid of the second season and it's a straight downward spiral in quality, with s03 being an absolute travesty. It's the Rogen taint again, i swear.
Hot take but most Ennis stuff degenerates to dogshit. The television show was better than the comics.

* Ennis rabid atheishit beliefs led to him constantly writing cringe strawman Christians. Which hurts story telling beyond his faggy cry-a-thons when it comes to faith. Supposedly a central figure, Starlight is a very devout Christian. Her faith and Butcher's, Ennis insert Britbong wank character insert, militant atheism could provide an amazing source of dramatic tension and fascinating interaction. Instead, in the perfect example of stupidity, Ennis has Starlight reject Jesus because something bad happened and the world is shit.... Compare this to the television show, where Christian hypocrisy is cringely pointed to; but Starlight and Milk have fantastic interactions with Atheist/agnostic Huey/Butcher. It even provides Starlight a season arc instead of her just being Huey's pet supe in the comic.

* Ennis doesn't really do plot. He's better in small, tight arcs. I remember Preacher started to meander at the end, the boys was even worse. The Homelander was pretentious and boring in the comic versus being enthralling in the first season or two of the show. The show also went deeper, where in the comic Butcher is a two D cunt with zero ever challenging is paper thin revenge goal; the show humanizes him while keeping to his cunt character. The story is overall better until season three, when it implodes....
Counterpoint: Hitman is one of the best comic books in existance. I'm a Ennis fanboy but i cringe at his rabid atheism and anti-christian leanings as well, nigga is the forever-edgy-13-year-old.
 
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@The Feline Solution

Hitman is probably his best work, spinning out of the Demon. It is improved for having been both a main DC title and early in his career, forcing him to clean it up and work harder. I'm not a fanboy, but I liked his contributions when they have nothing to do with Superheroes.

Sometimes you can be worse than the thing you hate...

I'm still salty about the Constantine show getting cancelled but a billion Arrowverse shows allowed to fester on the canceraids woke network.

@MirrorNoir

The Detroit era of the JLA was entirely due to the fact that Teen Titans and Legion and Batman and the Outsiders were outselling JLA by huge margins. JLA never really recovered from the departure of Perez as interior artist (and the backlash where they kept having Perez do covers for a year afterwards while having dog shit art in the insides) and the character ruining retcon that Roy Thomas forced onto JLA regarding Black Canary being her mindless and cursed daughter imprinted with her mind by Johnny Thunder in secret (all because Thomas was pissy that Canary was older than Green Arrow).

The Detroit League was widely reviled when it came out and not even sticking Batman in it as a Hail Mary could save it. Vixen and Steel were the least hated while Vibe/Gypsy were despised. Sadly, in a bit of SJW bullshit, they ended up killing the male new members (Vibe and Steel) and keeping Vixen/Gypsy alive while at the same time, having Steel killed a second time in the JLI run for shits and giggles while sparing Gypsy.

But the whole thing was a huge failure because it was explicitly an attempt to cash in on the young 20-something hero movement DC was riding at the time by fans even though, DC and the writers were pulling the excuse that it was done "purely to deal with factors outside their control with the Big Guns" (though at the time, only TWO of the Big Seven were yanked because of their own books; Hal Jordan due to him being sent off into space for a year and Flash for his never ending murder trial arc) rather than admit what everyone and their mother saw was the real reason: they wanted JLA to be more like the Titans.

And that's not even touching DC aping the rape of Ms Marvel with what they did to Zatanna in the last year of the title before the JLI reboot: having her be tortured/experimented on by a mad scientist who believed magic was genetic not something you learn and having Zatanna, after being freed, running off with the madman who kidnapped her for reasons that made zero sense ala Carol running off with Marcus.

I'd go further. Detroit is what happens when you put Gerry Conway on your book for over a decade without a marque artist other than George Perez doing less than a year (ten issues?) of breakdowns. It was management not really showing the book love.

