YABookgate

  • Want to keep track of this thread?
    Accounts can bookmark posts, watch threads for updates, and jump back to where you stopped reading.
    Create account
There's been some screeching over a bestseller list mess-up:

View attachment 2328086

Apparently when posting a list of bestsellers, the American Booksellers Association accidentally shared a cover image of Candace Owens' book Blackout instead of Dhonielle Clayton's anthology Blackout, which features a host of other black YA authors.

Naturally, instead of laughing it off, being mildly annoyed, or making a joke out of it...everyone jumped to claim racism, premeditated abuse, and Literal Violence against the authors:

View attachment 2328093
View attachment 2328097
View attachment 2328106

You may remember Rin from the Emily Duncan scandal. Well, she's back now and she has something to add:

View attachment 2328110
View attachment 2328113
View attachment 2328123
View attachment 2328094


The ABA apologized for their racism even though this was quite likely a harmless clerical error, as suggested by the tweet below ABA's:

View attachment 2328089
View attachment 2328120

If you didn't know, Candace Owens is a staunch conservative, which makes this all extra funny. :story:
Probably automatically selects whatever has the highest sales. "Bestseller" lists are easy as fuck to game, just narrowly define your book as "Short stories and essays of Cultural Introspection by BIPOC Authors" and get on some bestselller list instantly when you sell 3 books. On the other hand someone who just labels their book as "Current Events" may sell 250K books and not be a best seller compared to the Hillary Clinton sludge that's bought in the millions by libraries and colleges to sit on the shelf.
 
Probably automatically selects whatever has the highest sales. "Bestseller" lists are easy as fuck to game, just narrowly define your book as "Short stories and essays of Cultural Introspection by BIPOC Authors" and get on some bestselller list instantly when you sell 3 books. On the other hand someone who just labels their book as "Current Events" may sell 250K books and not be a best seller compared to the Hillary Clinton sludge that's bought in the millions by libraries and colleges to sit on the shelf.

Honestly if you've got Rin Chupeco shrieking in a pants-shitting rage on Twitter you're almost certainly doing something right.
 
There's been some screeching over a bestseller list mess-up:

View attachment 2328086

Apparently when posting a list of bestsellers, the American Booksellers Association accidentally shared a cover image of Candace Owens' book Blackout instead of Dhonielle Clayton's anthology Blackout, which features a host of other black YA authors.

Naturally, instead of laughing it off, being mildly annoyed, or making a joke out of it...everyone jumped to claim racism, premeditated abuse, and Literal Violence against the authors:

View attachment 2328093
View attachment 2328097
View attachment 2328106

You may remember Rin from the Emily Duncan scandal. Well, she's back now and she has something to add:

View attachment 2328110
View attachment 2328113
View attachment 2328123
View attachment 2328094


The ABA apologized for their racism even though this was quite likely a harmless clerical error, as suggested by the tweet below ABA's:

View attachment 2328089
View attachment 2328120

If you didn't know, Candace Owens is a staunch conservative, which makes this all extra funny. :story:
Bruh. I can't imagine always jumping to the worst possible explanation whenever something happens. Especially without evidence there was ever any malice involved. I can't believe that between "There was an error." and "This group did this on purpose because they felt like trolling." anybody would think the second option is the more plausible one.
 
Pretty much, yeah...
1625917342255.png

edit:
Probably automatically selects whatever has the highest sales. "Bestseller" lists are easy as fuck to game, just narrowly define your book as "Short stories and essays of Cultural Introspection by BIPOC Authors" and get on some bestselller list instantly when you sell 3 books. On the other hand someone who just labels their book as "Current Events" may sell 250K books and not be a best seller compared to the Hillary Clinton sludge that's bought in the millions by libraries and colleges to sit on the shelf.
Sort of. The ABA is a trade group of "independent" booksellers and their bestseller lists simply reflect what is reported by each participating store. It is number whatever on their YA fiction bestseller list legitimately. See here. Archive. So that part, yeah, gotta give it to 'em. (BTW, cover fixed, alas.) (I'm guessing, but can't prove, they exclude anything over a certain age so the list isn't all Harry Potter all the time, plus maybe a few other stalwarts. I think that's common industry practice at this point.)

The issues to my mind are (1) the fact that "independent" bookstores are essentially a rounding error when it comes to the total US book market at this point and (2) location, location, location.

