Jerry Peet / Lily Orchard / Lily Peet / Valkyrstudios / Bhaalspawn / Tara Callie / "Mod Ebara" - Sociopath writer of pedophile fanfiction and cartoon reviews, faked getting raped to force a divorce, then mobbed and gaslit their ex off Tumblr, satanist neoliberal of the MovieSlob variety, also wants to fuck dogs and/or pokemon

[Son Goku Baku]

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Star Wars Workshopping
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Spoiler: Rey being a He/Him Lesbian

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That fic just made me sad. Not even when the story is supposed to be about Rey and her gender, the narrative still prefers to concentrate on Alaina: how she'll react, how she'll feel about it and then how funny it's to her that Rey is less knowledgeable about anything than she is. Rey doesn't actually have any thought outside of that except that she liked to be called sir but we don't ever get a why or how that could related with her own sense of masculinity as a whole.
This is what actual butch women look like:

This is what you decided Rey had to look as:

What exactly is butch about this? How does this make her any different than how Alaina presents as?

Also a cologne that smells like "you've been fixing ships all the time" would be disgusting. Is that all Butch are for you, Liliana? Mechanics that smell like sweat and grease, "little grease monkeys". You could have google literally any masculine scent before putting that up for me to imagine.

This is even more sad because on that stupid fic about "consoling" their daughter Star, the narration went out of their way a lot to tell us all about how Alaina's mental health is reflected through how well she takes care of her looks. The timing made it seem like Rey cares more about how attractive her wife is than about actually comforting her toddler in distress, but the idea of a person externalizing internal issues is not a bad one. Why there's nothing like that for Rey?
She doesn't even like the cologne that started all of this or at least it reads like the ony reason she bought it at all was because Alaina likes it.

We don't have anything about how she might chose pants of a different cut than Alaina because it makes her more comfortable or how there are masculine figures she wishes to emulate or the way she likes to present herself as masculine or anything at all from her own perspective. She liked being called sir once while buying a gross cologne she doesn't even like and then spend the rest of the time worrying about Alaina. Then Alaina started calling her he/him. That was the entire gender journey of Rey. You'd expect a trans woman to at least try to do something better than that.

Since this is just "workshop", here's some advice for you, Liliana: don't bother trying to make Rey butch happens. It could happen but not with how you write her. She barely has any personality outside of Alaina as it is and then the small bit of masculinity you bother to bring out at all was because of Alaina. Just make her a femme who can repair ships as you clearly want to and stop using words you don't know the meaning of.

He/him lesbians is an actually very old idea you obviously don't understand.

 

[A Very Big Fish]

That fic just made me sad. Not even when the story is supposed to be about Rey and her gender, the narrative still prefers to concentrate on Alaina: how she'll react, how she'll feel about it and then how funny it's to her that Rey is less knowledgeable about anything than she is. Rey doesn't actually have any thought outside of that except that she liked to be called sir but we don't ever get a why or how that could related with her own sense of masculinity as a whole.
This is what actual butch women look like:

View attachment 3517476
This is what you decided Rey had to look as:
View attachment 3517482
What exactly is butch about this? How does this make her any different than how Alaina presents as?

Also a cologne that smells like "you've been fixing ships all the time" would be disgusting. Is that all Butch are for you, Liliana? Mechanics that smell like sweat and grease, "little grease monkeys". You could have google literally any masculine scent before putting that up for me to imagine.

This is even more sad because on that stupid fic about "consoling" their daughter Star, the narration went out of their way a lot to tell us all about how Alaina's mental health is reflected through how well she takes care of her looks. The timing made it seem like Rey cares more about how attractive her wife is than about actually comforting her toddler in distress, but the idea of a person externalizing internal issues is not a bad one. Why there's nothing like that for Rey?
She doesn't even like the cologne that started all of this or at least it reads like the ony reason she bought it at all was because Alaina likes it.

We don't have anything about how she might chose pants of a different cut than Alaina because it makes her more comfortable or how there are masculine figures she wishes to emulate or the way she likes to present herself as masculine or anything at all from her own perspective. She liked being called sir once while buying a gross cologne she doesn't even like and then spend the rest of the time worrying about Alaina. Then Alaina started calling her he/him. That was the entire gender journey of Rey. You'd expect a trans woman to at least try to do something better than that.

