(I promise not to do another full-length schizopost, because I know that that shit gets old fast.)
It's a condemnation of fanfiction-derived attitudes, style, and content entering the original fiction sphere, not a condemnation of fanfiction itself.
She really seems as if she's trying to have it both ways. She doesn't define her terms well, and she doesn't use them consistently.
"The problem with fanfiction" is something broad when it helps her arguments, but narrow and specific and "oh I didn't actually mean
that" when it helps her plug holes and avoid criticism. I don't think that she's being intentionally dishonest with this (rather that she just hasn't tried hard enough to make solid arguments, and is just going on her intuition), but it's going to come across as a motte-and-bailey tactic.
For a lot of this video, she strings along a montage of shocking examples (without any context to compare them to), seemingly just to get a negative reaction from the audience, and then, once the audience is sufficiently unsettled by what she's been showing them, she tries to jump from that into some incredibly-broad point about some negative quality that's just
inherent to fanfiction. But she hasn't supported that leap of logic
at all with arguments and evidence. It honestly reminds me of the old greentexts about The Daily Show or The Colbert Report, where the pattern of the show is just conditioning you to be in the right mood to join them on their eventual leaps in logic, instead of actually making good arguments.
For an example: when she's talking about how terrible fujoshis are, and how insane "boys love" / "BL" fandom is, what context do we have for that? How big is this "BL" audience, really? How much influence do they have? Are these just some weird freaks in small niches on AO3 and tumblr, or are they actually poised to take over the whole global publishing industry?
Second Story doesn't give us any perspective on how big of a problem that group is, or what influence they have on publishing (beyond just the fact that "they buy books, and they'll buy more of whatever they're into," which she just
implies as a causal mechanism, but never really talks about). She just shows us that they're out there, then lays the whole problem of "femgooner fujos are into fucked-up shit" at the feet of fanfiction like they're an inevitable consequence of fanfiction, and then uses
that connection to say that this is another reason why fanfiction's influence is ruining all of normal fiction, too.
That's a hell of a leap, and she hasn't given us enough of a reason at any of these steps to go with her beyond just "it all feels kind of intuitively right, doesn't it?"
She can try to say that she's just talking about the modern, online incarnation of fanfiction (as opposed to just the concept of "writing a story with someone else's characters"), but when she presents all of these problems as having arisen from traits or shortcomings which she says are
specific to and
inherent in fanfiction, then the subset of fanfiction that she was supposedly limiting herself to going after becomes a distinction without a difference.
It really seems like she has a personal problem with fanfiction. Like it just fucking rubs her the wrong way. I generally don't like fanfiction either, but she's using that dislike to try to justify some really-broad accusations which just don't fit. Like the idea that we have fanfiction to blame for self-inserts, when those are way older than fanfiction. It seems like Second Story has taken "fanfiction" as an answer in search of a question.
It's great that she's one of "our guys" or whatever, and that she's going after the right targets... but she does so in a terrible way. Using bad arguments against deserving targets can make the whole effort against them seem illegitimate. A bad messenger can be worse than having no messenger.
She's not "fighting the good fight" just because she's going after the right people. She's giving out horoscopes and rorschach tests, inviting her viewers to see arguments that she hasn't actually made, letting them hear whatever they already wanted to, so that they'll just nod along with it and think that she's based at the end. I'd rather that she (or someone) actually make good arguments about why elements within modern fanfiction and its fandom are bad.
Really, I'd rather that someone go after modern stories and modern audiences as a whole.
I think she's got a general point here, particularly about the fanfiction-esque self-indulgent writing trends we see in publishing today.
Fanfiction might be full of lazy and rotten shit these days, but I think that the problem precedes fanfiction, rather than stemming
from fanfiction.
Fanfiction is really just a lowered barrier to entry. You can post stories for free and read them for free, with no one stopping you. So people who want to write gooner sadism stories can still put them out there without being dropped by their literary agent, and people who want to read gay rape bestiality can still find that even if their local bookstores refuse to carry it. But both the writers and the audience still apparently
want that shit. To me,
that's the real issue. The only thing that's changed is the availability.
Until one of these booktuber video essayists takes a crack at the society-wide change in private and public moral standards, looking at how and why they've changed, I think that we're just chasing after symptoms instead of looking at the root cause.