To point one, How small they are exactly is next to impossible to determine due to, well, a whole lot of things I'm not quite sure of, but if you go looking it is just about impossible to find recent information on. That much I can definitely say. The best I've seen is this analysis / (https://archive.ph/qmiwO):

This is clearly revealed through Data Guy’s consolidated picture of print book sales (only) in 2015 and 2016. In fact, the year-to-year change over those two years showed that the percentage of sales delivered through B&N, Walmart/Target, and “other” (smaller chains, airport stores, non-bookstores) all fell. The celebrated independent bookstores held their own, at a pretty paltry 6 percent of the sales.


But Amazon increased its share substantially, from 38 percent of the print units to 42 percent.

But it is a blog entry from 2017 using data from 2015 and 2016. And the source of the data (DataGuy) has disappeared and his website is long defunct. If there's anything more current out there, I can't find it. If I had to guess I'd say that Amazon is bigger than ever, B&N and Books-a-Million are dying on the vine, big box book sales (Target, Wal-Mart, CostCo) and independent bookstores are both about the same, but who knows?

To point two, note where Indy bookstores are typically located. White, upper middle class wealthy areas. (I don't have an Independent bookstore within 25 miles of where I live, as a f'rinstance, and I live in a state considered very liberal. Just in a poorer part.) I would argue there's a huge amount of self-selection by ZIP code going on here, with the book buying populace of self-flagellating white liberals far more likely to seek out such stores that would typically be found in any other group.

Christ, sorry for this autistic rambling. Feel free to rate me accordingly. I guess I just should've said I agree with the conclusion, but not reason it was arrived at and left it at that.
 
Last edited:
YA Bookgate Lawfare Edition:

We all remember Brooks Sherman. He was the painfully woke agent who betrayed one of his clients before getting mobbed himself and leaving the internet.

Back in April Sherman filed suit against one of his former employers; the Bent Agency and it's principle Jennifer Bent. Sherman alleges that Bent has stopped paying him commissions owed to him. He alleges that Bent's abusive behavior is what caused him to leave and that the withholding of commissions is retaliation for leaving and taking his clients with him.

1626308547077.png


1626309421338.png


1626309461805.png


Bent has filed her reply alleging gross misconduct by Sherman and demanding that he pay back all the commissions paid to him. It's buried on page 18 of the attached pdf.


1626309802407.png


1626309938208.png


The relevant part of the contract:

1626310994362.png
 

Attachments

YA Bookgate Lawfare Edition:

We all remember Brooks Sherman. He was the painfully woke agent who betrayed one of his clients before getting mobbed himself and leaving the internet.

Back in April Sherman filed suit against one of his former employers; the Bent Agency and it's principle Jennifer Bent. Sherman alleges that Bent has stopped paying him commissions owed to him. He alleges that Bent's abusive behavior is what caused him to leave and that the withholding of commissions is retaliation for leaving and taking his clients with him.

View attachment 2347346

View attachment 2347402

View attachment 2347407

Bent has filed her reply alleging gross misconduct by Sherman and demanding that he pay back all the commissions paid to him. It's buried on page 18 of the attached pdf.


View attachment 2347431

View attachment 2347444

The relevant part of the contract:

View attachment 2347529
Well the publishers are probably assholes because they are publihers after all, and the agent has proven himself an asshole of the highest order, so I hope whoever wins has a truly Pyrrhic victory.
 
YA Bookgate Lawfare Edition:

We all remember Brooks Sherman. He was the painfully woke agent who betrayed one of his clients before getting mobbed himself and leaving the internet.

Back in April Sherman filed suit against one of his former employers; the Bent Agency and it's principle Jennifer Bent. Sherman alleges that Bent has stopped paying him commissions owed to him. He alleges that Bent's abusive behavior is what caused him to leave and that the withholding of commissions is retaliation for leaving and taking his clients with him.

View attachment 2347346

View attachment 2347402

View attachment 2347407

Bent has filed her reply alleging gross misconduct by Sherman and demanding that he pay back all the commissions paid to him. It's buried on page 18 of the attached pdf.


View attachment 2347431

View attachment 2347444

The relevant part of the contract:

View attachment 2347529
It couldn’t have happened to a nicer person
 

Unpublished YA book at the center of Israel controversy​

By JORDAN PIKE
JULY 21, 2021 20:50
480060~2.jpg

'ONCE MORE with Chutzpah'
(photo credit: JEANETTE LEVY)

The book has received many bad reviews on Goodreads by people who have not read it.​


Almost a year before it’s due to be published, a young adult coming-of-age novel has found itself in the center of a storm of controversy because the main character embarks on a summer trip to Israel.