Since this is just "workshop", here's some advice for you, Liliana: don't bother trying to make Rey butch happens. It could happen but not with how you write her. She barely has any personality outside of Alaina as it is and then the small bit of masculinity you bother to bring out at all was because of Alaina. Just make her a femme who can repair ships as you clearly want to and stop using words you don't know the meaning of.

He/him lesbians is an actually very old idea you obviously don't understand.

I'd argue that Rey actually looks more femme in Lily's version than she did in the movies. Not saying Daisy Ridley was butch, just that long hair is almost always gonna look more femme for the vast majority of women.

Also, as a man, I have never wanted to smell like I was doing physical labor, even when I worked a very blue collar, very physical job. You shower after work, you don't spray on Eau de Sawdust, that's fucking retarded. And I never met a girl who would've thought it was hot if I showed up smelling like sweat, sawdust, and quickcrete.

 

[Ben Laden]

This might be bad of me to say, but I really hope some people end up jumping down Lily's throat for this one, like they have about how she fetishizes black women, because there's something so weird about her insistence on Rey being the 'masc' one in this relationship. That Rey is 'butch' and uses 'he/him' pronouns. It feels so forced and like it comes from a place of ignorance. Nothing she's written up to this point about Rey and Aliana was building up to this. She just decided one day that this was either hot or it would get her brownie points so she just went for it. It's unearned. It would be like if in the last few chapter of a novel, one of the characters decided they had a different gender identity now. The novel never focused on their gender identity, or even hinted they might be questioning it they just...decided to mix up their pronouns.

It's basically gay Dumbledore.

 

[Duine In Cudromach]

You'd expect a trans woman to at least try to do something better than that.

This is Lily we're talking about. Lily can't get out of her own head and figure out how people actually feel, and this is very, very likely a reflection of her own 'gender journey'.

She's admitted that she doesn't experience dysphoria, only euphoria, and people in the thread had theorized or stated that it sounds like she's just an autogynephile who gets off to forcing other people to call her a woman. Reading this excerpt, Rey's treating it like she's just awakened to a new kink. There's no soul-searching, no self examination, she just heard somebody call her 'sir' and got off to it and now she and Aliana have a new bit of foreplay.

It's such a stupid, shallow revelation. "I like to wear cologne instead of perfume", "I didn't mind being called 'sir'", "I like working on cars", like these are all factors that define masculinity versus femininity. Most telling maybe is Lily's tags, where she says "he's the 50th WOMAN Allie's met to do this".

Although if that's the case then obviously this is another instance of Aliana using a Jedi Mind Trick to manipulate Rey (and those other 50 women). She's the one into it. That's why Rey is so fixated on 'what would Aliana think?' Surely it's not because Lily made her self-insert the center of the universe.

 

[ÁchtunaRoll]

Bingo love review is coming.

That HAND

Mikay. Take your time, please.

 

[Son Goku Baku]

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Bingo love review is coming.

That HAND
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Mikay. Take your time, please.

The difference between the art of the comic being lively, aesthetically pleasing with a warm coherent color pallete... and the flat, boring, lazy art of Mikaila is almost offensively staggering.

 

[work of art]

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https://archive.ph/Rd8RW

Self-ask is obvious. Lily mocks more trans women's voices from her video on Contrapoints alone.

Lily's going on a brony jihad.
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Wasn't Aliana's mother a slaver?

That fic just made me sad. Not even when the story is supposed to be about Rey and her gender, the narrative still prefers to concentrate on Alaina: how she'll react, how she'll feel about it and then how funny it's to her that Rey is less knowledgeable about anything than she is. Rey doesn't actually have any thought outside of that except that she liked to be called sir but we don't ever get a why or how that could related with her own sense of masculinity as a whole.
This is what actual butch women look like:

View attachment 3517476
This is what you decided Rey had to look as:
View attachment 3517482
What exactly is butch about this? How does this make her any different than how Alaina presents as?

Also a cologne that smells like "you've been fixing ships all the time" would be disgusting. Is that all Butch are for you, Liliana? Mechanics that smell like sweat and grease, "little grease monkeys". You could have google literally any masculine scent before putting that up for me to imagine.

