But as a result of having to move from point A to point B quickly, we don't get a lot of attention to character motives or backstory/whatever outside of an aside. Like I kinda like seeing what Mario and Luigi's family would be like (they're not stereotypically Italian, hilariously enough, but it's obvious they are), but we literally only get one scene and it's just to go "Son, I am disappoint" because being a plumber is a silly dream...? In fact, honestly, I kinda liked it when it was just Mario and Luigi in Brooklyn, even if the scene with the "hellhound" pouncing in the bathroom felt forcibly contrived.
But the stuff about their dad also leads to one of the best decisions of the movie: Not giving us a heart-to-heart bullshit between Mario and Donkey Kong. They butt heads and their only real common ground is their fathers are disappointed in them, though DK is all like "LOL I have to agree with your dad" even though he was mad that everyone only sees him as someone who likes smashing things, and before they can have a sappy moment of talking to each other, they're interrupted by the eel's upset stomach and call a brief truce to escape. This is most likely because Mario already had an intimate one-to-one conversation with Peach earlier, and the two are being hinted at at becoming an item like how we know them, it just doesn't happen in the movie. Probably in the sequel.
Actually, it's weird how much Mario is belittled throughout the movie. Like yeah, he's a fish out of water, he just can't be taken seriously at all, least not until he manages to complete certain tasks like clearing an obstacle course and defeating DK in confrontation. But even that isn't always enough. Like his dad criticizes his decision to leave a construction job to run his own plumbing business with Luigi, and he's only proud of him after the two of them save Brooklyn at the end, which is... strange, to say the least.
That's probably why Bowser hating his guts so much is funny because he's super insecure about other men grabbing Peach's attention. Bowser doesn't know anything about what Mario is like except that Peach is apparently taking notice of him in that way, and it rustles his jimmies hard. I thought he'd use Luigi as bait, but nah, just throws him in the dungeon where he stays for majority of the movie--which sucks 'cause like had Luigi not dropped the plumbing tools, he could've potentially had a jailbreak moment to try and prove himself that he doesn't need to rely on Mario protecting him anymore. The flashback to the two of them as babies had him with a guilty complexion, so I was hoping that would happen, but nah, it's more important to have a nihilistic Luma instead, which was some real "What the fuck" stuff.
Back to Bowser, he was definitely worth the price of admission. I'm glad the trailers didn't give away his true intentions for getting the Power Star, although it should've been the obvious ploy that it's all to get Peach's hand in marriage (although the normie movie-goer doesn't know that lol). It's pretty funny that he reveals his plan to his troops and they all stop what they're doing to give him that "WTF" look, clearly no one likes their boss enough to even pretend to be supportive on him finding a wife, even if it's Princess Peach. "Peaches" being the secret song of the movie was great, someone's definitely going to crop that imagine spot of Peach giving him the "fuck me, King Koopa" eyes. But yeah, kinda tickles me pink that Bowser and Mario (according to this movie) only have a rivalry because he's the jealous type who thinks Mario is more handsome than he is only because Luigi mentioned it. Not gonna lie, it's bittersweet that Luigi thinks Mario is a better man than he is to the point he had to outright say that women have bad taste in men if they think his brother is not good enough for them.
Now as for Peach, I'm okay with her. Was she too much in control and in charge? Yeah, but she is the princess of the Mushroom Kingdom and her Toads are all peace-loving shorties who stood no chance against invasion. From the sounds of it, she had to take up that mantle once she was crowned princess because they're her responsibility, though she might've had to be trained to be able to become worthy of being the princess. The movie saying she's not from that world I find rather interesting, but it's not stated if she's from the same world as Mario and Luigi, or not. It's possible they're setting groundwork to reveal this in a potential sequel with Rosalina and Daisy, perhaps. Like saying she may be the lost sister of Rosalina, for instance, which would suggest she has hidden powers (which the games seem to allude to anyway?).
Still, though, her interaction with Mario was odd at first, and definitely feels like there must've been some rewrites or something 'cause it feels artificial/forced for her to start liking him within a day's worth, y'know? I kinda like how she reacts to his size, and I got used to her making expressions that she hasn't made before probably since The Super Mario Super Show, but I dunno, still seems like she doesn't really care for him too much until the very end in Brooklyn. 'Course, she doesn't give him a kiss at the end, they may be holding off on that for later for all I know. But like, also, the very ending where Mario and Luigi head for work in the Mushroom Kingdom is also another tidbit that feels like they cut out a scene or whatnot because that was just a sudden "reveal" after saving Brooklyn and getting their father's praise. So they just decide to live in the Mushroom Kingdom just like that? Luigi especially? Not buying it, man.
Also lol at that end credits scene pulling a Godzilla '98.
Jokes were hit and miss, for sure. Most of it seems more like sight gags (or nudge-nudge references) than verbal quips, though, but eh. Also was it just me, or was there weird dithering during the platform scene with Mario and Luigi running through the construction site?