The Goodreads listing for American writer Haley Neil’s debut novel Once More With Chutzpah was inundated with negative comments by anti-Israel activists, resulting in it receiving a 2.65 (out of 5) rating, even though nobody had yet read it.

It tells the story of high school student Tally who embarks on a summer trip to Israel. While in Israel, Tally grapples with her sexuality, identity and mental health.

One reviewer, Celeste, wrote, “Absolutely mortified at this book. Palestinians have been kicked out of their homes by colonizers and you’re choosing to write a book on a person who goes on a ‘Birthright’ trip to a country that’s not even hers in the first place?! Ridiculous. Remove this book immediately.”

In another review, a user named Unknown Pokémon wrote, “yes, I love to read about some road trip in Israel while thousands of ppl are being targeted for religious hate crimes and having to flee their home country bc they fear for their lives. perfect place to set a road trip.”

Nell responded to the claims in a statement earlier this month, saying “This is, ultimately, one story. The complete story of the Middle East includes many other voices, including those of young people who live in Palestine or are of Palestinian descent.”

According to JewishInsider.com, a reference to a Birthright Israel trip was removed from the book after the initial outcry last year.
“My book in no way glorifies Israel or Birthright,” Nell wrote at the time.

One positive review from Aviva Dua stated, “Thanks to all the Israel and Jew-haters I’m going to buy this book and recommend all my friends buy it too!”

Rina H wrote in her Goodreads review, “Five stars and commenting here because of all the trolls and jerks who are giving this one star because it happens to be set in Israel. Do y’all have nothing better to do than troll an author before the book is even released yet?”

Since the original 2.65 rating, the book has now rebounded with a 3.65 rating, likely due to Goodreads removing reviews that had been flagged.
Once More with Chutzpah will be published by Bloomsbury in February 2022 and is now available for pre-order at major bookstore chains.
 

Unpublished YA book at the center of Israel controversy​

By JORDAN PIKE
JULY 21, 2021 20:50
View attachment 2379707
'ONCE MORE with Chutzpah'
(photo credit: JEANETTE LEVY)

The book has received many bad reviews on Goodreads by people who have not read it.​


Almost a year before it’s due to be published, a young adult coming-of-age novel has found itself in the center of a storm of controversy because the main character embarks on a summer trip to Israel.

The Goodreads listing for American writer Haley Neil’s debut novel Once More With Chutzpah was inundated with negative comments by anti-Israel activists, resulting in it receiving a 2.65 (out of 5) rating, even though nobody had yet read it.

It tells the story of high school student Tally who embarks on a summer trip to Israel. While in Israel, Tally grapples with her sexuality, identity and mental health.

One reviewer, Celeste, wrote, “Absolutely mortified at this book. Palestinians have been kicked out of their homes by colonizers and you’re choosing to write a book on a person who goes on a ‘Birthright’ trip to a country that’s not even hers in the first place?! Ridiculous. Remove this book immediately.”

In another review, a user named Unknown Pokémon wrote, “yes, I love to read about some road trip in Israel while thousands of ppl are being targeted for religious hate crimes and having to flee their home country bc they fear for their lives. perfect place to set a road trip.”

Nell responded to the claims in a statement earlier this month, saying “This is, ultimately, one story. The complete story of the Middle East includes many other voices, including those of young people who live in Palestine or are of Palestinian descent.”

According to JewishInsider.com, a reference to a Birthright Israel trip was removed from the book after the initial outcry last year.
“My book in no way glorifies Israel or Birthright,” Nell wrote at the time.

One positive review from Aviva Dua stated, “Thanks to all the Israel and Jew-haters I’m going to buy this book and recommend all my friends buy it too!”

Rina H wrote in her Goodreads review, “Five stars and commenting here because of all the trolls and jerks who are giving this one star because it happens to be set in Israel. Do y’all have nothing better to do than troll an author before the book is even released yet?”

Since the original 2.65 rating, the book has now rebounded with a 3.65 rating, likely due to Goodreads removing reviews that had been flagged.
Once More with Chutzpah will be published by Bloomsbury in February 2022 and is now available for pre-order at major bookstore chains.
Oh vey, time to shut down GoodReads for Antisemitism! Someone inform the ADL!
 

