YABookgate

Not just overseas writers mind you - there is a quota for more "diverse" authors from the Anglosphere as well. So if you're American/British white, male, or some combo of the three, congrats... despite constituting more than 90 percent of all submissions, most publishers cap off total new authors they'll sign from those demos to 50 percent, quite often less. Oh, and if you signed with Tor, they will not spend a single dime to promote you.

I've literally passed brilliant work up the chain only to have it rejected because a white guy wrote it.
So if I want my mediocre scifi schlock published I have to change my pen name to Tyrone Jackson and photoshop a fedora onto a free stock image of a black man, is what you're saying
 
So if I want my mediocre scifi schlock published I have to change my pen name to Tyrone Jackson and photoshop a fedora onto a free stock image of a black man, is what you're saying
You gotta tick off as many boxes as possible. Be a stunning and brave trans lesbian demisexual POC, and call yourself something like LaQuisha Ravenne X.
 
So if I want my mediocre scifi schlock published I have to change my pen name to Tyrone Jackson and photoshop a fedora onto a free stock image of a black man, is what you're saying

You gotta tick off as many boxes as possible. Be a stunning and brave trans lesbian demisexual POC, and call yourself something like LaQuisha Ravenne X.

No.

Get a black/Native woman willing to pretend to be the persona though? SFWA buys that Rebecca Roanhorse is Native American, so I've seen dumber things fly.
 
Mention Thomas Covenant on /r/fantasy and you'll get hit with non-stop RAAPPPPEEEEEE/we can't read him/you shouldn't read him posts. Rather tiring, given that it is NOT presented in a positive light and all Covenant does for the rest of the books is try to atone for it.
You aren't fucking kidding
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"Not aged well" what a fucking hack. The redemption of Thomas and Angus (from The Gap Series) were masterpieces of writing. They are never truly forgiven but they were never truly evil or at least they found a way forward to atone to some degree. "2nd wave perspectives" holy shit these people wear themselves like a hat.
Of course rape is truly worse than death and everything is rape and everything is rape and everything is rape and you have to point it all out.
 
To my continued irritation my YA writing associates all have to take a position on being "queer" when they are married (to a member of the opposite team, natch) and have kids.

Not to mention the little rainbow flags on their Twitter after a "coming out as bissexual" post.

I literally have never seen these people in a meaningful relationship or even a miserable one night stand with a person from the opposite sex, while the true and honest gay/lesbian writers in my circle will never mention that factor of their life outside of private Facebook posts about an anniversary or some momentous occasion.

I'll always remember my agent asking plaintively for some more "gay rep" in my book series before we went on submission, and I had to turn them down because I honestly couldn't wedge a fake plot in there. How miserable to read a book with gay rep, when its only reason for inclusion was a capitalistic ploy to sell more copies to the straights?
 
The thing that really got to me was when I was in the bookstore a few years ago looking at some sci-fi series (Kris Longknife, IIRC) and realized that all the weapons on the covers were just recolored Nerf guns. It's still maybe the laziest thing I've ever seen and it made me shake my head and snicker in disbelief.
There were a couple of Harry Harrison paperbacks I had from the 80s where the covers were literally just publicity stills of Luke from Empire Strikes Back with a different face. He still has the fucking lightsaber!
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There were a couple of Harry Harrison paperbacks I had from the 80s where the covers were literally just publicity stills of Luke from Empire Strikes Back with a different face. He still has the fucking lightsaber!
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I like how on the left he's about to get run over by a combine.

For some reason, it's hilarious to me.

"Harry Harrison: To The Stars: Escape from Chud-Verse"
 
Time for another episode of WHAT GOES AROUND, COMES AROUND

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Why yes - OWN VOICES is now being pre-empted as a business decision when selecting properties. Good Work Guys.

Also that "author's sexuality is no-one's business" really works out when Sauron's Eye Of Cancellation is upon you for writing all those books about gays.

Bi-erasure is another word for not believing married ladies larping as lesbians when they've never dived a muff in their life.

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Ah yes, now that the cashflow looks to be interrupted we are *bi*. Ah yes.

The EASY WAY TO BE GAY is just to be straight, never suffer any of the crisis points of coming out to parents, schools and friends, and then one day when you are much older say you are bisexual and reap the ill-gained rewards.
 
More "biphobia" bitching! If only the industry really was.

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This last one is funny to me. Dear Emily, the only person who is stopping you from finishing your two garbage novels is you. Not some editor or agent or whatever looking to make a buck.

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"How dare you try to find out about my personal life after I and everyone else I support screamed for just that for everyone else!"

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What a fucking coward.
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"Safe"
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"How dare you give us what we screamed for!"
 
More "biphobia" bitching! If only the industry really was.