In the 60s Marvel had Stan Lee and Roy Thomas with art by Jack Kirby Steranko, Barry Smith, and Neal Adams on X-men, Avengers, and FF. In that same time period at DC, Jim Shooter was killing it on Legion.

The 70s don't get any better. Marvel had The Avengers in the 70s have John Byrne and Perez doing pencils consistently for years. Dave Cockrum on the X-men. At DC? DC had All star comics with art by Keith Giffen and written by Paul Levitz after Conway briefly launched the book. The 80s were even worse.

You mention Legion/Titans/BATO, I'd add All Star Squadron/Infinity Inc. While the League was working with Alan Kupperberg and Luke McDonald off of an over the hill Conway's scripts; Keith Giffen, George Perez, Alan Davis, and Jerry Ordway/Todd McFarlane were drawing these competing team books with a host of talent like Marv Wolfman and Paul Levitz.

The league wasn't really up and coming artistically. Story wise it was dated and playing catch up in a market with just better team books everywhere for pretty much it's history up to 86. That's why JLI is so remarkable.
 
The Detroit era of the JLA was entirely due to the fact that Teen Titans and Legion and Batman and the Outsiders were outselling JLA by huge margins. JLA never really recovered from the departure of Perez as interior artist (and the backlash where they kept having Perez do covers for a year afterwards while having dog shit art in the insides) and the character ruining retcon that Roy Thomas forced onto JLA regarding Black Canary being her mindless and cursed daughter imprinted with her mind by Johnny Thunder in secret (all because Thomas was pissy that Canary was older than Green Arrow).
Lmao fucking Black Canary II shit was fucking weird. Didn't they kill the original's husband in the early 70s or some shit? Honestly all they had to so with her was just have Roy Thomas do the same shit he did in All-Star Squadron and say "Ah yeah something happened with Karkull again so Dinah also gets to age slowly". Honestly it does kinda suck how the first Canary kinda just dies of cancer, naturally, during the Crisis or right after it and they make a footnote of how she was the "last living OG JSA member barring Dr. Fate himself" at the time due to the JSA being sent to Ragnarok. (That was weird.)

Honestly, I did also enjoy the JSA returns book from the early Pre-Zero Hour 90s. I really fucking wish they didn't kill Al Pratt because I enjoy the dynamic of Jay/Alan being there for their entire "legacy families" and Al kinda developed one after the 90s. (Ray Palmer, Ryan Choi, Atom Smasher, Damage, there's probably others I'm missing too.)
The 90s Eclipso revamp was a cool idea that needed better execution. At least some of the heroes survived but it's kinda sad how they just axed all the JSA-affiliated permanently in there (Second Wildcat, Second Dr. Midnite, Commander Steel). I know they had Major Victory killed but he was some Outsiders adjacent holdover that never mattered. Nemesis survived, Creeper survived, fucking Mark Shaw Manhunter apparently got retconned into survived all along. I think that was retconned like. . . 2-3 years ago? IDR. Manhunter comics after the SImonson Paul Kirk run have been kinda weird.

But back on topic, it's a shame that they just didn't introduce Canary II conventionally because it'd have fit in with the timespan of introducing all those other ones like Power Girl, but I guess they just wanted GA to not bang a cougar.
The Detroit League was widely reviled when it came out and not even sticking Batman in it as a Hail Mary could save it. Vixen and Steel were the least hated while Vibe/Gypsy were despised. Sadly, in a bit of SJW bullshit, they ended up killing the male new members (Vibe and Steel) and keeping Vixen/Gypsy alive while at the same time, having Steel killed a second time in the JLI run for shits and giggles while sparing Gypsy.
Vibe made some sense to kill off. He was sort of a stereotype and a bit of a joke. While he could have been interesting in the hands of a better writer, he's the biggest fodder target of the bunch. Steel would have been an interesting one to have survive, but who knows. At least the whole deal he had with Commander Steel being his grandpa and being fucking batshit insane after the war was interesting. Shame it happened so late. If they'd started with that plot point right away, then maybe the Detroit League could have something more memorable. It was revealed during the Crisis tie-in issues that Commander Steel got sent to Earth-1 after the war and became some kinda mogul while also being fucking mentally unhinged. He apparently made his grandson become a cyborg through a painful process and was apparently meant to be a depiction of a former hero turning evil due to PTSD and trauma? In the hands of a far better writer and editor, that could have been a really interesting tale to put a group of young heroes through, especially if we tie in the whole deal with the JLA very likely not knowing much about Commander Steel due to only having had one crossover event with the All-Star Squadron at that point.

