Sperg about comic books here

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I hated Genosha as a setting. It was just Claremont's magical realm and having Magneto rule it was a cop out. Magneto isn't really Doom, Doom is entertaining because he's a manchild playing dress-up and under good writers his rivalry with Reed is basically just autism/ jealously. Doom actually gets called out and writers can just ham it up rather than going 'The Holocaust happened, I mean 16 million.... 6 million.... what's the difference?'
You know, my dream story about X-Men is some mutie kid already inside the group learning about all the shit that the x-men did (X-force, phoenix, mind manipulation) and getting really pissed of at them because they are not much better than those who they fight against.

The utopia scenario was perfect for it, and even had glimpses of the idea I would like to use (they kinda tried something like that using Zero from Generation Hope), but overall my idea would be a new generation of x-men really criticizing the previous generations on their actions and fighting among them in a political level and using the opportunity to really see critically how the stories have been change and finally realizing that the x-men are fucking cancer for mutiedom.

my protagonist for this story would be a revolutionary type full of rage that his mutation took everything from him, so he would be full of rage and his mutation would be something related to technology so he could get all these information on the background of the x-men in his case against it.

But yeah, this is just my delusion linked with my hate for the x-men and all the time I wasted reading this terrible series, events and so on.

Also fuck bendis for making me read his horrible uncanny x-men. Bobby drake being gay is one of the most retarded shit he ever did.
 
You know, my dream story about X-Men is some mutie kid already inside the group learning about all the shit that the x-men did (X-force, phoenix, mind manipulation) and getting really pissed of at them because they are not much better than those who they fight against.

The utopia scenario was perfect for it, and even had glimpses of the idea I would like to use (they kinda tried something like that using Zero from Generation Hope), but overall my idea would be a new generation of x-men really criticizing the previous generations on their actions and fighting among them in a political level and using the opportunity to really see critically how the stories have been change and finally realizing that the x-men are fucking cancer for mutiedom.

my protagonist for this story would be a revolutionary type full of rage that his mutation took everything from him, so he would be full of rage and his mutation would be something related to technology so he could get all these information on the background of the x-men in his case against it.

But yeah, this is just my delusion linked with my hate for the x-men and all the time I wasted reading this terrible series, events and so on.

Also fuck bendis for making me read his horrible uncanny x-men. Bobby drake being gay is one of the most retarded shit he ever did.
I waste a lot of time reading manga and comics. It's only natural to criticize the current state of things you used to like. My issue is that the X-Men and the modern writers are on that kick of everyone is uniquely special, either because of intersectionality politics or because writing in this kind of fiction has always gone self-actualization --> Powers get stronger and vice versa. Jean Grey is the pinnacle of creation because she can move a lot of rocks with her mind and because Claremont got really in cuck porn when he wrote Dark Phoenix. It's not really a coming of age story and more of some weird minority fetishization complex story.

It'd be pretty easy to write what your talking about. The easiest would be something like a promising athlete gains an unfair advantage, he isn't ugly or he can't control it, but he basically can't compete anymore because it's literally an unfair leg up. It'd come down to conflict with the ideals of the X-Men and how they're hated and feared for being people who constantly validate peoples fears. Does the character identify simply by their powers like Magneto, or view it like being double jointed? Is learning to use your powers mastering them or learning when to use them. Should you use your gifts for petty shit just because you can?

You'd also need to address people like Beast or Rouge, who have powers with negative sides to them, compared to people like Magneto or Iceman who's powers don't interfere with them living a normal life. Being visibly different can fuck with you in your public life, but I've known people who have chicken wing arms or port-wine stains on their face. The entire point of Beast once he became a big blue Gorilla was that the guy was a goofy guy who'd quote Shakespeare while helping you with your taxes.

I used to do Tabletop shit with some friends a while back and the main conflict was a Magento-esque villain who saw himself as a the King of the World because of inborn ability. I've had discussions about this way too much.
 
