Culture Tom Morello: Right-Wing Terrorists “Have Co-Opted The Idea Of Standing Against The Man” - Rich Sony Cocksucker Whines About MAGA Boomers Having Bigger Balls Than Him

Tom Morello has lamented the state of political discourse in the USA, and how far-right groups have co-opted the same anger at systemic injustice that Rage Against The Machine are named for.

Speaking to The Guardian, Morello said there was irony in how: “one of my dreams has always been to storm the Capitol, but not with a bunch of all-white, right-wing terrorists, you know?” Morello explained how he viewed America’s far-right embracing this anger lacked a view of the bigger picture: “The ugliest part about it is how they have co-opted the idea of standing against the Man, at least in the US,” he added. “There can be no nuanced thinking, like: ‘Yes, big pharma is horrible, but getting a vaccine to save your grandma is good.’ It’s a dumbed-down version of resistance.”

He added that the anger from some of America’s right isn’t unjustified, saying the Trump supporters he knows from where he grew up “are decent people. It’s not their fault for being fucked over by the oligarchy for decades. Now what do we do to find a way to really resist the stuff that is destroying the planet, that’s causing working people’s lives to be worse than their parents’ were? Poverty and hunger kill more people than anything else on the planet and they are human-made problems. Those are the things that we need to be digging into, rather than being sidetracked by this carnival barker bullshit”

Morello was also asked about his thoughts on right-wing protestors chanting Rage Against The Machine’s Killing In The Name, a situation that drew comment at the time as the protesters bore some pro-police “thin blue line” flags. Killing In The Name’s lyrics were inspired by the police beating of Rodney King, which was filmed and broadcast on TV. The officers who heavily beat King, a Black man, were all acquitted, leading to the LA riots.

Of the use of the song by right-wing protestors, Morello stated: “there’s no accounting for stupidity. There’s a long list of radical left anthems that are misunderstood by bozos who sing them at events like that, from Woody Guthrie’s This Land Is Your Land to Bruce Springsteen’s Born In The USA to John Lennon’s Imagine – those people have really no idea what the hell they’re singing about.

However, Morello explained that it was a side-effect of creating appealing, compelling music that still retains a message, stating: “The one thing that I speak to in all of those instances is that there’s a power to the music that casts a wide net, and that’s a good thing, not a bad thing. In that net, there will be the far-right bozos, but there will also be people that have never considered the ideas put forward in those songs and are forced to consider those ideas because the rock’n’roll is great.

“You can either put a beat to a Noam Chomsky lecture – no one wants that, but there’s going to be no mistaking what the content is – or you can make music that’s compelling.”


Tom, there is nothing more smooth-brained than taking your political cues from radio rock. Fuck you, fuck Rage, fuck Springsteen, and fuck Lennon.
 
This was the inevitable outcome of the left becoming the establishment.

It's like when the music crowd whines that country music is no longer the protest music of it's roots while simultaneously forgetting how ass mad the media was by Big and Rich's "Shuttin' Detroit Down", a scathing critique of Obama's dumpster firing handling of the auto industry and the economy in general.
Except Big and Rich is modern pop country and it fucking blows.
 
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Morello is the son of a UN Ambassador. de la Rocha's father is a well-connected artist. Both of their fathers were leftist revolutionaries. Morello coasted into college on his rich parents' money. Neither of them have ever had to worry about their futures, or faced the hardships of living paycheck to paycheck, even if they claim they have. They know fuck all what it's like to actually be working class. Fuck them, the horse they rode in on and (most of all) their shitty band. Posers, the lot of them.
 
I’m not even fucking exaggerating when I say Limp Bizkit is way more authentic then this poser and the rest of his band. I’d wager even Kid Rock is because at least that guy knows who his audience is and doesn’t care.
I agree. I don't believe RATM are anything but LARPers, but I do believe Fred Durst did it all for the nookie.
 
Tom Morello is a piece of shit. A few years ago he was in Seattle campaigning for the $15 minimum wage (one of the many things that's been driving small business out of the city, way to stick it to The Man) and showed up with his entourage at a full diner expecting to get served because he's Tom Fucking Morello. He got told to wait like everyone else and whined about it on social media.