Vixen had a whole edgy arc for a while iirc. They stuck her in the Suicide Squad. Gypsy kinda floated around in some JLI-related story with Despero and then showed up in JL Task Force? I think? Man, the leftover Infinity Inc kids were treated better than the leftover JL Detroit ones and that's kinda sad. (Jade was shoved into leading the Blood Pack, Obsidian and Nuklon joined the Justice League America and were at least interesting in it. I remember a funny gag where Obsidian revealed that he was gay and it was kinda just treated as "whatever, but hey cool for you bro" while Nuklon turned down a "dating with the intent of marriage" deal with Fire because he wanted to settle within his religion (jewish). Honestly, the whole Gerard Jones JLA stuff was interesting at points, but they really felt like it was just leftover C listers plus whatever obligatory A lister they could spare (Superman had his turn, Wonder Woman was there for a good chunk, I think Wally West was also there?)

Honestly I just wanted more Maguire/DeMatteis/Giffen JLI. That was gold. I even miss fucking General Glory.
But the whole thing was a huge failure because it was explicitly an attempt to cash in on the young 20-something hero movement DC was riding at the time by fans even though, DC and the writers were pulling the excuse that it was done "purely to deal with factors outside their control with the Big Guns" (though at the time, only TWO of the Big Seven were yanked because of their own books; Hal Jordan due to him being sent off into space for a year and Flash for his never ending murder trial arc) rather than admit what everyone and their mother saw was the real reason: they wanted JLA to be more like the Titans.
Yep, they were inserting younger heroes into stuff more often (Firestorm for the JLA, I remember some young woman named Windfall for the Outsiders? There was the whole deal with an increasing number of Titans that kinda just either faded into obscurity or killed off)
And that's not even touching DC aping the rape of Ms Marvel with what they did to Zatanna in the last year of the title before the JLI reboot: having her be tortured/experimented on by a mad scientist who believed magic was genetic not something you learn and having Zatanna, after being freed, running off with the madman who kidnapped her for reasons that made zero sense ala Carol running off with Marcus.

Honestly given that I don't remember much of the JLA detroit stuff in detail, it's funny how much they really wanted to push the "youthful heroes" angle without knowing what made it all work.

The older members of the detroit league were there because . . . they weren't really A-Listers aside from maybe Aquaman. Jonn's never really been a true A-lister, but he's always been associated with the league in the same way that Hawkeye/Vision seem to be kinda associated as the prominent example of an Avenger that's been around forever. Elongated Man's always been kinda just sadly underutilized and mocked. Zatanna's always had potential but DC's never really had their shit together long enough to decide to push her to being a true A-Lister. They totally could and it'd probably just take 5 years, but they'd fuck it up somehow.
I think the Detroit era would have been the perfect time to sift some of the older Titans that weren't big draws and put them on the team. Like, sure we're not getting the original lineup or the popular New Teen Titans, but you could have probably found a good use for Hawk and Dove or Flamebird or Bumblebee/Herald or even Duela Dent. Maybe toss Golden Eagle into the mix? I dunno, there were better ways to do shit. Vixen had been established in the 70s and then wasn't used much. Steel was a legacy hero following a C list legacy. Vibe and Gypsy were just fucking stereotypes. Who else did the Detroit league introduce? The Overmaster? I think that villain was kinda just used to kill off Ice and that was about it. . .
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We did get the more threatening muscular and beefed up Despero from the Detroit league time. That's the best legacy of the Detroit League on DC as a whole.
 
