- Joined
- Feb 12, 2025
If you like older style hip hop I highly recommend Guru's overlooked Jazzmatazz seriesDo any of you have good Jazz Hop recommendations? Just looking for new stuff in general.
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If you like older style hip hop I highly recommend Guru's overlooked Jazzmatazz seriesDo any of you have good Jazz Hop recommendations? Just looking for new stuff in general.
Not sure how new you're looking for butDo any of you have good Jazz Hop recommendations? Just looking for new stuff in general.
Us3 - Broadway & 52ndDo any of you have good Jazz Hop recommendations? Just looking for new stuff in general.
They're a bit more abstract, but you might enjoy Cannibal Ox's The Cold VeinSup. Can anyone recommend hip-hop in this vein? Stuff that's dark, spooky and creepy.
Mr. Lif & DJ Krush - Nosferatu
Method Man - Biscuits
Mobb Deep - Shook Ones, Pt.I
Nextraterrestrials - 12:01 AM
Shrapknel - Cold Burn
Hell yeah, I love The Cold Vein. That kind of weird rap is really hard to find, though.They're a bit more abstract, but you might enjoy Cannibal Ox's The Cold Vein
You might like this.Sup. Can anyone recommend hip-hop in this vein? Stuff that's dark, spooky and creepy.
Mr. Lif & DJ Krush - Nosferatu
Method Man - Biscuits
Mobb Deep - Shook Ones, Pt.I
Nextraterrestrials - 12:01 AM
Shrapknel - Cold Burn
Also this but it’s more odd than spooky, it’s MC Ride’s bro.Sup. Can anyone recommend hip-hop in this vein? Stuff that's dark, spooky and creepy.https://www.youtube.com/watch?v=29xwuTnSaoA
Armand Hammer might tickle your fancy:Hell yeah, I love The Cold Vein. That kind of weird rap is really hard to find, though.
Will check out Injury Reserve and JPEGMAFIA. For some reason I was always convinced that the latter is one of those Tekashi 69 looking clowns. I don't know why.Armand Hammer might tickle your fancy:
Both Digable Planets albums are pretty good: Reachin' (A New Refutation of Time and Space) and Blowout Comb.Do any of you have good Jazz Hop recommendations? Just looking for new stuff in general.
Youngboy is one of those rappers who has hits and is played in alot of public places but is only taken seriously by people who only listen to that week's Top40. Any hip hop fan who has beyond surface level knowledge about the genre doesn't take him seriously and doesn't include him in talks about skill. YB is just the modern template of a "gangster" that misled youth in Georgia and Chicago want to emulate, just like how everyone wanted to be Lil Wayne or Tupac years ago. His buzz is purely word of mouth and memes, wiggers especially act like he's the messiah and nobody will ever top his last projects. Lil Baby is in the same box as him but his music is worse, he's so generic that he could take songs from his last album and rerelease them on a new album and I doubt anyone would notice.In general, I just can't understand the appeal of NBA Youngboy. Okay, I can, ghetto niggers love lyrics about unloading clips and packing switches, but I can't stand him nasally sing-rapping about spinning the block and dropping the opps. It's even more baffling that he gets good critical reviews. All his songs sound the same, 21 Savage and DaBaby get clowned for that, but YB gets a pass.
I think even casual listeners have gotten tired of the generic Atlanta sounding bubble that the music industry is in right now, anyone doing anything different is just a breath of fresh air. It's a real shame that the East and West Coasts (and even to an extent the Mid-West) lost their own sounds, everyone just tries to sound like they're from Atlanta.In general, what's with this trend of sing-rapping being considered the hardest gang thug music?
I think that was more-so during after his beef with 50 Cent and G-Unit. Early on he tried taking Tupac's image and fumbled a collab album with Jay-Z and DMX (because he fell out with DMX) but still bit their styles on his newer songs. After his disses like Clap Back flopped and didn't stick he tried going back to his old formula of being a Diet-Tupac and doing songs with Ashanti or whoever, so people (even people on Shady/Aftermath) started shitting on him because he couldn't make a decent response and just went back to singing like nothing ever happened. It didn't help that 50 and the guys from G-Unit were all running the early to mid 00's, they all had platinum debut albums (even Tony Yayo) so they were inescapable and would trash talk Ja, his labelmates, and Irv Gotti at any chance they could. 50 Cent and G-Unit were so big that nothing Ja or anyone else could do would affect them, and Ja's career had been on a decline ever since he responded to 50.Didn't Ja Rule get called soft in the 00s for singing?