This is even more sad because on that stupid fic about "consoling" their daughter Star, the narration went out of their way a lot to tell us all about how Alaina's mental health is reflected through how well she takes care of her looks. The timing made it seem like Rey cares more about how attractive her wife is than about actually comforting her toddler in distress, but the idea of a person externalizing internal issues is not a bad one. Why there's nothing like that for Rey?
She doesn't even like the cologne that started all of this or at least it reads like the ony reason she bought it at all was because Alaina likes it.

We don't have anything about how she might chose pants of a different cut than Alaina because it makes her more comfortable or how there are masculine figures she wishes to emulate or the way she likes to present herself as masculine or anything at all from her own perspective. She liked being called sir once while buying a gross cologne she doesn't even like and then spend the rest of the time worrying about Alaina. Then Alaina started calling her he/him. That was the entire gender journey of Rey. You'd expect a trans woman to at least try to do something better than that.

Since this is just "workshop", here's some advice for you, Liliana: don't bother trying to make Rey butch happens. It could happen but not with how you write her. She barely has any personality outside of Alaina as it is and then the small bit of masculinity you bother to bring out at all was because of Alaina. Just make her a femme who can repair ships as you clearly want to and stop using words you don't know the meaning of.

He/him lesbians is an actually very old idea you obviously don't understand.

this is honestly proof of how much the "write by the seat of your pants and make stuff up as you go along" advice is bullshit

hell, i wouldnt put past me that lily changed her mind about the whole "mother being a slaver" thing and wants to change it but she cant bcz its already in the story, and now she needs to keep justifying it while twisting herself into knots

like, if youre writing and updating your story live, you need to plan, holy shit

 

[starborn427614]

this is honestly proof of how much the "write by the seat of your pants and make stuff up as you go along" advice is bullshit

hell, i wouldnt put past me that lily changed her mind about the whole "mother being a slaver" thing and wants to change it but she cant bcz its already in the story, and now she needs to keep justifying it while twisting herself into knots

like, if youre writing and updating your story live, you need to plan, holy shit

Most writers I've seen adjust as they go along. You need a solid skeleton for a framework first, it's OK if certain details get changed down the line.

 

[work of art]

Most writers I've seen adjust as they go along. You need a solid skeleton for a framework first, it's OK if certain details get changed down the line.

my point still stands, changing your character pronouns like that is not mere "adjustment"

 

[thebananaonion]

i wouldnt mind if lily was writing this publicly and said 'its a work in progress but i'm making the progress public because that's jut how I want to do it'. be a weird way of going about things but if thats what the writer wants to do with their story, alright.
but its being insisted the story is what it is, and there wont be a re write at the end... this is why rough drafts exist.
Hell some writers dont even write the complete story as a rough draft, just a skeleton/ bullet points of what each chapter's going to include. And before hand characters are normally mostly conceptualized. yes new ideas can be thought up as you write it wich may cause little to drastic changes in the story overall btu again- skeleton/rough draft your shit first. then make it public if you want criticism (lol lily doesnt know the meaning of the word), then re write fixed then post it to Wattpad or something.

Never has the way lily's writing her story lead to anything substantial, cohesive and easy to read. Hell even other fanfic writers have better structure than this and fanfiction is known for 'making shit as we go along' the genre.
honestly i'd restart this story from the beginning, or finish it up quickly, then start again to improve. i get this is just a side hobby of hers but jesus.... put some effort into it at least?

 

[Duine In Cudromach]

I'm going to give Lily a pass on not having the full thing outlined. Personally I can't outline myself, and I know I'm not alone; some writers have to have extensive planning, some writers have to be free to explore. If you force a planner to write without an outline they'll go nowhere; if you force an explorer to construct a full outline before they start, they'll suffocate. Most people fall between the two extremes, but it's a common fallacy to say "You MUST have a strong outline!"

A greater explorer, for instance, will be able to convince you that they knew what they were doing the whole time even as the world and narrative were unfolding to them. This is a bit of a talent, but so too is writing an outline, and so too is writing in general. You have to figure out how your brain works and what's going to help or hinder your process.