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In conjunction with Tom Brevort taking over from Joardan White as editor for the X-Men Office, Gerry Duggan has announced that he'll be departing the X-Line in January.

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I don't know what the changes to the status quo will bring, and I don't trust Marvel to write a legible grocery list these days, so my optimism for any improvement in the X-Men Line is wedged somewhere in the Earth's core. But I have a hard time believing anything they do next will be worse than the soon to be concluded, 4-year, insufferably-boring plate of asscancer that was the Krakoan Era.
 
Black Canary's husband died in the same story Black Canary jumps to Earth 1 to join the JLA (and suddenly develops screaming powers the second she sets foot on Earth 1) in JLoA #75, which was late 1960s.

The idea of Black Canary II being a real person/legacy character didn't happen until a multi-part run on Secret Origins by Keith Giffen that established Black Canary II not Wonder Woman founded the JLA with Flash, Aquaman, Hal Jordan, and Martian Manhunter. Everyone kind of danced around the issue until then and even then, Mike Grell infamously declared Black Canary never had super powers in several interviews when he wrote Green Arrow even though Canary was using said powers in JLI and Legends and refused to fucking clarify shit (leaving Chuck Dixon the misfortune of having to declare that Canary lost her powers when she got gang raped/sodomized with several random objects for the evilulz and rendered physically unable to ever have kids immediately after Grell left the book due to Grell having considerable creative control over Green Arrow at the time).

Black Canary I's fate wasn't revealed until Secret Origins #50 in a story by Alan Brennett (one of his last works, as he ultimately got fired for refusing to shut up about how much he hated Crisis On Infinite Earths and taking pot shots against it). Brennet revealed that Golden Age Black Canary retired after her husband died in the events of JLoA #75 and Hal and Ollie reconciled over events from Action Comics Weekly which had fans hating Ollie (TLDR Hal was homeless and broke and Ollie told Hal to fuck off when he asked if he could crash in Seattle with him and Black Canary, which was due to Grell fucking refusing to feature any super-heroes in Green Arrow* and embargoing other writers from using Ollie and Dinah in other books and fans were pissed that Ollie was being a dick to longtime friend Hal in a time of crisis for him). At the time the JSA was timelost and Dr Fate was dead/replaced with the unholy incest duo of a older woman and her young stepson who was aged up to adulthood so he could be Dr Fate, so Ollie, BC II, and Hal were the only people by Golden Age BC's bedside as she died, until Spectre showed up at the moment of her death to personally lead her to heaven, which was where Brennett shitted on Crisis again by telling her she'd "reunite not just with her family and friends, but also friends she had been cruelly made to forget".

*Grell was so fucking pissed off at the story course correcting a situation his arrogance had caused that he wrote his own rebuttal story afterwards in Green Arrow, though with the cavet that Hal appeared in civilian clothing the entire time and no mention was made of him being a hero and retold the two reconciling on his terms as far as having Hal agree that he needed to stay away from Ollie and not be a third wheel. .


As for Duggan leaving the X-Books, it should be noted that Brevoort is a Byrne/Claremont cultist who thinks Jean Grey should have stayed dead and Kitty Pryde was the "last real X-Men" and hating on anyone who joined after her. So X-Men fans are probably going to get Monkey Pawed HARD in that the cancerous Krakoa era is finally ending, but we are getting something akin to the 1998/35th Anniversary reset with the X-Men going back to being the All New All Different X-Men roster plus Kitty and if we are lucky, Rogue, Rachel Summers, and Madelyne Pryor grandfathered in if Brevoort decides to be charitable to people who hold the "Uncanny X-Men #201 is the last real X-Men story" line of thought.
 
@The Feline Solution

Hitman is probably his best work, spinning out of the Demon. It is improved for having been both a main DC title and early in his career, forcing him to clean it up and work harder. I'm not a fanboy, but I liked his contributions when they have nothing to do with Superheroes.

Sometimes you can be worse than the thing you hate...

