The Writing Thread

I'm having a major fucking issue with writing block. I have characters set, places, story, personalities, etc. But every time I try to type I just stare at the fucking screen.
Anyone have any advice?

Generally the only times I've ever suffered from writer's block involved financial hardship in my life. You might want to think things through and see if there's other forces at work. Also, try reading or listening to something that uses similar prose to your own. I used to start my mornings with an episode of Dogfights just because of how overly dramatic the narrator and presentation was.
 
Try going for a walk.
This. Going out every once in a while and give some thought to your ideas helps a lot. It's not the same as being inspired where you can write entire pages without giving it some thought, but it helps to get progress done as you want it to be done.
You might have everything you need to have a story, but you still need to know how to put it in paper and taking your time to think about how you will do it is a great way to gain traction.

Also, i've been working for some time on something that i'm quite determined to finish and not let it die like many other projects i've started in the past. Everbody i've showed my stuff they tell me it's good, but my writings are never good enough for me and i always end up shelving them even tho i want to improve. This makes it hard to keep writing, but i still do it because it's a personal matter for me to see this finished. Still, i don't know if anyone would want to read any of my shit because i will reiterate it's not good even tho i already have 3 chapters done (rough drafts tbh).
 
Excerpt from my third novel, 'Some People Who Were Naked'
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VI
An artist? An artist?! Get a fucking clue, kid! No one wants your shitty math class doodles hanging on their walls. Come on now, have some common sense. I raised you better than to say things like you want to be an artiste.
Hey. Listen here. Stop trying to storm off like some kind of little priss. You’re a man now, act like one. Listen. Don’t be a little bitch. Let me talk some sense into you. I’m your dad, ain’t I? I’m trying to help you. Maybe you think it’s fun. Maybe you like having your head filled with flowers, but son, it’s just not realistic. It’s my God-given duty as your dad to set you straight, to give you a good healthy dose of reality when you drift off into the clouds like some kinda dandelion.
Just look at me. Do you think I go out there and bust my ass every day for chump change because I like it? No. I do it for you and your mom. That’s what living means when you’re an adult. You can’t just run around playing artist, because that’s all you’d be doing. Everyone gets ideas, everyone thinks they’re creative at some point, but nearly all the time that’s just youth and vanity. Once you get out there and do some real living you’ll understand; you’re not special. Sorry kid, but that’s just how it is. No one’s special. No one’s creative. No ones ‘art’ or ‘vision’ matters. Because you see, the world we live in is a dangerous, cold-hearted place. It’s no land of milk and honey. Shit and turpentine is more like it.
I don’t care if you think it’s your calling. Trust me, it’ll make you miserable in twelve different ways even if you luck out and end up making a living off it. That’s hell you’re walking into, son. I knew guys like that. Way too many of them. Many such cases. Sad.
Listen, I’m serious. The artist’s life is no life at all. Half of them die young and even the ones who don’t all go crazy at some point. Hell, maybe all those poor bastards were cracked from the moment they came out of their momma’s belly. But that’s not you. Son, you were mistaken. Look at all those degenerate white men on the street. They’re worthless. Not even just cause they don’t have a penny to their name or cause no one respects them or even because they’re cucks without knowing it, but because they have no idea what they actually want out of life, and so life has no idea what it wants out of them either.
See, a man has to be grounded in reality, in society, tied down to a family. He just has to or he’ll lose his grip on sanity and just drift off into la-la land. He’ll just turn into a stray dog. That’s all any artist really ever is; a stray dog roaming the streets, pissing every which way, wagging his tail for any table scraps some stranger might be kind enough to toss his way. That’s no life at all, boy. I love you too much to let you do that to yourself.
