Yeah, from what Jim Lee's said DC will be axing it's lowest selling titles. He mentions specifically they are looking at the lowest 20-25%.
As much as people bitch about the Batbooks I'd rather a company focus purely on profit over wokeshit.
I'll give DC some credit and say they're at least trying with their bigger titles. The problem with the clone saga was nobody ever really had any idea what was going on, and when the writers cared and tried to actually tell quality stories, they'd get shot down by the higher ups that just wanted to stretch it out with no real plan/direction on how to make it good. I think King's run on Batman was pretty bad, but he at least had a clear plan and it felt like he wasn't just phoning it in or being jerked around by editorial mandate. Same deal with Synder and all the Batman Who Laughs/JL stuff. I know it's more well received than King's Batman, but I'm not exactly a big fan. I can at least acknowledge Synder is trying and it seems like he had a general plan in place with what he is doing, though I admit I might be off the mark on that one since I don't really stay up to date with all his stuff.
It feels like Bendis is in the same boat, but that unfortunately came with the caveat of ignoring what the old creative team was doing with Superman, which IMO was much better then the Bendis stuff. I also think giving Bendis any sort of big character that's involved in continuity is a mistake, since Bendis really doesn't do well when he's outside of his sandbox. But again, they're at least putting their faith in him and letting him run with his plans and tell a complete story.
Their out of continuity stuff, like Injustice/DCeased and even the Tales from the Dark Multiverse stuff also tends to work because those writers seem to have the freedom to just do whatever, even more so because I don't think anyone expected those titles to really take off. Although it does feel like now that DCeased is popular they're trying to churn out as many side stories as possible and I think the quality has taken a hit compared to the original, which definitely felt like more of a fun passion project where the original writer finally got to unload his "what if" ideas.
But then on the other side of the fence, you have Harley Quinn, and it feels like nobody can even agree on what version of the character they are writing, let alone where to take her/what kind of stories to tell.