I can't make myself watch this trash. STA is just mentally ill people in a writers room somewhere confessing all their illnesses. I'm not a therapist. They'd at least have to pay me.
I dunno if people have come up with a better term for it, but I think "therapy writing" (more accurately "therapyspeak writing," though that's more cumbersome to say) is a good way to describe this method of how modern Hollywood writes things.
There's nothing wrong with using personal experiences to inform your writing. Hell, I'd say it's pretty normal to draw from life experience for any creative work. "Write what you know," and all that. The thing is, you need to then weave those experiences into your story in a natural way. This is especially true for corporate work, but even if it's not, you still want your story to appeal to a wide swath of people, and the best way to do that is to make the story easily relatable. For just one example, the hero's journey, a structure that anyone can understand and get into.
Modern hack "writers" don't do that, though, and definitely not the ones who keep fucking up legacy series. They don't think of writing as a simple job delivering an entertaining show for the public to watch, they see it as an opportunity to get paid to work out all their "demons" (read: they got made fun of once in school or their parents made them go to church or something else entirely mundane and stupid to get hung up on) and have pretty actors play their self-inserts and live vicariously through them fixing all their past regrets. They're not just drawing on life experiences, they're hamfistedly shoving them in where they don't belong. And they're not even interesting experiences, it's just the dumbest pettiest shit. The biggest writers decades ago went to war or lived through the Great Depression or any number of horrors and hardships, while the worst thing that happened to one of these faggots is they read a mean tweet. Millions of dollars are spent on effectively allowing retards to have very expensive therapy sessions, and the general public has to suffer through that garbage instead of something actually fun to watch, if they don't learn to avoid it altogether.
As another example, look at Pixar. Its early years were simple stories or novel premises that wide audiences could relate to: toys coming to life when we're not looking, an ant colony struggling to survive, monsters in your closet are real (but they're also like you), a father searches for his lost son (but they're fish). But ever since the therapy-brained took over writing and directing, their movies only appeal to one person: the director. Wow, the protagonist of Turning Red is a chink girl living in Canada, just like the director! Wow, the protagonist of Elio is a spic boy living on a military base, just like the (former) director! These movies definitely aren't multi-million dollar therapy sessions! And predictably, because they have such narrow appeal, the general audience kept away.
As Hollywood continues to be insular and nepotistic, I don't see this shit turning around anytime soon, if at all. These tards lose money hand over fist with their garbage writing, yet they kiss the right asses so they continue to get work. The rest of us will have to make do with entertainment produced before these insufferable theater kids took over.