I don’t know. Just go to church or something instead. Art never made anyone happy. It never made anyone feel fulfilled. Go to church. Get a job. Marry a nice girl and have a bunch of kids. That’s living. Art is hell. Art is a void. It never ends. No matter how far you take your art, whether it’s recognized or not, none of it will ever be enough. You’ll always be hungry and thirsty for more. The next piece, the next review, the next rush. It’s just a temporary high, and whenever you come down you’ll feel a wreck. Just like any other kind of two-bit junky turning tricks on the corner and taking Steely Dans up the ass just to pay off your dealer. Yes I read. I’ve read Burroughs. No, it’s not hypocritical of me to enjoy whacked out books like that and then tell you off like this. Because, see, I know what an artist is. I can appreciate what they do on a personal level, but they’re only able to do it because they’re all so damn broken. They’re not suited to life—they’re adapted to death. All they all are is tin soldiers marching off to war with both themselves, everyone… hell, everything around them, society, family, life, death, the world, God and Man, just absolutely everything there is, they’re at odds with it. But they’re weak. They’re sad. They’re pathetic. They’re broken and they break all over again every damn minute of their lives. They bleed from their noses, they bleed from their wherever. Always. Always. Always. Rivers of blood. Oceans of blood. A universe drenched in blood. It never ends.
Yes, I’m Ok. But see, son, art is so dangerous that even talking about it for too long does this to a man. It’s like drinking. You can have a little wine for your stomach’s sake every now and again, but if you keep doing it all the time it’ll kill you. You’ll just die in the gutter of your mind like a worthless pathetic bum. Like some downtrodden fool who never graduated from middle school. Do you really want to live like that? Do you really want to make your mom and I go through the agony of watching you throw your life away for something so stupid?
I know you think you’re invincible because you’re young. No, even if you don’t think it, you can’t help feeling that way at your age. I understand that even if you don’t. I remember what being 16 was like. But it doesn’t last. What was it again? That was Youth with its reckless exuberance when all things were possible pursued by Age where we are now, looking back at what we destroyed, what we tore away from that self who could do more, and its work that’s become my enemy because that’s what I can tell you about, that Youth who could do anything. Gaddis, he knew all about this stuff, boy. Wasted his whole life learning that one lesson. It’s all a delusion. We can all only do as much as is possible for us. That’s the wisdom of age. It teaches you how fallible you—all people—always Are and Were and Will Be. When you’re young you feel like the world is yours, like you can do or be absolutely anything if you just believe in it hard enough. But that’s wrong. Believing and shitting are two very different things. Mozart said that.
Son, no matter what kinds of ideas come into your head, that’s all they’ll ever amount to in the end. You know, entropy? The more complex a system of communication, the greater the entropy. Don’t quote me on that one, but it’s basically true. It just gets lost in the translation from concept to concrete Thing and those little lost parts kill you from the inside out. The things you try to convey and the things you can never convey. Space and Time. Mind and Body. Phenomenology and Spirit. What? Does this surprise you? That I know all these fancy words? That I have all these ideas? Is that it? Did you think I didn’t understand what you were going through? No son, I understand it all far too well. I may dig graves for a living but I’m no simpleton. I’m no Cletus with the corn chips and the two-toothed tap on the shoulder. I was Called just like you, and I eventually had the sense to turn back from that hell. To answer that Calling, that Invocation is to have no free will. It’s to be a slave to your occupation, to literally be occupied, Lebensraum, was it? That’s what Hitler would’ve called it. He tried his hand at art too, you know. Look at what happened there. There’s only misery, only vice and sin in such a life.
Your problem, the thing you’re lacking, son, is fellow-feeling; Love, Agapē. Get good with God, son. Get good with God and you’ll find your real calling. Not the vanity of time as translated by your heart’s idiot clock, for the Heart deceives us. It leads men astray and turns women into ashtrays. No, I’m not trying to be funny.
Listen, son. What you’re doing, is you’re standing at the edge of a cliff. I’m trying to pull you back, but you’re not making it easy.
 
I always wanted to write about theories about Jesus being a human looking fungoid from outer space. I'm not sure what you guys think.


ok here it is:

I 've been learning about mushrooms latel y.

one think I noticed is they have many abilities Jesus had. What if Jesus was a human looking mushroom ?

for example mushrooms can absorb toxins from one plant and push it into another.

this is similar to when Jesus took the demons out from a man and cast into pigs.

what about the time he turned water into wine? Well to make.wine you got to ferment grapes. Fermenting not possible without fungi. Jesus the space alien mushroom used his abilities as a fungus to ferment the grapes near by and made wine on the spot.