You'd also need to address people like Beast or Rouge, who have powers with negative sides to them, compared to people like Magneto or Iceman who's powers don't interfere with them living a normal life. Being visibly different can fuck with you in your public life, but I've known people who have chicken wing arms or port-wine stains on their face. The entire point of Beast once he became a big blue Gorilla was that the guy was a goofy guy who'd quote Shakespeare while helping you with your taxes.

I used to do Tabletop shit with some friends a while back and the main conflict was a Magento-esque villain who saw himself as a the King of the World because of inborn ability. I've had discussions about this way too much.

They nerfed Magneto by making him a Jew
 
There was supposed to be Gotham City Sirens omnibus but they cancelled it and I don't understand why? I wanted to collect it.
 
Finally finished reading the opening arc of Daredevil v2 by Kevin Smith.

Finished up Kevin Smith's Guardian Devil story arc, which kick starts volume two of Daredevil. Ultimately I feel like it's a really lazy, cheap story arc. To begin with it all just feels like a rip off of Born Again mixed with other greatest hits. Had Smith just owned that and made it a story about a villain trying to drive Daredevil insane and then DD slowly notices various inconsistencies and other problems then the arc would've been fine though unremarkable. But, no, Kevin Smith needed the story to be clever and super important.

The center of a lot of problems with the arc is the main villain - Quentin Beck, aka Mysterio. He has next to zero connection with Matt and his motivation - essentially "well, we're both b-listers, so, eh, whatever." - doesn't make for a good story foundation. A combination of Purple Man, Jester, and Mister Fear would've allowed for essentially the same plot and would've been a more bombastic way to start volume two. Hell, if you wanna jerk off to continuity like Kevin Smith seemingly does then bring back Starr Saxon, an old villain with actual ties to DD and a similar skillset to Mysterio. One of the reasons for choosing Mysterio was likely to make it nearly impossible to figure out who the main villain was during the early parts of the story but the main reason for it is was to give Smith an out on the lazy writing and give him the ability to lampshade copying older, better stories.

Yes, the story and characters know they're ripping off of Born Again and other stories. Mysterio seriously has dialogue that's like, "of course it isn't original, i did steal these ideas! ha ha" and "ha ha, wouldn't it be funny if i stole even more ideas? like from kraven's last hunt? ha ha" Now if all the stolen ideas were just part of Mysterio's narrative that he crafted I could've accepted it as just Beck being a hack but you also have stuff like the idea of Beck's cancer essentially being stolen from a J.M. DeMatteis story wherein the Vulture found out he had cancer due to the energy from his flight pack. Karen's death, too, feels like a lazy retread of Elektra's death in Miller's original DD run. As such it feels less like intentional meta commentary and more like Kevin Smith being a hack, realizing he had no original ideas for the story, and deciding to use his own laziness as a plot device, trying to sell his unoriginality as clever writing. Lastly on the topic of Mysterio, I wonder how much of his seething over not being recognized alongside greats like James Cameron was Kevin Smith's own feelings of inadequacy over not reaching the same heights of fame as the likes of Quentin Tarantino.

Going back to Karen's death, it just isn't handled very well. Firstly, the preceding fight scene between Daredevil and Bullseye is extremely low energy and boring. Then Karen's death is basically Bullseye going, "opps guess i hit her by accident lol later dd", which really hurts its dramatic punch. Could've also used DD's heightened scenes to much better dramatic effect. As for killing off Karen in general... I don't really care much. Nobody really knew what to do with her. Mary Jane Watson had the benefit of Gerry Conway and later Tom DeFalco really fleshing her out and making her three-dimensional, plus Len Wein solidifying her and Peter's relationship. The most Page had going for her was Miller turning her into a junkie whore porn actress... which was a little too much for most writers to work with. Nocenti having Karen Page set-up a legal clinic was interesting but didn't really go anywhere and Karen herself was still fairly bland during that run. Chichester made her into a weird anti-porn crusader which was just strange and dumb (I'll never understand why he didn't go with the more obvious anti-drug angle). After that the most they did with her was making her into a radio host, which also wasn't very interesting. Ultimately, much like Gwen Stacy, Karen Page being a haunting failure for the hero is the best thing that could have happened to her.

