Culture Tom Morello: Right-Wing Terrorists “Have Co-Opted The Idea Of Standing Against The Man” - Rich Sony Cocksucker Whines About MAGA Boomers Having Bigger Balls Than Him

Tom Morello has lamented the state of political discourse in the USA, and how far-right groups have co-opted the same anger at systemic injustice that Rage Against The Machine are named for.

Speaking to The Guardian, Morello said there was irony in how: “one of my dreams has always been to storm the Capitol, but not with a bunch of all-white, right-wing terrorists, you know?” Morello explained how he viewed America’s far-right embracing this anger lacked a view of the bigger picture: “The ugliest part about it is how they have co-opted the idea of standing against the Man, at least in the US,” he added. “There can be no nuanced thinking, like: ‘Yes, big pharma is horrible, but getting a vaccine to save your grandma is good.’ It’s a dumbed-down version of resistance.”

He added that the anger from some of America’s right isn’t unjustified, saying the Trump supporters he knows from where he grew up “are decent people. It’s not their fault for being fucked over by the oligarchy for decades. Now what do we do to find a way to really resist the stuff that is destroying the planet, that’s causing working people’s lives to be worse than their parents’ were? Poverty and hunger kill more people than anything else on the planet and they are human-made problems. Those are the things that we need to be digging into, rather than being sidetracked by this carnival barker bullshit”

Morello was also asked about his thoughts on right-wing protestors chanting Rage Against The Machine’s Killing In The Name, a situation that drew comment at the time as the protesters bore some pro-police “thin blue line” flags. Killing In The Name’s lyrics were inspired by the police beating of Rodney King, which was filmed and broadcast on TV. The officers who heavily beat King, a Black man, were all acquitted, leading to the LA riots.

Of the use of the song by right-wing protestors, Morello stated: “there’s no accounting for stupidity. There’s a long list of radical left anthems that are misunderstood by bozos who sing them at events like that, from Woody Guthrie’s This Land Is Your Land to Bruce Springsteen’s Born In The USA to John Lennon’s Imagine – those people have really no idea what the hell they’re singing about.

However, Morello explained that it was a side-effect of creating appealing, compelling music that still retains a message, stating: “The one thing that I speak to in all of those instances is that there’s a power to the music that casts a wide net, and that’s a good thing, not a bad thing. In that net, there will be the far-right bozos, but there will also be people that have never considered the ideas put forward in those songs and are forced to consider those ideas because the rock’n’roll is great.

“You can either put a beat to a Noam Chomsky lecture – no one wants that, but there’s going to be no mistaking what the content is – or you can make music that’s compelling.”


Tom, there is nothing more smooth-brained than taking your political cues from radio rock. Fuck you, fuck Rage, fuck Springsteen, and fuck Lennon.
 
Morello sounds about as legit and profound as any other Hollywood celebrity. At least his old jam partner Adam Jones didn't turn out to be such a joke down the road.
 
One of the reasons why most of the right is reactionary is because it's primarily comprised of people who simply want to live a normal life.
That's because the Left has became the one thing they've fought against two or so decades ago. Even worse, you're automatically "right-wing" if you disagree with their methods.
 
No one's going to write the 2021 version of American Idiot over this; the real and immenent authoritarian crackdown on even the concept of truth will go unmourned by the supposed counterculture.
The "counterculture" is just a fun thing to do and products to buy. It's been a commodity.
 
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I saw RATM in my early pubeyears. No one knew who they were or gave a fuck. Then they came out, humbly introduced themselves, and turned the crowd into an angry wave of smelly hippieflesh. It was my very first mosh pit. Security were on their radios wondering what the fuck to do when the whole crowd started screaming "FUCK YOU I WON'T DO WHAT YOU TELL ME" and bodies were being hurled over the barrier.

I don't blame anyone for thinking RATM is a construct, but in my young forming brain, that moment was very real.

Additionally, we're talking about a time when Tom Morello's bag of tricks was new and something to watch. Digitech would have gone out of business if Tom hadn't discovered the Whammy Pedal.

The next time I saw them, five years later, the local pigs were trying to shut down the show, and as such, there was a fuckload of media trucks in the parking lot waiting for some sort of conflagration. The issue the county had was not only RATM's content, but the fact that they played NWA's "Fuck Tha Police." RATM's response to this was to open with the song first thing.

During that show, Zack de la O stopped the band mid-song and started screaming about seeing a girl getting her tit grabbed while crowd surfing. "WOMEN SHOULD NOT WALK THE STREETS IN FEAR! WOMEN SHOULD NOT WALK A CAMPUS IN FEAR! WOMEN SHOULD NOT COME TO A RAGE AGAINST THE MACHINE SHOW IN FEAR!" Once he got his warm gratifying cheers, he allowed his band to play again. (Somehow, he missed the opportunity to tell the bitch not to crowd surf.)

A week later, I saw my pre-literate hillbilly friend and he told me he was there. I recounted the tit grab story and my buddy said, "Yeah, that was me. I yelled back at that dude that Sony owns his ass and to shut the fuck up."

To provide historical perspective, from the get-go, everyone, even retarded hillbillies, thought it was hilarious that these guys were LARPing as revolutionaries. The thing was, it was kind of a "what's good for the goose is good for the gander" kind of thing, that they were exploiting Hollywood Jewbuxx for a grander purpose.

To an extent, that's true. Where I have an issue is that they handed a pre-assembled political view to a bunch of vulnerable young kids who ran with it unquestionably. The grandest example: putting a homophobic murderer on a t-shirt and making millions off it.
 
No Tom, you and your band who've been on a major label since your first fucking album were always "the man". Cope with your irrelevancy and the fact RATM were always a gaggle of faggots who always hated each other.

And RATM always sucked. Reminder they wrote a song in support of Peruvian mass-murdering commie terrorists Shining Path.
 
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Eminem is an even weirder case, especially when you add this to the context.


Also kind of ironic in retrospect.
Kind of saddened to see how evil and turncoats where the elite celebrities around Trump. They knew better than anyone while The Donald is an asshole, he isn't the 2nd coming of Hitler taking America back to the days of good old Dixie with strange fruit everywhere.
 
I'll never forget the heartbreak of seeing a pic of the great Ronnie James Dio with his arm wrapped around Morello's shoulder at some charity event. They say you should always separate the art from the artist, but I just couldn't manage it. I'd already had one too many musical heroes go commie as it was. That was the final straw.

Every time Dio's voice comes on my radio now, I shut it down and throw on a Skynyrd CD.
 
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Friendly reminder that for all Mexican zapatista cock RATM sucked, The zapatistas told em to go fuck themselves and their capitalist music. :story:

It's telling the only people who identified with RATM were bored suburbanite teens.
Sorry for necroing this thread, but I’d like to know where I can find info on that.
 
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