How did he feed all those people? Simple. He had a load of bread and multiplied it by turning the bread in substrate and colonized it with his Jesus spores. The bread began fruiting. The growths looked like bread, tasted like bread but was not bread.

This explains also how he rose from the dead.

When he was put into the tomb he released his space alien spores. The spores settled in the dead body then a new Jesus grew from it. He cloned himself.

It also explained why he was able to glow.
 
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There's this nagging thinking in my head. Suspension of disbelief right? Is it alright for my story to have a really surreal setting as long as the plot and characters make up for it or is it only a comic book/movie/video game thing?
 
There's this nagging thinking in my head. Suspension of disbelief right? Is it alright for my story to have a really surreal setting as long as the plot and characters make up for it or is it only a comic book/movie/video game thing?
Write whatever you want. Unless you're trying for a bestseller it doesn't really matter.
 
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Write whatever you want. Unless you're trying for a bestseller it doesn't really matter.
As far as writing goes, I don't plan on being a bestseller. I just want a setting I find fun for me and others without being too boring or condescending.
 
In general I'd say to worry about the audience as little as possible, but I'm something of a heretic.
I guess that works given a good number of successful writers tried not to not pander to a certain audience of said genre or demographic. Of course, there are exceptions.
 
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I've been having an itch to write something set in European prehistory, but I wasn't sure what exactly I'd write about. Then, suddenly, it struck me: the Egtved girl. I'd seen a documentary about her over the summer, and it was absolutely fascinating. I think she'd be absolutely perfect to write about, considering she's such a goddamn enigma.

Pretty much the whole gist of her is that she was discovered in 1921 in the town of Egtved, Denmark, and the contents of her oaken coffin were all remarkably well-preserved. This is what caught scientists' attention at first, but the more they studied her, the more of a mystery she became.

She died when she was like 16-18, between 3000-3500 years ago. She was buried in a hollowed-out oak tree that was turned into a coffin. She was laid to rest on a cow hide and woolen blanket, and was buried with a very fancy comb and a bucket of what was essentially beer or mead. All of these things would have been insanely valuable. The fact that she was given these things and that she had a coffin and a mound burial implies that she was someone of a lot of importance, which is odd because she was so young. Then they discovered the cremated remains of a child in the box by her feet. The child was around five or six, so it's highly likely she wasn't their mother- which begs the question of what was her relation to the kid, and why were they buried with her?

THEN they discovered in her tooth enamel (IIRC) that the chemical isotopes in them don't match the area she was buried in, or any in the entire country of Denmark. They eventually traced it to the southwest region of Germany in the Black Forest, then did further testing on the child's bones and found out that the kid was also from the same region. To go from southwest Germany to almost the middle of Denmark is a very long journey for anyone in that time period to make, let alone a teenage girl and a small child. They'd also figured out from isotopes in her hair that she'd been traveling like crazy in the last two or so years of her life. So they have no idea who the fuck this girl was, but she obviously had one hell of a story.

I think it would be super cool to explore the possibilities of that story. Does that sound like an interesting premise to anyone here?
 
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Been thinking of writing an odd story. It's about a 16 year old boy whose forced to go on a journey around the world with a German sorcerer and the Norse wolf Fenrir disguised as a dachshund. In it, they meet friend and enemies from vengeful beasts to a five star chef. Plenty of fantasy and some sci-fi elements go along with it and a somewhat contemporary setting of the late 1960s. As far as tone goes, it's lighthearted, but serious when it needs to be.

Any thoughts?
 
Been thinking of writing an odd story. It's about a 16 year old boy whose forced to go on a journey around the world with a German sorcerer and the Norse wolf Fenrir disguised as a dachshund. In it, they meet friend and enemies from vengeful beasts to a five star chef. Plenty of fantasy and some sci-fi elements go along with it and a somewhat contemporary setting of the late 1960s. As far as tone goes, it's lighthearted, but serious when it needs to be.

