- Joined
- Dec 17, 2019
A lot of the screeching isn't coming from very successful artists, especially those who work in traditional media. Rather, most of it's coming from the lower-skilled DeviantArt randos that have been churning out basic commissions and charging more than they're worth. Now that a computer can produce something as good as they can or better in considerably less time, some people that would normally have had to pay for a commission will instead figure that it's good enough to let the AI do it for them. They're mad that their jerb is being taken over by robots when they were told that it was those damned obsolete farmers and factory workers that were supposed to be out of work.It's the same idea as if someone gifts me a painting they painted themselves, you bet your ass I'm going to value that painting orders of magnitude more than if they had sent me a photograph of the same thing.
It doesn't have to be this way, of course. For one, they can use this as impetus to improve their skills and produce better art that's actually worth the money they want to charge for it. You can't coast by on "good enough" anymore when that's the realm of AI art, so you need to show you've got what it takes to make something people will pay for. For another, they could transition to physical media and create art that no robot can (at least for a while). They can sell prints as well and make additional money off of every piece they complete. Or they can find a niche that it's harder to get an AI to do properly as yet, especially when it comes to porn artists. Fetish art always commands a higher price premium if you're willing to draw it, especially for those kinks that don't have a lot of artists tackling it.
They can also view AI as a tool instead of a threat. I have a friend that works primarily in charcoal and ink, and he's been using AI to generate picture ideas that he then improves upon and translates to physical media. The bot gets it most of the way, and all he has to do is clean it up and fix any problem areas as he draws it out. He's loving how well it works once he gets his prompts right, and he doesn't view it as a threat to his creative efforts at all.
I'll always put a higher value on art that human hands have created over AI art, doubly so for physical works. But I'm also loving how quickly I can take an idea from my head and get multiple well-generated version of it in only a few minutes, as opposed to waiting for days or weeks to get through an artist's commission queue. Both have their place, and both are valuable in their own ways.