Unpublished YA book at the center of Israel controversy​

By JORDAN PIKE
JULY 21, 2021 20:50
View attachment 2379707
'ONCE MORE with Chutzpah'
(photo credit: JEANETTE LEVY)

The book has received many bad reviews on Goodreads by people who have not read it.​


Almost a year before it’s due to be published, a young adult coming-of-age novel has found itself in the center of a storm of controversy because the main character embarks on a summer trip to Israel.

The Goodreads listing for American writer Haley Neil’s debut novel Once More With Chutzpah was inundated with negative comments by anti-Israel activists, resulting in it receiving a 2.65 (out of 5) rating, even though nobody had yet read it.

It tells the story of high school student Tally who embarks on a summer trip to Israel. While in Israel, Tally grapples with her sexuality, identity and mental health.

One reviewer, Celeste, wrote, “Absolutely mortified at this book. Palestinians have been kicked out of their homes by colonizers and you’re choosing to write a book on a person who goes on a ‘Birthright’ trip to a country that’s not even hers in the first place?! Ridiculous. Remove this book immediately.”

In another review, a user named Unknown Pokémon wrote, “yes, I love to read about some road trip in Israel while thousands of ppl are being targeted for religious hate crimes and having to flee their home country bc they fear for their lives. perfect place to set a road trip.”

Nell responded to the claims in a statement earlier this month, saying “This is, ultimately, one story. The complete story of the Middle East includes many other voices, including those of young people who live in Palestine or are of Palestinian descent.”

According to JewishInsider.com, a reference to a Birthright Israel trip was removed from the book after the initial outcry last year.
“My book in no way glorifies Israel or Birthright,” Nell wrote at the time.

One positive review from Aviva Dua stated, “Thanks to all the Israel and Jew-haters I’m going to buy this book and recommend all my friends buy it too!”

Rina H wrote in her Goodreads review, “Five stars and commenting here because of all the trolls and jerks who are giving this one star because it happens to be set in Israel. Do y’all have nothing better to do than troll an author before the book is even released yet?”

Since the original 2.65 rating, the book has now rebounded with a 3.65 rating, likely due to Goodreads removing reviews that had been flagged.
Once More with Chutzpah will be published by Bloomsbury in February 2022 and is now available for pre-order at major bookstore chains.
The author clearly doesn't understand the YA audience. It's all made up of Wokescum so of course her book is going to be review bombed.
 
Some sort of palace coup/changing of the guard is currently blobbing its way through the Society of Children’s Book Writers and Illustrators (SCBWI). As best I can tell, the "Chief Equity and Inclusion Officer" made some statements in June about how hating on Jews and murdering them is a bad thing and this prompted a "Whataboutism" backlash from pro-Palestinian quarters. This led to deleted Facebook comments, Twitter wars and all sorts of other goodies I'm too lazy to really look all that hard into.

Anyhoo, the "Chief Equity and Inclusion Officer" was the first to go, despite the impeccable credentials of being both black and Jewish. Then mass resignations from various committees (only name I recognized was Laurie Halse Anderson). This was followed up by the "retirement" of an organization director; a co-founder who has been with the group since it started in 1971. There's some sort of meeting that will be occurring in early August to determine a "new direction" for the organization.

SCBWI Diversity Chief Resigns After Not Mentioning Islamophobia in Antisemitism Post

A Black Jewish inclusion officer at the world's leading children's book writer's group has left her position after she did not mention Islamophobia in a post about rising cases of antisemitism.
April Powers, previously Chief Equity and Inclusion Officer at the Society of Children's Book Writers and Illustrators (SCBWI), left her position following an outcry that she did not mention Islamophobia in her statement about the rise in crimes against Jews.
The officer, who introduced herself as being Black and Jewish in a welcome video in June last year, shared the statement that said Jewish people have the right to live in safety.
Read more
Newsweek Newsletter sign-up >
Powers's post, shared earlier this month, reflected the alarming surge in anti-Jewish hate speech and violence earlier this year.
While the statement did not mention Islamophobia specifically, it did invite people to "join us in not looking away in speaking out against all forms of hate, including antisemitism."
But, the post was criticized by for not including a comment about Islamophobia and Palestinian discrimination and hate speech.
Powers later apologized for not including Islamophobia in her statement and confirmed that she had parted ways with the SCBWI.
Newsweek subscription offers >
In a statement, shared on the SCBWI Facebook page on Sunday, Powers said: "By posting an antisemitism statement, our intention was to stay out of politics. I removed both anti-Palestinian and anti-Israeli posts, which in hindsight was not the right thing to do.
"I neglected to address the rise in Islamophobia, and deeply regret that omission. As someone who is vehemently against Islamophobia and hate speech of any kind, I understand that intention is not impact and I am sorry."
She added: "While this doesn't fix the pain and disappointment that you feel by my mishandling of this moment, I hope you will accept my sincerest apologies and resignation from the SCBWI. I wish all of you success in our work because the world's children need your stories. All of them."
On Tuesday, Powers issued a statement on her publicly-viewable Facebook account in which she thanked supporters during what she called a "terrifying moment for me and my family."
"For clarity, the SCBWI did not fire me or ask me to resign," she wrote.
"There are good, kind people who work and volunteer there, many of whom are from marginalized, minority, or underrepresented backgrounds (including Jewish) themselves-who have also been harassed and trolled relentlessly.
"While there is certainly more to this story, particularly horrific unmasked antisemitism outside of the SCBWI, I cannot comment further at this time other than to say I chose to resign because of the distraction this was causing. Your words and actions in support mean the world to me.
"Thank you. Thank you. With gratitude, hope, and my warmest regards, April."


