Western Animation - Discuss American, Canadian, and European cartoons here (or just bitch about wokeshit, I guess)

First trailer for it dropped today:
>no dialogue for the animals OR the robot
>movie looks gorgeous
>head of story for Puss in Boots: The Last Wish is on this one
>directed by Chris Sanders

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Guys.....throw out the rainbows....but The Prince of Egypt might finally be de-throned by this as Dreamworks' best animated film yet.

From the description:

The Wild Robot - In Theaters September 20

From DreamWorks Animation comes a new adaptation of a literary sensation, Peter Brown’s beloved, award-winning, #1 New York Times bestseller, The Wild Robot.

The epic adventure follows the journey of a robot—ROZZUM unit 7134, “Roz” for short — that is shipwrecked on an uninhabited island and must learn to adapt to the harsh surroundings, gradually building relationships with the animals on the island and becoming the adoptive parent of an orphaned gosling.

The Wild Robot stars Academy Award® winner Lupita Nyong’o (Us, The Black Panther franchise) as robot Roz; Emmy and Golden Globe nominee Pedro Pascal (The Last of Us, The Mandalorian) as fox Fink; Emmy winner Catherine O’Hara (Schitt’s Creek, Best in Show) as opossum Pinktail; Oscar® nominee Bill Nighy (Living, Love Actually) as goose Longneck; Kit Connor (Heartstopper, Rocketman) as gosling Brightbill and Oscar® nominee Stephanie Hsu (Everything Everywhere All at Once, this summer’s The Fall Guy) as Vontra, a robot that will intersect with Roz’s life on the island.

The film also features the voice talents of Emmy winning pop-culture icon Mark Hamill (Star Wars franchise, The Boy and the Heron), Matt Berry (What We Do in the Shadows, The SpongeBob Movie franchise) and Golden Globe winner and Emmy nominee Ving Rhames (Mission: Impossible films, Pulp Fiction).

A powerful story about the discovery of self, a thrilling examination of the bridge between technology and nature and a moving exploration of what it means to be alive and connected to all living things, The Wild Robot is written and directed by three-time Oscar® nominee Chris Sanders—the writer-director of DreamWorks Animation’s How to Train Your Dragon, The Croods, and Disney’s Lilo & Stitch—and is produced by Jeff Hermann (DreamWorks Animation’s The Boss Baby 2: Family Business; co-producer, Kung Fu Panda franchise).

Peter Brown’s The Wild Robot, an illustrated middle-grade novel first published in 2016, became a phenomenon, rocketing to #1 on the New York Times bestseller list. The book has since inspired a trilogy that now includes The Wild Robot Escapes and The Wild Robot Protects. Brown’s work on the Wild Robot series and his other bestselling books have earned him a Caldecott Honor, a Horn Book Award, two E.B. White Awards, two E.B. White Honors, a Children’s Choice Award for Illustrator of the Year, two Irma Black Honors, a Golden Kite Award and a New York Times Best Illustrated Book Award.

Personally the premise is giving me some early/middle pixar in a good way. Unsure how I feel about the cast but I think Lupita at least is a pretty good actress.
Since all these animals have voice actors but we havent seen any of it in the trailer, I wonder what its gonna sound and look like. Hopefully not anything cringey. In the original novel she slowly leanrs the animal language by observing a lot i think.

The books themselves are apparantly also quite popular with elementary age children with over 2 million copies sold. Book came out around the same time as those the bad guys books too
 
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I remember someone on /lit/ reading the official genderswapped retelling of the first book and it blew some minds.

anons-discover-twilight-v0-ia8vemouyek81.jpg

They'd never be keyed enough to animate that though.
 
Who would've thought the same studio that made Shark Tale, Turbo, that shitty Spirit sequel or the fucking Trolls movies can still make masterpieces like Megamind, Puss in Boots: The Last Wish and both Kung Fu Panda and How to Train Your Dragon movies, and this is looking like another masterpiece in the making from the studio

Had the show not been heavily marketed during the 1991 CBS airing of the Grammy awards despite its delay to the next year in 1992, then it would've been a moderate hit, but then again Brad Bird wouldn't write some good classic Simpsons episodes nor make The Iron Giant, Incredibles or Ratatouille
True, all those gems from Brad we could've missed.
 
First trailer for it dropped today:
>no dialogue for the animals OR the robot
>movie looks gorgeous
>head of story for Puss in Boots: The Last Wish is on this one
>directed by Chris Sanders

View attachment 5786052
Guys.....throw out the rainbows....but The Prince of Egypt might finally be de-throned by this as Dreamworks' best animated film yet.
Having DreamWorks release this and the Garfield animated movie in the same year is surreal.