No, I don't think Lily's problem is a lack of planning, especially given that she did have a fairly powerful outline-- The Force Awakens and The Last Jedi.

Lily's just a bad writer.

You can see this from both angles-- she's so tied to the Sequel Trilogy that her debasement of Kylo Ren and elevation of Aliana wind up having almost no bearing on the plot as she adapts through these two movies. Despite Aliana making huge imacts in individual scenes, the overall story is almost untouched, making her look ludicrously incompetent and oftentimes breaking aspects of the narrative because she is so tied to the Sequel Trilogy, and to her own stations.

Meanwhile she's also just throwing things in as they occur to her and the narrative's basically listless now that she's hit the third movie (which she obviously isn't adapting and just kind of doing her own thing). It meanders, it doesn't really make any sense, and she's more interested in these self-indulgent vignettes than actually working on TSR because she has no idea what she's doing now that she has left the stifling confines of the movie outlines.

Her method, when unmoored like this, seems largely to be writing a scene she wants to write and then flailing to figure out how to get to it, which is the worst of both worlds; now she has a scene that she has to reach because she's written it, but she doesn't have the movie outline to fall back on to figure out how to get there. She's got to figure out a happy medium about getting there but her writing has deteriorated significantly. Again, fucking Doomsday Ascending was better written than anything she's done in literally years, and it seemed like it's that's she had a loose idea about what she wanted to accomplish and it wasn't purely masturbatory.

At this point I don't know what kind of advice to give except that she needs to get her head out of her ass. The indulgences are what's killing her writing more than anything else. She has to stop fixating on those before any discussion of planning technique can mean anything.

hell, i wouldnt put past me that lily changed her mind about the whole "mother being a slaver" thing and wants to change it but she cant bcz its already in the story, and now she needs to keep justifying it while twisting herself into knots

The most aggravating thing is that she could have absolutely justified this but she wanted to indulge in the edgy Sith aesthetic. She wanted the idea of a scene where a desperate character takes an iffy job but is still sneering about it as they leave-- cool mercenary vibes while still being a good character. "I don't like working with the Hutts, but I gotta do what I gotta do."

This played into her setting up Aliana as having lived a rough life around the outer rim, but as Lily's indulgences reared their ugly head this changed to 'Actually Aliana isn't morally ambiguous she's just 'chaotic good'", "Actually Mayrik wasn't a hard-edged Dark Lord of the Sith, she was a loving mother and also a beloved activist", "Actually I want Aliana and Rey to have met when they were children because that's my kink so I'm just going to make Mayrik the one who transported her to Jakku".

You could have still incorporated the 'slave running' by having Mayrik contacted by an intermediary to transport Rey to 'her family on Jakku' and only realized afterward that she had been manipulated into moving her on behalf of the Hutts. Now Mayrik is still innocent, you still get this weird plot point, but you're moving away from the 'cool merc/Dark Lord' aesthetic.

If you're going to write like this then you have to have enough of an understanding of your characters fundamentally that you won't be throwing in these later contradictory indulges-- and if you do, figure out how to make them work instead of just shrugging and doing both. She yells about how cis-het women ruin romances by wanting to 'fix' bad boys but she does pretty much the exact same thing with her own characters.

 

[aGhost]

I'm going to give Lily a pass on not having the full thing outlined. Personally I can't outline myself, and I know I'm not alone; some writers have to have extensive planning, some writers have to be free to explore. If you force a planner to write without an outline they'll go nowhere; if you force an explorer to construct a full outline before they start, they'll suffocate. Most people fall between the two extremes, but it's a common fallacy to say "You MUST have a strong outline!"

A greater explorer, for instance, will be able to convince you that they knew what they were doing the whole time even as the world and narrative were unfolding to them. This is a bit of a talent, but so too is writing an outline, and so too is writing in general. You have to figure out how your brain works and what's going to help or hinder your process.

No, I don't think Lily's problem is a lack of planning, especially given that she did have a fairly powerful outline-- The Force Awakens and The Last Jedi.

Lily's just a bad writer.

You can see this from both angles-- she's so tied to the Sequel Trilogy that her debasement of Kylo Ren and elevation of Aliana wind up having almost no bearing on the plot as she adapts through these two movies. Despite Aliana making huge imacts in individual scenes, the overall story is almost untouched, making her look ludicrously incompetent and oftentimes breaking aspects of the narrative because she is so tied to the Sequel Trilogy, and to her own stations.