Finally, there's Daredevil's characterization throughout the run. It's solid but unremarkable. A big plot point of the arc is that Matt's supposedly being pushed to the edge of his sanity... but it's never really sold well. In Born Again Miller and Mazzucchelli really show how broken and beaten Matt is in that story, they make Murdock feel like he's really at his lowest and one step away from giving up. In Guardian Devil, though, DD only ever seems annoyed and angry, yet he's supposed to be over the edge enough that he tries to yeet a baby and then later try to kill himself and the baby. I guess we at least get the hilarious inner monologue wherein Daredevil goes full blown incel and starts to blame women for all his (and humanity's) problems and seethes over Natasha being a whore. Even after Page's death he just cries for a few pages and then just goes "I'm not gonna give up!" like the protagonist in a generic shonen anime.

Overall it just largely felt lazy to me. Had the story been credited to Alan Smithee instead of Kevin Smith and if the issues were #381 - 388 instead of the launching pad of volume two then I think most of the fanfare for it wouldn't exist.
 
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Kevin's best run was on the Green Arrow relaunch in 2001. It brought him back, got him his fortune back, established his connection with Roy and Connor, set the stage for a new Speedy, and created a great new villain for Ollie - Onomatopoeia.
 
Not sure if it is intentional, but the first page of the thing and it is this fucking kills me.

Lets hope it was intentional.
 

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my protagonist for this story would be a revolutionary type full of rage that his mutation took everything from him, so he would be full of rage and his mutation would be something related to technology so he could get all these information on the background of the x-men in his case against it.

But yeah, this is just my delusion linked with my hate for the x-men and all the time I wasted reading this terrible series, events and so on.

Also fuck bendis for making me read his horrible uncanny x-men. Bobby drake being gay is one of the most retarded shit he ever did.
I'm going to make an 'asshole' joke because...it's the Farms.

Ahem, yes I can't wait to see your Donut Steel OC on Devintart and Fanfiction.Net.
 
I've made a few comics related purchases recently, actually buying physical media online, and found some decent bargains among them - though it doesn't quite compare to digging through longboxes and bins and coming across surprises. Especially the "quarter bin". The average quarter bins at a comic shop, in my experience, were filled mostly with junk but sifting through them could be sort of fun and made the nuggets of gold you found feel like that much more of a prize.

One shop I used to frequent back in the early Aughts had about sixty shortboxes for their quarter bins, and the contents were, breaking it down from memory.

10% old issues of Gen13 Bootleg

12% old issues of Cyberforce

16% old issues of various Rob Liefield projects

32% The last six issues of titles that had been hyped up Flavors-Of-The-Month about a couple of years before. Want issue #12 of something like Michael Turner's Fathom for $0.50? You were in luck.

10% issues from seemingly every X-men spin-off or mini-series from the 90s to the early 00s that were the ones nobody I knew into comics had read or cared about.

17% old issues of various Rob Liefield rip-offs, from the Big Two to offerings from very small publishers.

2% Stuff you'd consider buying as a cheap alternative to toilet paper.

1% comics you might find readable.

(1% margin of error to this study).
 
I am reading Carthago and it is really fun. It kinda reminds me of that James Cameron movie, The Abyss. It is really fun but the european release dates scares me since it isn't finished yet.
 
I picked up a copy of wanted at a discount price, and I see now why writers like Mark Millar and Garth Ennis are popular with the "I'm 14 and this is deep"crowd.
I thinkk Ennis is much better than Millar. Ennis can sometimes get a bit ridiculous with the gore and the reddit atheism sometimes, is also capable of really great work - Hitman, Hellblazer, Punisher, Nick Fury, pretty much any of his military history comics. I like Preacher and The Boys and even the Crossed comics he wrote, but even if you don't, I think he's proved that he can write stuff than more than just gore and gross out humor.

Millar on the other hand is usually family lousy. I think he best work by far was his run on Swamp Thing, and I believe Grant Morrison did a lot of uncredited help with that. Almost everything else I've read from him has been completely underwhelming. I don't know how to account for his popularity.
 
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