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This last one is funny to me. Dear Emily, the only person who is stopping you from finishing your two garbage novels is you. Not some editor or agent or whatever looking to make a buck.

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"How dare you try to find out about my personal life after I and everyone else I support screamed for just that for everyone else!"



"How dare you give us what we screamed for!"
Who the fuck is reading all this dreck is what I want to know. Middle aged cat ladies or something? Still find it hard to believe these books are profitable given the massive overhead all the NYC publishers have.

Then again, go to the page on GoodReads for just about any YA book out there and there's almost certainly going to be at least one question about "gay representation."
 
Who the fuck is reading all this dreck is what I want to know. Middle aged cat ladies or something? Still find it hard to believe these books are profitable given the massive overhead all the NYC publishers have.
They aren't. The Lindsay Ellis thread covers this in detail, but the bottom line is that the publishing houses live off the residuals of the greats- Herbert, Jordan, Card, et al- and use that revenue stream to virtue signal. Google uses basically the same model, having one cash cow business that they use to subsidize monopolistic squatting in other sectors. If the US had antitrust laws we'd have a lot fewer problems like this.
 
They aren't. The Lindsay Ellis thread covers this in detail, but the bottom line is that the publishing houses live off the residuals of the greats- Herbert, Jordan, Card, et al- and use that revenue stream to virtue signal. Google uses basically the same model, having one cash cow business that they use to subsidize monopolistic squatting in other sectors. If the US had antitrust laws we'd have a lot fewer problems like this.
Well, we supposedly have an anti-trust law made back in 1890 with the Sherman act. Problem is, that there's no real pressure to enforce it.
 
More "biphobia" bitching! If only the industry really was.

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This last one is funny to me. Dear Emily, the only person who is stopping you from finishing your two garbage novels is you. Not some editor or agent or whatever looking to make a buck.

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"How dare you try to find out about my personal life after I and everyone else I support screamed for just that for everyone else!"



"How dare you give us what we screamed for!"
And this is why all my YA author friends have no Twitter. Why agree to have your personal life and thoughts dissected by everyone from rival authors, pissy readers, meddling agents, and stasi sensitivity readers, when you could just write a nice pitch letter and work the system against itself?

OwnVoices is the biggest scam and has silenced a ton of great authors who only feel like they can write who they are. And they're mad it's penetrated the publishing houses like they wanted it to.
 
And this is why all my YA author friends have no Twitter. Why agree to have your personal life and thoughts dissected by everyone from rival authors, pissy readers, meddling agents, and stasi sensitivity readers, when you could just write a nice pitch letter and work the system against itself?

OwnVoices is the biggest scam and has silenced a ton of great authors who only feel like they can write who they are. And they're mad it's penetrated the publishing houses like they wanted it to.
Also it’s well known there’s only a special kind of Own Voices allowed - so you have people like Angie Thomas writing about gangs etc (she drove past a gang shooting once) purely because that is the Own Voices expected of black people. Even in her Hate You Give book the main character was a privileged private school girl.

And others have mentioned that the “gang” stuff was very much “how do you do fellow kids”.
 
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Twitter / https://archive.ph/cZsa6

Not at all YA , but kind of revealing of the current situation in the publishing world, assuming Correia is being honest here. Saga of the Forgotten Warrior is neck in neck with whatever it is you call the world Joe Abercrombie sets his novels in, in terms of Fantasy series written this century that I've enjoyed. Highly recommended. And I can take or leave most of Correia's usual gunporn.

Pity most of the writers who line up on Correia's side candidly aren't very good, either. Vox Day is awful, Sarah Hoyt, John Ringo, etc., forgettable is the kindest term I can use to describe them all. John C. Wright reads like he read a Thesaurus for breakfast and spent the rest of the day vomiting words from it onto the page.
 
John C. Wright reads like he read a Thesaurus for breakfast and spent the rest of the day vomiting words from it onto the page.
It's not really a condemnation of him that he uses more precise terms you're unfamiliar with. Besides there's plenty of stuff he's written that are for simpler readers.

(I never understood why authors had to be condemned for the reader's lack of vocabulary. Try reading to expand your world for once.)
 
It's not really a condemnation of him that he uses more precise terms you're unfamiliar with. Besides there's plenty of stuff he's written that are for simpler readers.

(I never understood why authors had to be condemned for the reader's lack of vocabulary. Try reading to expand your world for once.)
That's fair. And if I'm a philistine, I'm a philistine. (I probably am, come to think of it.) 🤷‍♂️

But in my defense if I'm reading Pew! Pew! Pew! Space Operas I don't really want to feel like I'm reading one of those 19th century British authors allergic to paragraph breaks and addicted to smothering descriptions, either. And that's kind of how Wright has always come across to me.
 
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