Lin Oliver, SCBWI Executive Director, added in Sunday's statement: "I can assure you that this painful week has been a crucial learning experience for SCBWI. As we approach our 50-year anniversary, we pledge to correct any harm we have done and to redouble our efforts to promote equity and inclusion in the children's book field."
The statement was widely condemned in its comment section, with hundreds sharing their views about Powers's decision to leave the organization.
One said: "I could not disagree with this decision more. Why would there be any anti-Palestinian or anti-Israel comments on a post that was about antisemitism? April's statement on antisemitism didn't mention Israel or Palestine and it's horrifying that she should have to apologize for making what should have been an uncontroversial statement."
Another added: "So antisemitism is no longer worthy of your attention just because Islamophobia is also a problem? I am disgusted that despite the incredible rise in antisemitism lately, you have retracted a statement in support of Jews. Not Israelis - Jews. Our pain no longer counts to you just because someone else is in pain, too."
A third commenter posted: "This is ridiculous [and] shows you don't stand with Jews. Why would she condemn other things when focusing on antisemitism? That's called all lives matter kids. You can condemn one form of hate without including the other - it doesn't mean you don't care about anyone else."
Newsweek has contacted the SCBWI and April Powers for comment.
Update 6/30/21, 5:25 a.m. ET: This article has been updated to include a statement by April Powers

Voicing Support for Diversity and Reorganization, SCBWI Director Announces Retirement Amid Controversy

Society of Children’s Book Writers and Illustrators executive director Lin Oliver told faculty for the organization's upcoming summer conference that she will retire at the end of this year. Oliver confirmed to PW that she had been planning her retirement, which will coincide with the 50th anniversary of the organization, for some time. The July 19 e-mail came amid ongoing turmoil in the organization and widening calls for change from within its ranks—change Oliver told PW she supports.

Oliver referred to the disputes that have, in recent weeks, enveloped the organization she cofounded with Steve Mooser in 1971, writing: “SCBWI is at a crossroads and it’s time for new visionaries.”

The controversy at the organization began after SCBWI posted a statement against anti-Semitism to its website and to Facebook on June 10, following weeks of rising violence against Jews worldwide. The statement, which members within the organization had urged SCBWI to issue, was met with calls for a similar statement on Islamophobia by authors including Palestinian-American writer and educator Razan Abdin-Adnani.

When SCBWI’s equity and inclusion officer, April Powers, declined to issue a statement, exchanges grew heated. Powers, who is Black and Jewish, was criticized for blocking Abdin-Adnani. Powers also deleted some posts she made in exchanges with members. Powers subsequently stepped down from her post—voluntarily, according to her statement and communications from the SCBWI—on June 27.

In early July, conversations between SCBWI members, held in a private Facebook group for people in the children’s literature community, led to multiple efforts to formulate an open letter to the organization’s leadership. Over the weekend of July 10, those efforts were combined, resulting in a single open letter calling for increased focus on SCBWI’s organizational structure and finances, along with improved policies regarding diversity, equity, and inclusion. To date, the letter, which was finalized and published on July 12, has garnered more than 900 signatures.

In previous emails to membership, Oliver had already committed to some changes. But in recent weeks, it became clear that members expected a more fundamental restructuring of SCBWI. The week of July 5, Laurie Halse Anderson, Meg Medina, Linda Sue Park, and Melissa Stewart stepped down from SCBWI’s board of advisors and its equity and inclusion committee; the entire committee has now resigned. On July 16, the entire Rocky Mountain Chapter regional team announced their impending resignations as well.

