- Joined
- Oct 3, 2018
Wiggerslam came WAY later.
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Only AtG on The Red in the Sky... and With Fear... together with Dark Tranquillity on Skydancer had that sound out of the big Gothenburg groups. In Flames was and still probably is the biggest of the three and from day 1 they said that they wanted to make music which involved death metal vocals over Iron Maidenesque riffs and it worked very well for the first two albums and they maintained it for a while, until they became, as @Cistern Rumbler put it with pinpoint precisionYup, melodeath really went down the shitter. Even when the Gothenburg scene "wimped out" (In Flames, DT, etc) and started losing all the thorny tonality and bizarre polyphony of AtG's first album, it was still a little more than just power metal with harsh vocals.
It's not cool to say, but The Jester Race is definitely a key album of the 90s
Which is what everyone who wanted to make shitty mellow-deaf started to emulate, rather than their first few albums.mallcore with harsh vocals
In Flames was and still probably is the biggest of the three and from day 1 they said that they wanted to make music which involved death metal vocals over Iron Maidenesque riffs and it worked very well for the first two albums and they maintained it for a while, until they became, as @Cistern Rumbler put it with pinpoint precision
Which is what everyone who wanted to make shitty mellow-deaf started to emulate, rather than their first few albums.
Only AtG on The Red in the Sky... and With Fear... together with Dark Tranquillity on Skydancer had that sound out of the big Gothenburg groups. In Flames was and still probably is the biggest of the three and from day 1 they said that they wanted to make music which involved death metal vocals over Iron Maidenesque riffs and it worked very well for the first two albums and they maintained it for a while, until they became, as @Cistern Rumbler put it with pinpoint precision
Which is what everyone who wanted to make shitty mellow-deaf started to emulate, rather than their first few albums.
Yup, Reroute to Remain was the album that inspired boring mellow-deaf of the metalcore type that's plaguing the genre to this day. I found In Flames' output from Whoracle to Clayman to be weaker than Jester Race, but at least it's still Maidenesque riffs with extreme vocals that they're known for and not the mallcore embarrassment they started to shit out on the regular after.I'll go as far to say that I like everything up to Colony. It doesn't really sound much like traditional Swedish death metal at all, but it works well as "Iron Maiden with screaming". Power metal is as legitimate as any other kind and adding harsh vocals is just a twist on that. 1990s melodeath was fine, the issue was when In Flames decided to start making awful metalcore in the 2000s, and other bands followed that since they're the biggest band in the genre.
I get the impression that a lot of people lump all melodeath in with present day In Flames as borderline mallcore, which it really isn't even if it's very different from regular death metal. Even if it's basically power metal, power metal is fine.
They sound like a gay Scar Symmetry trying to be Shadows Fall.Modern In-flames covers/re-records old good in-flames for an easy payday....audio cancer proceeds

alien metal
ikr its awful,IIRC for the 're-release' its the OG 10 tracks plus this shitpile clayman 're-imagining' and one of Square Nothing tooThey sound like a gay Scar Symmetry trying to be Shadows Fall.
Way to ruin a song.
They sound like a gay Scar Symmetry trying to be Shadows Fall.
Way to ruin a song.
Ever check out Exlimitir?
The human race doesn't deserve things that are good in the first place... be grateful for what we have.Why didn't melodeath keep sounding like this rather than just becoming glorified power metal with screeching vocals or even worse, metalcore pretending to be melodeath?
For a quick buck requiring very low effort, though I don't know who the target audience for rerecorded tracks is in general because you can just go back and listen to the original whenever you want. Only time I understand is if the original album or track had bedroom black metal-tier production that poorly represents what they were going for but as you pointed out that can't be further from the truth for Clayman.Why the fuck would In Flames re-record Clayman? It's not like its sound isn't one of the most sought-after studio sounds that sounds absolutely perfect the way it did, so what the fuck?