Any thoughts?
From the plot description, it kind of reminds me of the first few Percy Jackson books, which is a good thing because those are the best ones.

With the combination of fantasy, the modern world, mythology, sci-fi, and humor, it all sounds right up my alley. I'd read it, tbh.
 
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From the plot description, it kind of reminds me of the first few Percy Jackson books, which is a good thing because those are the best ones.

With the combination of fantasy, the modern world, mythology, sci-fi, and humor, it all sounds right up my alley. I'd read it, tbh.
Not to mention the historical elements I want to add for thematic reasons such asthe Cold War setting and a dark World War 2 past. Some horror such as a bloodthirsty wendigo that relentlessly hunts the cast throughout the story.
 
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Another idea I also have.
This one revolves around a young boy with a traumatic past and a feathered serpent god, Quetzalcoatl. They embark on a journey through Mexico were they must stop a rival Aztec god who is using a drug kingpin as his host to sow chaos throughout the Americas. The boy in the meantime must forgive himself of his own trauma, fighting two demons at the same time.
 
I'm getting more up to date on my Edwardian story that I'm writing which I'm grateful for, but there are some Edwardian things I need to research that seem impossible to find, which really gets annoying for me since I want to be at least accurate in my scenes. I feel like that part of history got buried, or I'm not finding the right books.
 
Partial excerpt from the second chapter of my work in progress tentatively titled Three Pickles For The Unknowing Ones.
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"So what are we getting anyway? What's even open at this hour?"
"A lot more than you'd think. Trucks, delis, a couple of bars, and even a restaurant. Burgers, burritos, fried rice, sandwiches, eggs, sausages, bagels, pizza, pasta, sushi, salads, doughnuts, dim sum, clam chowder, corn dogs..."
"Alright, I get it already! You don't have to give me a whole fawwwwwwkin' menu!"
"Ok, so what're you two in the mood for?"
"It wouldn't make much sense to get anything too fancy this late. Whatever it is, I just want something quick and simple."
"Lets have chat vote for it. That'd be fun."
"Fuck no. I don't trust those motherfuckers."
"Dude, that's a terrible idea."
"Fine, let's just flip for it instead. Heads is eggs and bacon, tails is wings, you guys cool with that?"
"Sure."
"Works for me."
"Heads or tails... heads or tails... heads or tails... there! It's tails."
Wings, of course, wings, it'd have to be wings after all. Wings with which they might take off into the heavens from this transitory realm between night and day so as to escape the confines of their otherwise banal existence. To take wing, to flap, ascend, and glide in feathery ecstasy. Though clipped from flightless fowl, with every single plume plucked, then fried, these wings still possessed the power to evoke such sublime visions; see the swine, now somnambulent, soaring through snores to lands unknown, to distant shores far from all their inimical eventualities, somehow borne aloft on mere chicken wings. A blue cheese Bodhisattva vow leading to a slightly seasoned sensation of satori. Thus anointed by their sizzling siddhis, these adipose ahrats recommenced their pilgrimage beyond the golden arches of Indra's domain into parts in need of purification. As we can surely see, cats and kittens, they will not be greeted as liberators no matter how much they increase themselves in lipids. For the path to enlightenment, even of the phony and ephemeral variety, must needs be beset with all manners of peril to tangibilitate and potentialize daydreams into full-blown delusions. So then a writhing mass of porcine preta is essential here, as enmity builds up just over the event horizon into a semi-solid medium-sized One which will surely wash over this moment.
 
I am not a professional writer by any stretch of the imagination, but for the last couple of years, I've had the itch to write a book that compares today's Cancel Culture/PC Left to the Religious Right of yesterday and drawing comparisons to how eerily similar the behavior patterns and attitudes are.

But that would require time for research, writing, proofreading, editing, and just trying to get the thing published, and that's time I don't have right at this moment.

Heck, by the time I got around to writing it, the PC Left will probably have faded and some other group of wackos will have taken their place.
 
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