Meanwhile she's also just throwing things in as they occur to her and the narrative's basically listless now that she's hit the third movie (which she obviously isn't adapting and just kind of doing her own thing). It meanders, it doesn't really make any sense, and she's more interested in these self-indulgent vignettes than actually working on TSR because she has no idea what she's doing now that she has left the stifling confines of the movie outlines.

Her method, when unmoored like this, seems largely to be writing a scene she wants to write and then flailing to figure out how to get to it, which is the worst of both worlds; now she has a scene that she has to reach because she's written it, but she doesn't have the movie outline to fall back on to figure out how to get there. She's got to figure out a happy medium about getting there but her writing has deteriorated significantly. Again, fucking Doomsday Ascending was better written than anything she's done in literally years, and it seemed like it's that's she had a loose idea about what she wanted to accomplish and it wasn't purely masturbatory.

At this point I don't know what kind of advice to give except that she needs to get her head out of her ass. The indulgences are what's killing her writing more than anything else. She has to stop fixating on those before any discussion of planning technique can mean anything.



The most aggravating thing is that she could have absolutely justified this but she wanted to indulge in the edgy Sith aesthetic. She wanted the idea of a scene where a desperate character takes an iffy job but is still sneering about it as they leave-- cool mercenary vibes while still being a good character. "I don't like working with the Hutts, but I gotta do what I gotta do."

This played into her setting up Aliana as having lived a rough life around the outer rim, but as Lily's indulgences reared their ugly head this changed to 'Actually Aliana isn't morally ambiguous she's just 'chaotic good'", "Actually Mayrik wasn't a hard-edged Dark Lord of the Sith, she was a loving mother and also a beloved activist", "Actually I want Aliana and Rey to have met when they were children because that's my kink so I'm just going to make Mayrik the one who transported her to Jakku".

You could have still incorporated the 'slave running' by having Mayrik contacted by an intermediary to transport Rey to 'her family on Jakku' and only realized afterward that she had been manipulated into moving her on behalf of the Hutts. Now Mayrik is still innocent, you still get this weird plot point, but you're moving away from the 'cool merc/Dark Lord' aesthetic.

If you're going to write like this then you have to have enough of an understanding of your characters fundamentally that you won't be throwing in these later contradictory indulges-- and if you do, figure out how to make them work instead of just shrugging and doing both. She yells about how cis-het women ruin romances by wanting to 'fix' bad boys but she does pretty much the exact same thing with her own characters.

The thing about writing is you have to be able to learn about the things you're writing about. You have to be able to get into the mindset of someone different than yourself, and be able to have at least some amount of empathy and understanding of how that different mindset might work.

If you're writing about an unfamiliar concept, you have to be willing to educate yourself on it as best as possible or else you're going to be writing purely from your own biases and current knowledge. This may not be an issue if you're only writing fantastical fiction, but Lily is insistent on trying to represent real-world issues that real people experience while refusing to step outside her own bubble.

 

[Prophetic Spirit]

For some reason i can't answer to @aGhost but let me explain something i learned in my years of writing:
As a fiction one but more in the fantasy area rather than the others, it's vital to have knowledge of how humanity works: a nice mix between bloodshed and actual thoughts to improve.
Having as a base, you can basically create anything. My philosophy area is always mocking against states & politics in how they always appealing to the double standard.

One of my points in my novel is how any nation is technically not right but neither entirely wrong in controlling their societies. Having pros & cons, like life itself.
Of course there's a conspirancy plot and a huge force crash between the forces of the protagonists & his allies but the antagonists have a similar idea, just handling differentely and somewhat very ambigious the moral part.
Characters arcs, main plot being big and subdivided in many subplots, the world being rich in lore (i think), and so many other interesting points i'm still working on.
The thing is... and the shit we always talk about Lily don't trying to expanding her mind. The Rey drama is actually stupid, retard and basically a joke about how not handling characters. Lily is lazy to create a mininum of 10 pages about why now she's... butcher? Or whatever is the word, i'm not from USA if you ask.