I'm still salty about the Constantine show getting cancelled but a billion Arrowverse shows allowed to fester on the canceraids woke network.
Fuck the Constantine show, they didn't even get his name right.
 
Talking about ennis and Christianity, do you guys remember chronicles of wormwood? It was a fun story.
Was alright for a quick read, even though it had hurr progressive Kang Jesus, who was also brain damaged and homeless IIRC. Red Team was the last thing i read by him, on someones recommendation ITT, and the first arc was pretty good.
Fuck the Constantine show, they didn't even get his name right.
It didn't? I think they didn't even let him smoke on screen apart from one episode or so. I do remember downloading the first episode in HD and absolutely hating the production values, next episode i grabbed in 480p, set my video player to 4:3, making everything look like a pulpy mid-90's show and somehow this made it much more enjoyable to me.
 
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Was alright for a quick read, even though it had hurr progressive Kang Jesus, who was also brain damaged and homeless IIRC. Red Team was the last thing i read by him, on someones recommendation ITT, and the first arc was pretty good.

It didn't? I think they didn't even let him smoke on screen apart from one episode or so. I do remember downloading the first episode in HD and absolutely hating the production values, next episode i grabbed in 480p, set my video player to 4:3, making everything look like a pulpy mid-90's show and somehow this made it much more enjoyable to me.
It's Constantine to rhyme with mine, not Constan-teen.
If they can't even get his name right how are they supposed to be trusted to get literally anything, anything else at all correct?
As an aside, TVTropes fags delenda est.
 
It's Constantine to rhyme with mine, not Constan-teen.
If they can't even get his name right how are they supposed to be trusted to get literally anything, anything else at all correct?
As an aside, TVTropes fags delenda est.
I never watched the show cos fuck it why would I? But I looked for some clips to see if they said the name and (this one is from the crossover with the Lucifer and Arrow shows or something but still)
I can't believe it, they not only went with the -teen, but they HAD JOHN CORRECT LUCIFER WHEN HE SAID IT RIGHT!
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They did it literally backwards! Wankers!
 
It's Constantine to rhyme with mine, not Constan-teen.
Shit, you're right. Gotta blame the movie for that one, even though the show could've done its due dilligence. Not that it would've changed much, ratings were catastrophic right of the bat IIRC.
As an aside, TVTropes fags delenda est.
What, you don't like reading words like "squick", "expy" or "flanderization"? Most autistic community right next to actual trainspotters.
I never watched the show cos fuck it why would I? But I looked for some clips to see if they said the name and (this one is from the crossover with the Lucifer and Arrow shows or something but still)
https://youtube.com/watch?v=8B97q259i04:102I can't believe it, they not only went with the -teen, but they HAD JOHN CORRECT LUCIFER WHEN HE SAID IT RIGHT!
View attachment 5426942
They did it literally backwards! Wankers!
I completly forgot that they made this absolute travesty of a show. Watching the very first trailer was enough for me to never even think of watching a full episode.
 
I never watched the show cos fuck it why would I? But I looked for some clips to see if they said the name and (this one is from the crossover with the Lucifer and Arrow shows or something but still)
https://youtube.com/watch?v=8B97q259i04:102I can't believe it, they not only went with the -teen, but they HAD JOHN CORRECT LUCIFER WHEN HE SAID IT RIGHT!
View attachment 5426942
They did it literally backwards! Wankers!
I genuinely hate that show, the movie, Matt Ryan, the modern DC runs and the nu-Constantine audience. Their combined existence devalues my collection and enjoyment of Hellblazer comics. Pic very much related.
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In conjunction with Tom Brevort taking over from Joardan White as editor for the X-Men Office, Gerry Duggan has announced that he'll be departing the X-Line in January.