Who has nostalgia for Twilight? Some of the core audience probably has moved on and I doubt the zoomers will be watching it.
 
Is nostalgia now anything that's at least a year old? Some of the core audience probably has moved on and I doubt the zoomers will be watching it.
You do realize a lot of zoomers actually do know about the series, right? Specifically early-to-mid zoomers from 1997 to 2004. Not to get MATI or anything, but please specify the phrase "zoomers" before posting
 
It was a slog going through that alleged synopsis of Coyote Vs. Acme but the more I read the more I was convinced it was real because it's the sort of banal hackery you've come to expect from projects where the animators got notes that included things like "Make sure Foghorn Leghorn doesn't upstage John Cena."

Despite the testimony, Congress dismisses the case - Avery is finished. Buddy and Foghorn gleefully rub in their victory, and Wile springs his trap, setting off an elaborate Rube Goldberg machine that traps Foghorn in a birdcage - not a real victory, but a bittersweet parting shot.

Avery returns to the law firm, expecting his career to be over, but finds the office swarmed with a huge crowd of cartoons who all wish to press charges of their own against Acme, inspired by the news coverage of Wile's case. A tip-off from Dr. Lorre leads Avery to a cache of video tapes from Project Sisyphus, showing proof of wilful negligence by Acme going back years. Dr. Lorre returns home to an emotional reunion with Granny, while Tweety secretly watches remorsefully.

We skip forward a few months. Avery's law firm (with Paige now a full-time member of the team) is far from bankrupt, now bigger and better than ever, having become renowned for taking on Acme and other corporations in several cases, with federal charges against Acme expected to follow. Avery is happy, filled with a renewed sense of purpose. Wile returns to the desert, having a friendly reunion with the Road Runner before the chase begins once again.

The movie ends with "where are they now" cards explaining that Foghorn and Buddy are ultimately sentenced and imprisoned in a low-security prison, spending most of their time playing golf. Marvin the Martian takes Foghorn's position as head of the Animated Products department.

Wile E. Coyote continues to chase the Road Runner but has never caught him yet... but maybe someday, he finally will.

Maybe tomorrow.

"Tweety secretly watches remorsefully" jfc. It all comes off as lazy yet overthought at the same time, the half-baked unearned attempts at pathos (cartoons aren't JUST for kids, you see) oh the Coyote and the Road Runner are actually friends, "cartoon antics" i.e. the stalest half-remembered jokes about anvils and jaws hitting the floor from sources like Animaniacs, and what hacks who write cartoons and these sort of post-Roger Rabbit live-action/animation hybrids (while having no real interest in the medium of animation) always fall back on, jokes about how hey now, these cartoons aren't very realistic, isn't pointing that out itself hilarious?!?
 
Guys.....throw out the rainbows....but The Prince of Egypt might finally be de-throned by this as Dreamworks' best animated film yet.
Unquestionable rainbows for two things alone.
Firstly there is something ever so slightly off about the animated with the fox on the log. It's seconds only and I can't nail it but there's something.
Second from the looks of things the true villain will be MAN! Which at this point is so banal and even worse will invite Iron Giant comparisons.
With that said looks damn pretty.
The West’s Nier Automata has arrived.
For that you'd need to have someone involved have never got anything more than the lowest budget Disney/Dreamworks stuff before this. While Lilo and Stitch counts it's not all of resume.

Also needs a silly hat.

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(the image source had an amusing quote so you get that and the link too)

“To be honest, I think I am making normal games targeted towards normal people,” he says. “But ultimately when I release those normal games, weird people find them to be weird games and enjoy them. Which probably means there’s something wrong with me.”

 
I know this isn't breaking news, but sometimes, I binge watch Teen Titans clips, then I see a thumbnail for some Teen Titans Go! thing, and I get a twinge of a lump in my throat.

Oh, yeah, I have this to say, too: Terry McGinnis is the best Batman. Batman Beyond (or Batman of the Future in most countries outside the US) rocked.
 
I remember someone on /lit/ reading the official genderswapped retelling of the first book and it blew some minds.

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They'd never be keyed enough to animate that though.
Ik that premise summary is probably a shit post but damn if it doesn't sound like something Myers would do to capture a new modern audience...by modern I mean. Lonesome incells obsessed with roasrio vampire desperate for their "cute goth/vampire girlfriend. "

But yeah who has nostalgia for twilight now?
 
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