The Ghostbusters Thread (Old, New, Animated, Whatever)

Now the problem is that it wasn't feminist enough. Apparently writing the roles without considering gender on a large scale MADE IT HORRIBLE.

Back in the early 1970s, there was a film movement called Blaxploitation, in which films were created with the specific goal of targeting the black audience, which, after the Civil Rights Movement of the late 60s, was in the media spotlight. Some people believe it was to empower black people, but for the most part, when looked back upon, a lot people consider it to be a giant display of tokenism, and if anything helped to cement the idea of black stereotypes in white audiences. This isn't to say that smarter people didn't come around to reevaluate the genre and rebuild some really interesting concepts from it, but the core concept back when it first started, while maybe with some good intentions, was essentially a cash grab by movie studios who A) didn't understand black culture; and B) didn't care to understand it so long as they were making money.

Fast forward roughly about 40-45 years, and I am seeing a similar trend except for women and it is also a significantly lazier attempt. Women are having more prominent roles in films, but the ones that are getting the most attention are literally remakes of existing movies like "Ghostbusters," "Ocean's Ocho" and "Splash." It feels like Hollywood is doing the exact same thing they attempted in the 70s, except not even bothering to try make anything new or creative or embracing anything except outright shilling and kvetching about oppression online. Maybe the later movies like the ones I mentioned above will be okay, but if Ghostbusters is to be the archetype, and it does nothing but enforce the stereotypes it had within (the sassy black lady who literally gloms onto the white folk, the abrasive self-obsessed fat lady, the eccentric lesbian, and the mousey nymphomaniac), then I have little hope for any progress in Chixploitation films.
 
it is also a significantly lazier attempt
They could never dream of anything as great as Petey Wheatstraw The Devil's Son In Law, born of a watermelon during a storm.
 
Maybe the later movies like the ones I mentioned above will be okay, but if Ghostbusters is to be the archetype, and it does nothing but enforce the stereotypes it had within (the sassy black lady who literally gloms onto the white folk, the abrasive self-obsessed fat lady, the eccentric lesbian, and the mousey nymphomaniac), then I have little hope for any progress in Chixploitation films.
Maybe it's like Chuck Jones and his prior thousand shitty drawings: Female-driven movies will become a stable new market once they get the bad ones out of the way.
 
Red Letter Media raised a great point in their analysis of the film: why not reboot movies that could actually be empowering if they had a female lead instead of a man? Top Gun, Roadhouse, and I think Die Hard are three they mention. They also bring up that a lot of hugely successfully action films, chiefly Terminator and Alien, had strong female leads, and that perhaps this is the way Hollywood should approach these remakes. Think of Escape from New York, Rambo, Commando, Taken, etc. These are all films that could give a properly-cast lead a lot of room to take a pro-women angle.

A comedy film is hardly a vehicle to empower women with.
 
Back in the early 1970s, there was a film movement called Blaxploitation, in which films were created with the specific goal of targeting the black audience, which, after the Civil Rights Movement of the late 60s, was in the media spotlight. Some people believe it was to empower black people, but for the most part, when looked back upon, a lot people consider it to be a giant display of tokenism, and if anything helped to cement the idea of black stereotypes in white audiences. This isn't to say that smarter people didn't come around to reevaluate the genre and rebuild some really interesting concepts from it, but the core concept back when it first started, while maybe with some good intentions, was essentially a cash grab by movie studios who A) didn't understand black culture; and B) didn't care to understand it so long as they were making money.

Fast forward roughly about 40-45 years, and I am seeing a similar trend except for women and it is also a significantly lazier attempt. Women are having more prominent roles in films, but the ones that are getting the most attention are literally remakes of existing movies like "Ghostbusters," "Ocean's Ocho" and "Splash." It feels like Hollywood is doing the exact same thing they attempted in the 70s, except not even bothering to try make anything new or creative or embracing anything except outright shilling and kvetching about oppression online. Maybe the later movies like the ones I mentioned above will be okay, but if Ghostbusters is to be the archetype, and it does nothing but enforce the stereotypes it had within (the sassy black lady who literally gloms onto the white folk, the abrasive self-obsessed fat lady, the eccentric lesbian, and the mousey nymphomaniac), then I have little hope for any progress in Chixploitation films.

As I understand it, it was the failure of the 1978 big budget The Wiz that sunk Blaxploitation films (at least for mainstream audiences). I don't think Ghostbusters is the genre-killer, but I think it's coming soon.
 
The movie's about to come out on DVD/Bluray...under a different name.

image.jpeg
 
reminder that huff po was founded by a greek gold digging whore who blackmailed her then-closeted bisexual politician hubby for the capital startup. how about that for some female empowerment lol.

Don't forget she's a member of a money-sucking cult and was a Republican before flip-flopping for attention.
 
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