Stewart wrote on her website that her decision was intended to convey the need for more substantive change.

“Right now, the organization’s most pressing need is to carefully rethink and rebuild its structure, so that it can be stronger going forward,” she wrote. “I feel the best way for me to contribute to that more positive future is to give up my seat on the board of advisors and the EI committee. My hope is that it will be filled by a creator of color, so that the voices of people from traditionally marginalized communities can be further amplified within the organization and within the children’s publishing community.”

Social Media and Death Threats

But while calls for change among the organization’s membership and leadership have grown more focused, for weeks, outside perceptions fueled an increasingly dangerous situation. On Twitter, the debate attracted a number of partisan voices seemingly unaffiliated with the SCBWI—and, in some cases, unrelated to children’s book publishing as a whole—and evolved into an ideological quarrel centering differing perspectives on the Israeli-Palestinian debate and cancel culture.

Exchanges were fed and amplified by media accounts of the controversy, accounts that Oliver said contained falsehoods. These accounts included a claim by Harvard Law School emeritus professor Alan Dershowitz in a Newsweek opinion piece that insinuated, without evidence, that Powers was pressured to resign despite Powers’s social media statement noting that, “for clarity, the SCBWI did not fire me or ask me to resign.” (Disclosure: One of the authors of this article holds a position at Harvard Law School; he has no affiliation or contact with Dershowitz.)

“The fact was wrong, that [Powers] was fired, and the sentiment was wrong,” Oliver said of Dershowitz’s article, which also provided an inaccurate number for the organization’s membership and misspelled Powers’s name. All three misstatements remain in the current piece posted on Newsweek’s website.

Other publications and groups, right and left, weighed in with various inaccuracies as well. An editorial in the Washington Examiner opened with the misleading inference that Powers lost her job rather than resigning; later, the New York Post editorial board also weighed in. Earlier, PEN America issued a statement of concern that Powers had “resigned under pressure” while linking to another Newsweek article that did not substantiate the claim. On Twitter, Tablet journalist Yair Rosenberg, linking to the statement in which Powers stated that she had resigned, wrote that she was “apparently fired.”

Oliver, who practices Judaism, said that the attention in the media and on social media attracted trolls, which led to death threats, harassment, and accusations that she was being anti-Semitic. She also said that members of her staff were targeted, including multiple people who identify as Jews. The FBI is currently investigating the threats. Powers also posted to her Facebook page about social media trolls, decrying the threats and online abuse targeted at SCBWI and herself, and calling out what she described as “particularly horrific unmasked anti-Semitism outside of the SCBWI.”

Increasingly lost in the flurry of commentary were the intentions of the children’s book writers and illustrators who authored the letter. “For the organization to maintain its value for its membership, there needs to be, as the letter mentions, increased accountability. Spreading the power around. Widening the circles. Less consolidation,” said Ishta Mercurio, an SCBWI member, children’s book author, and one of the initial authors of the open letter.

“The change that needs to happen, in my opinion, is that the extant leadership needs to grow,” Mercurio added. “The executive director needs to be accountable to the membership in a structural way. The connection between the membership and the people who run the organization needs to be strengthened. I hope that they decide to do that, and I hope that they will do that. And it might mean amending the bylaws, because the bylaws as written don’t allow for that. I hope that’s a choice they will make.”

An Organization Poised to Change

In a conversation with PW, Oliver shared sentiments that aligned with Mercurio’s vision. She also admitted missteps in responding to the controversy following the statement on anti-Semitism, and said that Powers’s post refusing to issue a statement on Islamophobia—in which she wrote that the organization would issue a statement against Islamophobia when evidence of its existence was provided—was a “terrible thing to say.”

Having grown the organization from a small gathering of nearly three dozen children’s writers in 1971 into a nonprofit with 27,000 members and 100 chapters over half a century, Oliver said calls for change were appropriate and necessary—as was the need to focus on putting an end to any and all systemic racism in the organization.

“I don't want to be defensive about it, or say we’ve done nothing wrong. We absolutely need help and input and professionalization. We need to work on equity and inclusion,” Oliver said. She said her focus now is to ensure that the actions she takes as she prepares to retire will position SCBWI to succeed in taking those steps.