Well, that's my opinion. Sorry for the earlier comment about TGT; generalizing is a thing which i saw so many times in the internet and there's a point which i lose control of my inner focus.

 

[work of art]

I'm going to give Lily a pass on not having the full thing outlined. Personally I can't outline myself, and I know I'm not alone; some writers have to have extensive planning, some writers have to be free to explore. If you force a planner to write without an outline they'll go nowhere; if you force an explorer to construct a full outline before they start, they'll suffocate. Most people fall between the two extremes, but it's a common fallacy to say "You MUST have a strong outline!"

A greater explorer, for instance, will be able to convince you that they knew what they were doing the whole time even as the world and narrative were unfolding to them. This is a bit of a talent, but so too is writing an outline, and so too is writing in general. You have to figure out how your brain works and what's going to help or hinder your process.

No, I don't think Lily's problem is a lack of planning, especially given that she did have a fairly powerful outline-- The Force Awakens and The Last Jedi.

Lily's just a bad writer.

You can see this from both angles-- she's so tied to the Sequel Trilogy that her debasement of Kylo Ren and elevation of Aliana wind up having almost no bearing on the plot as she adapts through these two movies. Despite Aliana making huge imacts in individual scenes, the overall story is almost untouched, making her look ludicrously incompetent and oftentimes breaking aspects of the narrative because she is so tied to the Sequel Trilogy, and to her own stations.

Meanwhile she's also just throwing things in as they occur to her and the narrative's basically listless now that she's hit the third movie (which she obviously isn't adapting and just kind of doing her own thing). It meanders, it doesn't really make any sense, and she's more interested in these self-indulgent vignettes than actually working on TSR because she has no idea what she's doing now that she has left the stifling confines of the movie outlines.

Her method, when unmoored like this, seems largely to be writing a scene she wants to write and then flailing to figure out how to get to it, which is the worst of both worlds; now she has a scene that she has to reach because she's written it, but she doesn't have the movie outline to fall back on to figure out how to get there. She's got to figure out a happy medium about getting there but her writing has deteriorated significantly. Again, fucking Doomsday Ascending was better written than anything she's done in literally years, and it seemed like it's that's she had a loose idea about what she wanted to accomplish and it wasn't purely masturbatory.

At this point I don't know what kind of advice to give except that she needs to get her head out of her ass. The indulgences are what's killing her writing more than anything else. She has to stop fixating on those before any discussion of planning technique can mean anything.



The most aggravating thing is that she could have absolutely justified this but she wanted to indulge in the edgy Sith aesthetic. She wanted the idea of a scene where a desperate character takes an iffy job but is still sneering about it as they leave-- cool mercenary vibes while still being a good character. "I don't like working with the Hutts, but I gotta do what I gotta do."

This played into her setting up Aliana as having lived a rough life around the outer rim, but as Lily's indulgences reared their ugly head this changed to 'Actually Aliana isn't morally ambiguous she's just 'chaotic good'", "Actually Mayrik wasn't a hard-edged Dark Lord of the Sith, she was a loving mother and also a beloved activist", "Actually I want Aliana and Rey to have met when they were children because that's my kink so I'm just going to make Mayrik the one who transported her to Jakku".

You could have still incorporated the 'slave running' by having Mayrik contacted by an intermediary to transport Rey to 'her family on Jakku' and only realized afterward that she had been manipulated into moving her on behalf of the Hutts. Now Mayrik is still innocent, you still get this weird plot point, but you're moving away from the 'cool merc/Dark Lord' aesthetic.

If you're going to write like this then you have to have enough of an understanding of your characters fundamentally that you won't be throwing in these later contradictory indulges-- and if you do, figure out how to make them work instead of just shrugging and doing both. She yells about how cis-het women ruin romances by wanting to 'fix' bad boys but she does pretty much the exact same thing with her own characters.

zp video suggestion for lily: https://www.youtube.com/watch?v=8VLvzNqloj8

 

[ChillyGengar]

Not sure if you're aware but their fics are basically RP in novel form. In case you're wondering why everything sucks, this is their process.

I'm way too tired to comment on the "less porn" part, as if porn is mandatory in any RP scenario... But yeah, they come up with a sentence-long idea, they open a google doc and just start writing shit by the seat of their pants.

