Though what little remained of that original milieu was dismissed by Paradox Interactive during the label’s dissolution in 2018 as punishment for
edgy bullshit they published in the 90’s (with all their more recently hired personnel being caught in the cross-fire), it was this incongruous and motley mix of outsiders and their transgressive interests that brought about the first - and most popular - of the line’s games,
Vampire: The Masquerade.
The world of vampires presented in the game was a sprawling, byzantine underworld of predatory (and usually sexy) blood-suckers that I can only describe as what you might get if you threw every one of Anne Rice’s books, the entire discography of
Joy Division, and some BDSM gear into a blender, set it to purée, and poured the whole thing into a plastic skull-shaped chalice you bought at a Spirit Halloween store (don’t forget to chill and garnish with a razor blade).
And you know what? It’s kind of awesome. It’s one of those things that’s very of it’s time and so of the people who made it that it really couldn’t have ever come about by any other eclectic mix of incongruous world views, and at no other period than the early 90’s.
Some of the art looks like it could be used for a Meatloaf album cover, which is one of the greatest compliments I can give.