Members at the 50th anniversary conference, which will be held from July 30 to August 1, will be able to begin that envisioning informally. On August 4, the board of advisors, which steers the organization’s initiatives, will authorize the hiring of an outside company to conduct a DEI audit. Oliver hopes the audit will help the membership move toward a reorganization that includes input from all members. She said that she hopes the process will also ensure that SCBWI will find ways to expand its membership to people who may not currently be able to join because of existing barriers created by the organization, and by society more broadly.

“I feel like that's the sort of inflection point that the organization is at, but it's grown up with enormous love and care and volunteerism and heart,” Oliver said. “At the core of the community is this place where people feel at home, where they can share their vulnerabilities, and where they can share in each other's joys and frustrations. Now it needs to turn into the next iteration of that so that hopefully there's another 50 years.”
 
https://youtube.com/watch?v=jv7govmVyKs
I thought I would share this video with you all. She brings up a Troon author who had to stop transitioning due to cancel culture (as I guess they not only had to check in at a psyche ward, but they outright stopped transitioning altogether for some reason).

The Isabel Fall fiasco. Especially notable when you realize the ones who drove Fall to suicide were the wokest of woke spec fiction... hell, NK Jemison was the one leading the charge. You know, the person SFWA has desperately tried to make the face of new diverse scifi... who used her Twitter following to get Fall's story pulled, harass her, and then admitted she had never even read her story.

Frankly, it needs a full thread.
 
The Isabel Fall fiasco. Especially notable when you realize the ones who drove Fall to suicide were the wokest of woke spec fiction... hell, NK Jemison was the one leading the charge. You know, the person SFWA has desperately tried to make the face of new diverse scifi... who used her Twitter following to get Fall's story pulled, harass her, and then admitted she had never even read her story.

Frankly, it needs a full thread.
You should do it.
 
Some sort of palace coup/changing of the guard is currently blobbing its way through the Society of Children’s Book Writers and Illustrators (SCBWI). As best I can tell, the "Chief Equity and Inclusion Officer" made some statements in June about how hating on Jews and murdering them is a bad thing and this prompted a "Whataboutism" backlash from pro-Palestinian quarters. This led to deleted Facebook comments, Twitter wars and all sorts of other goodies I'm too lazy to really look all that hard into.

Anyhoo, the "Chief Equity and Inclusion Officer" was the first to go, despite the impeccable credentials of being both black and Jewish. Then mass resignations from various committees (only name I recognized was Laurie Halse Anderson). This was followed up by the "retirement" of an organization director; a co-founder who has been with the group since it started in 1971. There's some sort of meeting that will be occurring in early August to determine a "new direction" for the organization.

SCBWI Diversity Chief Resigns After Not Mentioning Islamophobia in Antisemitism Post



Voicing Support for Diversity and Reorganization, SCBWI Director Announces Retirement Amid Controversy
What the fuck. So Laurie Halse Anderson & Co. resigned because she agreed with the mob? Disappointing.

This reminds me of when Ilhan Omar got called out for antisemitism, and the subsequent statement from Congress condemning it got watered down to include Islamophobia, racism, xenophobia, and every other pet cause you could name. This ploy blurs the focus and somehow makes everyone believe it's about Israel when it's the Palestinians who will pipe up the second someone says something nice about Jewish people. Gives the game a way, just a bit.

Cannot say I feel any sympathy for a Chief Equity and Inclusion Officer, though.
 
Some sort of palace coup/changing of the guard is currently blobbing its way through the Society of Children’s Book Writers and Illustrators (SCBWI). As best I can tell, the "Chief Equity and Inclusion Officer" made some statements in June about how hating on Jews and murdering them is a bad thing and this prompted a "Whataboutism" backlash from pro-Palestinian quarters. This led to deleted Facebook comments, Twitter wars and all sorts of other goodies I'm too lazy to really look all that hard into.

Anyhoo, the "Chief Equity and Inclusion Officer" was the first to go, despite the impeccable credentials of being both black and Jewish. Then mass resignations from various committees (only name I recognized was Laurie Halse Anderson). This was followed up by the "retirement" of an organization director; a co-founder who has been with the group since it started in 1971. There's some sort of meeting that will be occurring in early August to determine a "new direction" for the organization.

SCBWI Diversity Chief Resigns After Not Mentioning Islamophobia in Antisemitism Post



Voicing Support for Diversity and Reorganization, SCBWI Director Announces Retirement Amid Controversy
None of this surprises me.