 

[Devil-Man]

https://www.youtube.com/watch?v=SQXFzku_uas

More Dream Drop Distance stream.

Spoiler: 1/4

Spoiler: 2/4

Spoiler: 3/4

Spoiler: 4/4

 

[Stuck Pooh]

From three days ago (date is in the tags):

From either today or yesterday:

Mkay, they seem to not be making any money off of this, so it's safe to say the gig is up.

Late to the party but for some reason Mikaila has a tag on e621, and it contans only Madhouse comics?

Spoiler

What is funny is that even there people make fun of her shit takes.


Also, I noticed that the source links to the picture of fat gardevoir holding G and a drawing of Bonnie making snow figures of Lily and G making out, are broken. One (Marah with G) was linked to Mikaila's tumblr, and it could be that the link broke when Mikaila changed her handle or something, and the other one (Bonnies snow sculptures) was linked to the Madhouse tumblr and was deleted.

Spoiler

 

[Duine In Cudromach]

The thing about writing is you have to be able to learn about the things you're writing about. You have to be able to get into the mindset of someone different than yourself, and be able to have at least some amount of empathy and understanding of how that different mindset might work.

If you're writing about an unfamiliar concept, you have to be willing to educate yourself on it as best as possible or else you're going to be writing purely from your own biases and current knowledge. This may not be an issue if you're only writing fantastical fiction, but Lily is insistent on trying to represent real-world issues that real people experience while refusing to step outside her own bubble.

This too, yes. Lily's inability to get out of her own head and life experiences -- to not even imagine what it might be like for somebody else, let alone bother researching specific topics -- is palpable.

Not sure if you're aware but their fics are basically RP in novel form. In case you're wondering why everything sucks, this is their process.

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I'm way too tired to comment on the "less porn" part, as if porn is mandatory in any RP scenario... But yeah, they come up with a sentence-long idea, they open a google doc and just start writing shit by the seat of their pants.

Yeah, that tracks.

Although it paints Rey's singular devotion to Aliana in an even worse light if Mikaila's been the one roleplaying Rey in those meandering conversations. Is this reflective of the relationship Lily and Mikaila have? Lily is incapable of basic human empathy but Mikaila's writing is significantly better than Lily's so it's not impossible she's playing a character the way Lily insisted she play her.

Or that Lily, when they're in 'novel mode', is projecting certain expectations.

 

[Armored Hero Fanfic]

Not sure if you're aware but their fics are basically RP in novel form. In case you're wondering why everything sucks, this is their process.

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I'm way too tired to comment on the "less porn" part, as if porn is mandatory in any RP scenario... But yeah, they come up with a sentence-long idea, they open a google doc and just start writing shit by the seat of their pants.

This makes sense. and like...I'm not sure it isn't a good way to go about it, there are definitely better ways to. But it absolutely suddenly explains a fucking lot about things from TSR. It explains why Kylo Ren is so fucking shallow, and explains why Leia never under goes any change in character, and why Fin and Poe have nearly no fucking characterisation outside of their narrative utility. if it's all being Roleplayed out then neither of them would wanna touch Kylo Ren outside what must absolutely be done, and Fin and Poe would mean having to roleplay out masculine characters which neither would have any interest in doing. Leia gets wrecked by all the "Yes And," that has to be done.

Lily is incapable of basic human empathy but Mikaila's writing is significantly better than Lily's so it's not impossible she's playing a character the way Lily insisted she play her.

That's not even taking into account what's added in the editing phase. I can't even begin to imagine how things change once it's being edited so it looks like it's being written by a single person

 

[ÁchtunaRoll]

Bingo Love Is Amazing! [ Mikaila's Corner

I'm glad Mikay is recovering after her amputation. art is hard and cropping is even harder
ETA: Tee Franklin saw it.
6:49 - Mikay talking about Sappho of Lesbos is a historical explanation that you (Any couple of any gender) can just make out in public without people raising an eyebrow.

On the Tumblr side of things:

Her most recent fanart whale is a 21-year-old yid irititai who's been watching her since middle school, oy gevalt. Good for them for eeking out a positive experience. They've done most of the recent Aliana doodles.





Lily on Marx and tankies.