- Joined
- Oct 6, 2016
Danny technically owns the rights which is a fucking gigachad move.At least Danny Antonucci is taking it well after Ed, Edd & Eddy.
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Danny technically owns the rights which is a fucking gigachad move.At least Danny Antonucci is taking it well after Ed, Edd & Eddy.
I wonder whatever happened to the Lupo the Butcher cartoon he was developing for Netflix?Danny technically owns the rights which is a fucking gigachad move.
Probably was too "problematic" for Netflix's tastes, if the original short's anything to go by:I wonder whatever happened to the Lupo the Butcher cartoon he was developing for Netflix?
I feel like almost every creator that's worked for the big 3 (CN, Nick, Disney Channel) have gotten fucked over in some way. The ones whose shows got cancelled for no reason, cancelled because they weren't as popular as some other show, put in some garbage time slot, changed by execs to make them worse, or have episodes unaired/aired years later for no reason.Is there any other cartoonist that had their show treated poorly by networks?
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Antonucci got ridiculously fucking lucky. CN was still in its early years and desperate for content, which is why they accepted his pitch almost immediately, on top of giving him full creative control AND the rights. That would never happen today because they have (had?) an established brand and every dork is trying to pitch a cartoon to them now.Danny technically owns the rights which is a fucking gigachad move.
Then I guess Danny was the one that got away! I have more respect for him now.I feel like almost every creator that's worked for the big 3 (CN, Nick, Disney Channel) have gotten fucked over in some way. The ones whose shows got cancelled for no reason, cancelled because they weren't as popular as some other show, put in some garbage time slot, changed by execs to make them worse, or have episodes unaired/aired years later for no reason.
Antonucci got ridiculously fucking lucky. CN was still in its early years and desperate for content, which is why they accepted his pitch almost immediately, on top of giving him full creative control AND the rights. That would never happen today because they have (had?) an established brand and every dork is trying to pitch a cartoon to them now.
Eh, TBH, I'm glad this one wasn't picked up. It feels like a mixture between Calvin & Hobbes and Family Dog, with a hint of SpongeBob for good measure. It feels too derivative. It is exquisitely animated, though, I will give it that.Did Antonucci ever elaborate what happened with the Snotrocket pilot? It just appeared one day
Yeah, it feels pretty generic. It doesn't gelp that it's so chaotic and hectic that it can barely convey what the characters and setting are about.Eh, TBH, I'm glad this one wasn't picked up. It feels like a mixture between Calvin & Hobbes and Family Dog, with a hint of SpongeBob for good measure. It feels too derivative. It is exquisitely animated, though, I will give it that.
Ask, and ye shall receive.......Fuuuck do I wish programs like Oh yeah cartoons! and What a cartoon were still around. Those were so cool!
R.I.P. Cartoonstitute
Accordions Geoffrey & Mary Melodica - This looks like porpentine or some other tumblr tranny shitAsk, and ye shall receive.......
Must have been rejected.Did Antonucci ever elaborate what happened with the Snotrocket pilot? It just appeared one day
Someone I know who knows Antonucci personally told me that Anontucci pitched it around to various places, but they all wanted different things about it. Disney wouldn't take it since it wasn't what they were looking for, Cartoon Network would pick it up if it was more like their 'current line-up'(e.g TTG) was 'out of the fucking question' from Antonucci, and Nick and Netflix had no interest in it.Must have been rejected.
Sounds about right to me.Someone I know who knows Antonucci personally that Anontucci pitched it around to various places, but they all wanted different things about it. Disney wouldn't take it since it wasn't what they were looking for, Cartoon Network would pick it up if it was more like their 'current line-up'(e.g TTG) was 'out of the fucking question' from Antonucci, and Nick and Netflix had no interest in it.
Seriously, what is it with these friggin "creative" companies? They're more close minded and herdish than the most inbred bunch of rabbis in a New York Ghetto.Someone I know who knows Antonucci personally that Anontucci pitched it around to various places, but they all wanted different things about it. Disney wouldn't take it since it wasn't what they were looking for, Cartoon Network would pick it up if it was more like their 'current line-up'(e.g TTG) was 'out of the fucking question' from Antonucci, and Nick and Netflix had no interest in it.
They're sticking their 'safe spaces' rather than trying something new. Its the reason why things like Simpsons or Spongebob haven't been put of their damn miseries yet.Seriously, what is it with these friggin "creative" companies? They're more close minded and herdish than the most inbred bunch of rabbis in a New York Ghetto.
You can be "creative".....as long as you do it exactly how (((they))) want you to. Just like everything with these people.Seriously, what is it with these friggin "creative" companies? They're more close minded and herdish than the most inbred bunch of rabbis in a New York Ghetto.
Sad what we missed out on.It makes me happy that Danny hates TTG as much as the internet who claims they 'hate it' but bingewatch it to keep it going as Spongebob. At least he gives a damn about quality over quantity. Wait. There was going to be a Lupo show?
One of the good people in the business to have the autism disorder(right next to Dav Pikley, the captain underpants creator). Its kind of sad to see this happen to someone like Max. Billy and Mandy was fun. I was looking forward to Dead Meat, which sadly bit the dust. To my surprise I never see happen to anyone. Max did give back the money to those who've funded the project when it wasn't going anywhere.>Billy & Mandy was his only hit
>Evil Con Carne was a flop
>Underfist series was cancelled
>his other show that he developed for CN never got made
>got fired from CN since Billy & Mandy ruined their brand
>Spend years working on Dead Meat, only for it to get cancelled after 7 years of development due to Union reasons
>Diagnosed with autism
>Billy & Mandy movie was rejected by CN
>Low on money and has to sell his background and production art from B&M
Is there any other cartoonist that had their show treated poorly by networks?
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