You have to understand that facing consequences in the comic book industry is inversely proportional to the amount of clout said person has. How much clout someone has depends on how many doors they can open if they like someone, or have closed on people who earn their ire. If you're an editor in charge of a decent paying imprint you can get away with outright sexual assault and rape; if you're some independent getting published through Fantagraphics like Ed Piskor, all it will take is a few simp DMs.
The story of Warren Ellis' cancellation is a good example of this.
@Miniluv did a great job capturing the absurdity of the cancelling itself, but I think the situation that led up to it merits covering.
It is 1996. Ellis was a very online sort of guy and was quick to adopt the growing new technologies involved with cultivating an online fandom, at first building up mailing lists for online newsletters, moving on to blogs, Oracle Delphi message boards, then finally building dedicated forums for his online community, the Warren Ellis Forums (WEF). This happened in that brief window of time after the death of print fanzines but before the birth of universal social media platforms like Facebook when lone individuals could establish a large cultural footprint online before the net was colonized by corporations. Here a large community of outsiders gathered and started making talk about revolution in the comic book industry, a break from the cliches, stodgy conservative morality of mainstream capeshit and usher in a new comic culture that wasn't like your grandpa's comics, one where the men weren't afraid to righteously take out the religious bigots that impeded humanity and the women were all tough badasses who
refused to be slut shamed.
Warren very deliberately modeled the WEF's social structure from the contemporary
Something Awful forums, with Ellis styling himself as a sort of comic book
@Lowtax . The closest analog I can think of would be if Null appointed groupies like Trollcow to moderator status and everyone had to kiss their asses as they attention whored it up all over the place. As one might expect from an SA offshoot, this was all coached in several layers of irony to the comics community, where Warren would ironically call himself "Internet Stalin" as he banned wrongminded people arbitrarily, to the cheers of his equally ironically named "Internet Slut Wife" mod team, where they would meet up at conventions and ironically suck his dick. This went on more or less publicly for around a decade with nary a word from anyone.
What makes this somewhat relevant to the current situation and not just comic book lolcow lore from the 00s was the size and influence the community had. Again, before social media, the biggest online platforms for comic fans to gather and discuss comics were internet forums privately run by fans and creators, and Ellis' community was among the first, largest and most influential of these sites, a hub for comic fandom. Most of the members of the 'whisper network' Comicsgate vaguely rails about to this day cut their teeth in the WEF, including Chris Sebela, Chip Zdarsky, Sam Humphries, Kieran Gillen, Heidi MacDonld, Rich Johnston, etc. etc. Kelly Sue "don't like my politics don't buy my book" DeConnick was a mod there; it was where she met her husband Matt Fraction (although she explicitly denies ever having special alone time with Warren). The connections formed there continue to serve them now decades later, securing each other gigs against out-group people in a self-reinforcing mutually beneficial alliance of mediocrities while "subverting" mainstream comics by pumping them full of the corporate approved shallow progressive politics of their fedora tipping proto-redditor mentor Warren Ellis. Clout, in other words.
As a celebrity writer at the top of the his profession who opened doors to dozens of people that went on to build careers and entrench themselves in the comic industry, Warren had a lot of clout. He did everything there was worth doing in comics, wrote every "big name" property, won every award worth winning, he even banged a harem of tatted up alt chicks. There was only one thing that had always eluded him: Hollywood optioning his IPs and moving on to an industry where scriptwriting paid
real money. He set himself upon this goal with real diligence: he spent less time dicking around on his phone being an e-celeb, stopped dropping "I can haz cheezburger"-tier internet memes and references into his comics, stopped having his protagonists go off on MovieBob-esque screeds about how Christian conservatives should be liquidated for being backwards retards impeding humanity's progress, so on, instead strictly focusing on honing his craft as a writer to deliver entertaining, tightly written capeshit stories intended to appeal to the widest audience possible. And at long last in 2020 he succeeded. This proved to be his undoing of course.
The second he decided to disinvolve himself from comics (and the clout he accumulated over decades) to become a screenwriter for Netflix'
Castlevania, his old jettisoned groupies from his abandoned community and failed comic book revolution immediately congealed to form a cancel blob and he was destroyed overnight. At that moment he had no more clout than Ed Piskor. Had Ellis stuck to the comic industry with his many proteges, he'd probably still have an illustrious career even now. The cancel culture people overlooked his history for over a decade, they no doubt could have kept up their lifelong role as Warren's jannies for decades more.
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You have to understand that facing consequences in Comicsgate is inversely proportional to the amount of clout said person has. How much clout someone has depends on their connections and Youtube subscriber count. If you're someone like Billy Tucci or Mike Baron for example, you can crowdfund on whatever platform you please and shittalk whoever you want. But if you're Patrick Thomas Parnell or Rich Ayala, you are only allowed to use approved crowdfunding platforms that actively blacklist and suppress your campaigns and make no money, and if you say anything about it the leadership will denounce you as a traitor and a sex pervert while rolling out the red carpet for Vito, Riley and Mint Salad.
It is 2016. Van Sciver was a very online sort of guy. He was quick to adopt the growing new technologies involved with cultivating an online fandom, at first building up a Facebook page, then a twitter profile before cultivating a youtube channel and community that looked down on the "soy" nature of mainstream comics. Frog very deliberately modeled Comicsgate's social structure from the contemporary Internet Bloodsports scene, with Frog styling himself as a sort of comic book Tony Soprano. Here a large community of outsiders gathered around and started making talk about revolution in the comic book industry, a break from the woke, progressive morality of mainstream capeshit and usher in a new comic culture that wasn't like your grandpa's comics, one where the men were men, and the women weren't men...