I am still internet friends with a few people (all of whom currently occupy the wine aunt demographic) who, having failed in their chosen careers, set themselves up as editors / agents in the YA sphere. None of them interact with me anymore, however the bonds of social media remain.

A few years ago, I noticed that a couple of these people had quietly transitioned from YA to children's books. This seemed to be part of a wider exodus from a byzantine genre that was increasing weighed-down by ideology and rife with career assassinations. Predictably, nothing was learned. All of the elements that hobbled YA were dutifully loaded into the wagons and unpacked in this new territory, where history, so recent that the ink is still wet on the page, is currently repeating itself.

I feel so sorry for the present generation of children who are the collateral damage in these woke skirmishes between (mostly-childless) middle-aged women who never gained a foothold on adulthood. I was lucky enough to grow up in an era where children's writers gave zero fucks; where Dame Slap (from Enid Blyton's Faraway Tree books) still slapped kids and was an unlikely gateway into BDSM.

Form a line bitches.png
 
Holy fuck. This list of offerings is as fungible as the contents of a grain silo, at least as far as I can tell. Caveat added because it is all stupid image links and I sure as hell didn't click every one.

48 New YA Books That Are Extremely On Trend
If it's been a while since you last picked up a young adult novel, you might be surprised to learn that it's not all vampire romances and teen girls overthrowing dystopian governments anymore. That's, like, soooo 2000s.

To help you keep your reading on the cutting edge of what's happening in the world of YA fiction, we've gathered up the emerging trends we've spotted in Goodreads data over the past year and included new or upcoming titles for each category. So if you're wondering what the kids are into these days, take a peek at the books below!

Don’t forget to add any titles that catch your eye to your Want to Read shelf, and be sure to share your favorite new YA trends in the comments.

Here's the categories:
Which Witch?
Double, double, toil and trouble! Grab your broomsticks, because witchy YA is swooping onto shelves in a major way right now.


High School Is Murder
Dark academia! Look out for twisted shenanigans, secret societies, or cultish cliques at elite prep and boarding schools. Actual murder is optional (but often on the menu).


Amazing Anthologies
Love getting a whole bundle of short stories from incredible writers, all for the price of a single book? Then try these popular genre-spanning collections!


K-Poppin'
Celebrating the Korean pop culture, drama, and music that have inspired incredible fan loyalty across the globe (hi, BTS Army!), these books have readers singing aloud.


Teen 'Tecs
Inheritance plots, locked rooms, true-crime investigations, and murders most foul. Readers are always on the hunt for their next thrilling YA mystery read these days.


Spaced Out
Fantasy has long reigned supreme in young adult books, but readers are also orbiting YA science fiction in a big way this year. Astronauts, mysterious islands, AI, oh my!


That's So Goth
Quelle horreur! Hello darkness, my new friend. Damp castles, ancestral secrets, creepy things that lurk in the woods, heart-stopping hauntings, hints of the paranormal—that sort of thing.


Once Upon a Time
While fairy tale rewrites might feel like old hat for YA readers, recent writers are bringing new twists in the form of non-Western myths and settings, BIPOC protagonists, revamps of standby classics, and more.
As an aside, do covers looking like this actually sell books? For a second all I could think of was Chris Chan. (Expected publication: September 14th 2021 by HMH Books for Young Readers.) Might be the villain, I suppose, but from the description believe this "girl" is supposed to be the main character.
1628029052519.png

GoodReads blurb:

When her siblings start to go missing, a girl must confront the dark thing that lives in the forest—and the growing darkness in herself—in this debut YA contemporary fantasy for fans of Wilder Girls.

Derry and her eight siblings live in an isolated house by the lake, separated from the rest of the world by an eerie and menacing forest. Frank, the man who raised them after their families abandoned them, says it’s for their own good. After all, the world isn’t safe for people with magic. And Derry feels safe—most of the time.

Until the night her eldest sister disappears. Jane and Derry swore to each other that they’d never go into the forest, not after their last trip ended in blood, but Derry is sure she saw Jane walk into the trees. When another sibling goes missing and Frank’s true colors start to show, feeling safe is no longer an option. Derry will risk anything to protect the family she has left. Even if that means returning to the forest that has started calling to Derry in her missing siblings’ voices.

As Derry spends more time amidst the trees, her magic grows more powerful . . . and so does the darkness inside her, the viciousness she wants to pretend doesn’t exist. But saving her siblings from the forest and from Frank might mean embracing the darkness. And that just might be the most dangerous thing of all. (less)

 
Back
Top Bottom