I don't know what the changes to the status quo will bring, and I don't trust Marvel to write a legible grocery list these days, so my optimism for any improvement in the X-Men Line is wedged somewhere in the Earth's core. But I have a hard time believing anything they do next will be worse than the soon to be concluded, 4-year, insufferably-boring plate of asscancer that was the Krakoan Era.
I like this. I'm not familiar with any of these people but I could never bring myself to read much of the Krakoan era stuff so anything different is welcome to me. I really hope they go back and write some more traditional x-men comics rather then something weird like they've been doing with the current stuff.
 
I genuinely hate that show, the movie, Matt Ryan, the modern DC runs and the nu-Constantine audience. Their combined existence devalues my collection and enjoyment of Hellblazer comics. Pic very much related.
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I'll defend Ryan and even Reeves, in so far as the fact that they at least tone down Constantine's asshole tendencies that most writers go overboard in pushing to keep him likable.

That said, I would have to say Mark Sheppard's Kipling character from Doom Patrol, a character created due to DC wanting to limit Constantine's usage in other books, is my favourite version of the character and probably deserves more love.
 
So I've had the first issue of Earth One superman for a long time, and loved it, but am just now going through the other 2 issues and going through Batman Earth one. Surprised this concept didn't take off/get more popular. Even though things like Man of Steel obviously took a lot of inspiration from it, for better and worse. I'd kill to have a World's Finest run for the boys though.

Would anyone recommend the other E1 series? Never cared much for Latern, but if his fans say it's good I'll trust ya, and anything with Diana can be a total crapshoot so I'm iffy on hers as well. When WW is done well it hits hard, but it's so easy to fuck her up.
 
So I've had the first issue of Earth One superman for a long time, and loved it, but am just now going through the other 2 issues and going through Batman Earth one. Surprised this concept didn't take off/get more popular. Even though things like Man of Steel obviously took a lot of inspiration from it, for better and worse. I'd kill to have a World's Finest run for the boys though.

Would anyone recommend the other E1 series? Never cared much for Latern, but if his fans say it's good I'll trust ya, and anything with Diana can be a total crapshoot so I'm iffy on hers as well. When WW is done well it hits hard, but it's so easy to fuck her up.
I read these as they came out, so it's been a while and my memory of them isn't the best. While I didn't like E1 Superman or E1 Batman (they were fine, but didn't wow me), and I never did read E1 Wonder Woman, I remember liking E1 Green Lantern, at least the first volume, I don't recall reading the second.
Now, I'm a GL fan so I'm biased, but it felt pretty different. More grounded, as far as a story about GLs can be.
 
I read these as they came out, so it's been a while and my memory of them isn't the best. While I didn't like E1 Superman or E1 Batman (they were fine, but didn't wow me), and I never did read E1 Wonder Woman, I remember liking E1 Green Lantern, at least the first volume, I don't recall reading the second.
Now, I'm a GL fan so I'm biased, but it felt pretty different. More grounded, as far as a story about GLs can be.
Tbqh, E1 batman lost me at the very end simply because they made Dick a nog for no reason. Up to that point I was genuinely hooked at every turn, and fully invested. The idea of Croc being part of the gang was super fun, Dent's sister being Two-Face after his death, and the Clayface reveal were super fun. And any Bat stuff having Alfred be more than a butler is always welcomed.

E1 Superman was "fun". 1st issue was pretty meh, but 2 and 3 were solid. 3 less so because the Zod and Lex² shit was really dumb(even if i like the Michael Shannon design inspiration and Male Lex being a good dude), but the non Big Blue stuff was A+ which is pretty typical with Superman Media in general really. Issue 2 was the best part of Supes' E1, because I'm a sucker(lol) for Parasite.

And I'll give Lantern a look-see. As weird as it may be to be into conceptual entities like Darkseid, the general hyper cosmic bullshit The Corps center around has always been off putting to me. So if it stick within the mote grounded nature of the E1 concept, I'll probably enjoy it to some extent.

Overall, between the Big Two, Batman was the best E1 series I've read so far. But that's probably because a more grounded Batman is way easier to pull off given his gallery and mythos. Just wish they'd have given our Big Blue Boyscout the same number of issues.
 
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