Edit: That said, yes I agree right-wingers using RATM is cringe as fuck when there are plenty of good right-wing political songs out there, they just don't have as much broad recognition.
Should use hatecore since the dictatorship and MSM already think you're nazis.
 
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It's really odd that the right wing would use something that is obviously the opposite of them as a song. But I think that they don't even know the lyrics. And apparently as far as Born In The USA is concerned, I read an article awhile back stating many people didn't even know it was an anti-Vietnam song.
I like to think it's just people following an old American tradition of taking songs meant to criticize and mock them and enjoying them to spite the singer and songwriters.
 
A fake whisleblower comes out of no where in order to deliver to congress the exact talking points they need in order to crack down on internet free speech.... and none of these fucks care.
No one's going to write the 2021 version of American Idiot over this; the real and immenent authoritarian crackdown on even the concept of truth will go unmourned by the supposed counterculture.

You know what I've been thinking about for months now? "I bet somewhere on twitter or facebook, there's a post from Tom Morello lamenting the Trump admin's refusal to conform to diplomatic or political norms."
I haven't checked, but I bet I'm right.
In the notes for Evil Empire or one of those early albums they listed the band members under the title "The Guilty Parties" or some such label, as if they'd for-real be persecuted for playing this music which has done so little to challenge anything or do anything except for make them rich.
 
The Left has always painted itself as anti-censorship and for free speech, but now that everyone can see that they aren't, they just pretend that they are. If your goal is "power at all costs, even if you have to betray every one of your stated principles," then principles are meaningless to you, and speech is just a means to your ends. If you believe yourself to be in the right no matter what you do because you see yourself as the good guys, then again, principles are meaningless. Just as meaningless as arguing with radical Leftists and expecting them to be anything other than programmed NPCs.
 
It’s the same with me when I had to outright scratch my head as to why Eminem was dissing Donald Trump when he became President. This could not have been the same man that made The Eminem Show and The Marshall Mathers LP.
Eminem is an even weirder case, especially when you add this to the context.


Also kind of ironic in retrospect.
 
Morello is the son of a UN Ambassador. de la Rocha's father is a well-connected artist. Both of their fathers were leftist revolutionaries. Morello coasted into college on his rich parents' money. Neither of them have ever had to worry about their futures, or faced the hardships of living paycheck to paycheck, even if they claim they have. They know fuck all what it's like to actually be working class. Fuck them, the horse they rode in on and (most of all) their shitty band. Posers, the lot of them.

I've read all these stories about musicians who all had to live together in tiny apartments working crap jobs or have been homeless. Quite a few of them from the 80s hairband scene were dirt poor when they were starting out and had to do all their own promotion work before any corporations caught wind of them. Yet the genre is always called out for excessive hedonism.

RATM puts out some angry music and many people don't even question who it's coming from. Musicians that come from money or have famous parents will always have advantages even if they claim they don't. It's just that since they've never had to live the hard life they think any sort of effort they had to put in is the equivalent to being regulars jackoffs..

Wolfgang Van Halen thinks he's doing it all himself. But without Eddie's money and name he'd be nowhere fast.

These people aren't like the rest of us. It's impossible to make them understand that.

If you come from money the only way you are going to be against the establishment is if you give your inheritence to charity or tell daddy to fuck off with that fortune and slum it for real. No one's gonna do that because they want to live in the comfort they were born into. When a poor person misses a meal it's just Tuesday. When Tom Morello can't get into a booked solid restaurant it's a temper tantrum.

These people are not like us and deserve to be laughed at because of it.
 
Morello is the son of a UN Ambassador. de la Rocha's father is a well-connected artist. Both of their fathers were leftist revolutionaries. Morello coasted into college on his rich parents' money. Neither of them have ever had to worry about their futures, or faced the hardships of living paycheck to paycheck, even if they claim they have. They know fuck all what it's like to actually be working class. Fuck them, the horse they rode in on and (most of all) their shitty band. Posers, the lot of them.
One of the reasons why most of the right is reactionary is because it's primarily comprised of people who simply want to live a normal life.
 
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