Being somebody artistically inclined, I can't say I'm very happy about all this, and I don't even make money off of my stuff. I can understand why professional artists are apoplectic. On one hand, it's impressive technology, and autistically screeching at it like a luddite doesn't help anybody, and doesn't end up slowing things down any , but on the other, I have concerns that are not exactly easy to see in the short term.
See, technological revelations in the past always had their opponents just because of the way new technology spurs a process called Creative Destruction- there's always going to be somebody with something to lose because of the nature of specialization caused by the division of labor. An automatic screw-making machine wouldn't hurt a generalist blacksmith much, but it would screw over the humble screwsmith, for example. Some historical cases include when the Moveable Type Printing Press began to spread through Europe, Ottoman sultans took measures to prevent its spread, banning printing in Arabic, and the first printing press in Ottoman lands only came around in 1727, and its operation was so strictly monitored. Ibrahim Muteferrika, the enterprising owner and operator of the press, only managed to print seventeen books between 1729 and 1743, and only another seven until the family gave up the business in 1797. It took until the later part of the 19th century for Ottomans Empire to move forward on this- until then the majority of book production was performed by scribes hand-copying them. Of course, this kept the scribes employed- but also, the people more concerned about the dissemination of knowledge were Islamic Scholars- they were the ones most closely monitoring what could and could not be printed, given its potential. They were no idiots who had no understanding of what they restricted. They knew exactly why and how to disrupt what could prove to be a terrible blow to their societal position. Control of knowledge and skill is extremely powerful. Subversion of a skillset is similarly threatening.
To include a more western example, in 1571 during the reign of Queen Elizabeth, the English parliament issued "An Act for the Continuance of the Making of Caps"
that every person above the age of six years (excepting "Maids, ladies, gentlewomen, noble personages, and every Lord, knight and gentleman of twenty marks land") residing in any of the cities, towns, villages or hamlets of England, must wear, on Sundays and holidays (except when travelling), "a cap of wool, thicked and dressed in England, made within this realm, and only dressed and finished by some of the trade of cappers, upon pain to forfeit for every day of not wearing 3s. 4d.
Said caps are known as Monmouth Caps- and they were not just ordinary woolen caps, despite their unassuming, penis-like appearance.
You see, it
is an unassuming workman's cap, vital for laborers, soldiers, and sailors...made in England. The prior Cappers Act of 1488 forbid the wearing of foreign-made caps in England and Wales. Combined with a requirement for everybody to own a cap, it doesn't take a genius to see what's going on here.
Not long after, a man called William Lee, returning in 1583 from education at the University of Cambridge to become a priest in Calverton, noticed something. Making a lot of caps required a shit ton of hand-knitting, a laborious process to make dozens of caps with. As an educated man, when he saw his mother and sisters up all evening knitting, he began to think- as he wrote,
"If garments were made by two needles and one line of thread, why not several needles to take up the thread?"
Six years later the "stocking frame" knitting machine was ready. William Lee traveled to London with his new machine, excited to gain an audience with the Queen with what he thought was surely a magnificent invention. However, when Parliament arranged the meeting...he didn't get what he expected. The Queen observed to him-
"Though aimest high, Master Lee. Consider thou what the invention could do to my poor subjects. It would assuredly bring them to ruin by depriving them of employment, thus making them beggars."
Devastating news, as he was refused a patent- and thus the chance to gain from invention. Lee was not deterred yet. He went to France to try and find interest there, but was similarly unable. France, for those with knowledge of a little history, was not more forward thinking than Bongland, especially then. He returned to England later to try and convince King James I, Elizabeth's successor...who refused as well. Needless to say, it wasn't because the royalty thought the machine was crafted by Satan, though not to produce satin. They were very concerned that displacing a quantity of workers such as weavers and knitters would cause unacceptable political upheaval.
Now we don't produce caps on a large scale using hand knitting anymore, so something did eventually happen. The source of the term "Luddites" were artisans who feared being displaced and economically ruined, and thus protested and rioted over the mechanization of processes such as weaving. They were unsuccessful, as artisans do not hold political power like monarchs do, and were unable to stop the process of industrialization.
Similar cases crop up later during the Industrial Revolution- by countries who famously lagged behind and failed to progress. Industrialization drew people to cities and away from noble estates. Austria-Hungary never fully mechanized textile weaving, even by the first world war. Obviously, refusing to move forward out of fear of being displaced only causes you to be weaker than those unafraid of the change brought about by creative destruction- so no forward thinking sort would advocate for that.
So that's the benefit. Maybe you're wondering now why I could be against the rapid progress being made here. Well, for one, I'd very much like to make my passion a means of gain and not have to distract myself with doing other work. Welcome to the human condition, artoids. The other thing is more abstract, and more pertinent rather than just whining. Recently I've been seeing a lot of doomsaying- a lot of discouragement amongst artists. Users of algorithm art programs often care very, very, very little about the intellectual property of artists. A tweet went around recently of somebody screencapping an artist's stream and putting it through an algorithm to "finish" it before they could. I very much doubt the work most AI is trained on was given over willingly by the artists who made said work. "What's the point?" many ask. Well, on an individual level, we do not make art solely for profit. We make it to express ourselves and improve ourselves. AI Art is no individual expression, it's a program drawing upon many, many human experiences and expressions and presenting it given a prompt. To say it's soulless is a bit a mischaracterization- given that it would not exist without the work of many artists.
However, the idea of "why bother if somebody can hit a button and do far better than I can now, and equivalent to what I need to work for years to even begin to replicate" is a Creative Poison that I don't think any programmer types working on these actually respect, and I doubt they bother to ponder it too deeply. After all, artists are bunch of entitled, moody, uppity pricks. Who cares what they think? Creating anything gives a reward of pride, but more importantly, a reward of money, to be able to earn one's bread, is incredibly motivating. When creation is no longer profitable...why create? It becomes solely an endeavor of pride. We see a
disincentive to creativity, and lacking incentives to do something is how you bring about death.
To put it shortly, I have a great concern that this is the start of a process that will lead to the death of the human will. AI doesn't actually make anything new- it must draw on human achievement to create, and I do think that humanity will do what it has always done and merely change, perhaps things will even get better than they were before without the limitations that were unthinkable to be rid of before, but I think it's worth considering that a severe wounding of the human drive to create might have disastrous consequences on our motivations to advance. "Why Bother?" Then, we became unmotivated to do anything, and shrink and recoil in lack of purpose until extinction, though the death of the soul and mind will long proceed the death of the body.
That probably won't happen. I just think it's best to keep a worst case scenario in mind.
As said before, artists don't exactly have large amounts of political sway, but it's not like artists will go away either. I don't even think they'll reduce in quantity. The ideas and execution are the merit behind whatever comes out of hitting a button or painting with a brush, after all. Blockbuster died when Netflix rose
and hopefully somebody slaughters Netflix soon because good fucking Lord. Artists just need to adapt- times were incredibly easy for artists recently, and now, they might not be anymore. Oh well. Nothing to fear from them.
After all.
No artist has ever been responsible for vast political upheaval in rejection of the direction of society...right?