Sorry straight white men, Doctor Who was never made for you

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From the moment I saw Ncuti Gatwa dancing the night away in a bright outfit during the 2023 Christmas special, I knew I would fall in love with his iteration of The Doctor.

Not everyone was as excited by such an unapologetically queer Black Doctor Who though. A vocal contingent of keyboard warriors took to social media to claim the show had gone too ‘woke’.

From arguing that the show has been ‘torn apart by woke ideologues’ to creating their own social media trend #RIPDoctorWho, you don’t need to go far to find the litany of tired complaints.

But I’d argue that the show has always been socially-progressive and inclusive.

I started watching the show during David Tennant’s run as the 10th Doctor over 15 years ago, and immediately fell in love with the beautiful themes of found family, combined with the captivating space-and-time adventures. I never looked back.

Over the past 60 years, the iconic British TV show has cultivated a devoted fanbase – following the timey-wimey adventures of an alien known as the Doctor and his human companion in the TARDIS.

Jinkx Monsoon in Doctor Who
Drag queen Jinkx Monsoon will have a role in the new series (Picture: James Pardon/Bad Wolf/BBC Studios)
In a nutshell, there is no world too crazy, time too far, or creature too strange. Not even the end of the universe is the limit.

So for a show so versatile, and with fluidity so naturally imbued into its bones, it’s truly baffling that a non-straight, non-white Doctor feels so unbelievable to so many people.

It’s not the first time this ‘woke’ accusation has been levelled at the show.

Ncuti’s predecessor Jodie Whittaker (the 13th Doctor) battled intense public scrutiny as the first woman to take over the beloved role. Angry viewers similarly accused the show of pandering to woke times, causing Jodie to tell the press ‘it’s terrifying that a woman being given a particular job can cause so much rage’.

Now Ncuti has been forced to justify his place in the sci-fi series since news of his casting in May 2022.

In a recent interview with Attitude, the Sex Education star has spoken about the irrelevance of trolls: ‘You are so angry over something so inconsequential that you can’t be an interesting person. You can’t have much in your life.’

But the bigoted straight white men who have spiralled into a meltdown clearly haven’t been paying attention to the reboot’s rich and ever-evolving history of multiculturalism and LGBTQ+ inclusion.

When Queer As Folk creator, Russell T Davies, brought Doctor Who back in 2005 it was clear from the get-go that this is a show for all the outcasts in society.

Class commentary was placed front and centre through Rose Tyler (Billie Piper) and her mum Jackie who lived on a London council estate. And left-wing sentiment has been a common thread throughout the series.

In this season, viewers were introduced to queer companion Captain Jack Harkness (who shared a same-sex kiss with The Doctor in the season finale on primetime TV as far back as 2005).

Alongside the steady drip of LGBTQ+ side characters, in 2008 Freema Agyeman made history as the first full-time Black female companion, Martha Jones. One episode (Family of Blood) sees her proving her worth as a Black female Doctor while trapped in the past.

At the time, Agyeman too faced racist backlash from the public, which she later revealed: ‘What I didn’t anticipate – and maybe I was naïve – was the racism from certain sectors of the fanbase… yeah, I couldn’t rationalise that.’

Since the early reboot days the ‘woke’ momentum has only picked up, and with it the accuracy of the representation.

Behind the scenes, screenwriters such as Vinay Patel and Malorie Blackman have penned historic stories about partition and the civil rights movement. While Segun Akinola did a tenure as Doctor Who composer from 2018 to 2022.

On screen in recent years – under the helm of showrunners Steven Moffat and Chris Chibnall – we’ve seen a South Asian Master (the Doctor’s recurring arch-nemesis) played by Sacha Dhawan and Jo Martin magnificently embodying the Fugitive Doctor.
 
The article writer knows if white men get just a drop of doctor who it's gonna end up like that scene where the funny alien gets a tiny bit of gene-thievery from someone who time traveled.
The skinsuit disney funded dr. who would never pull off shit as metal as a guy getting his skull crushed by a plunger
 
Ayoade has been one of the top picks for the role for a long time. He was quietly offered it a while ago and (smartly) turned it down.

Yeah, it was probably for the best. He might be the star of the show, but he wouldn't be writing the scripts. And he isn't infected by woke, as far I'm aware. He got a lot of flack for standing up for Glinner. As much as I personally detest that man, I do agree with Graham Linehan on almost everything.

And let's clear something else up. I'm sure there are a few genuine sexists and racists out there among the vast, vast majority of us who are just sick of woke lectures. Really guys? You wouldn't watch a great black doctor like Richard Ayoade could potentially be (assuming it's written well and back to kickass space adventures) just because you're so offended by the idea of the doctor having black skin? If I was black I wouldn't even be offended by that, you're missing out on a great show so your stupidity is it's own punishment.
 
Then they tried to reboot it with Paul McGann as an action film (???) and it didn't work at all, what the fuck was that?
It was actually supposed to be the pilot/first episode of a continuation series funded/produced by FOX IIRC. It was received poorly enough that the entire plan got scrapped till the second revival attempt happened with Eccleston and was an instant hit. There's some interesting unused shit from the series that was gonna be made if the TV movie worked out well enough like spider mech Daleks. How those would have actually worked in execution though given how the movie turned out is probably not as cool as the initial concept stuff that got released to the public years after the fact.
 
I wasn't expecting the sequel to "Gay Niggers From Outerspace" to get such a high budget from Disney of all companies.

Also there's a bit of drama on Twitter since the author had their post deleted, and of course they went full lockdown on their account to hide from the rising tide of backlash from the obvious bait article.
 
Didn't they uncripple one of the villains and make him German because they don't want evil cripples?
They also had to change the character of the Celestial Toymaker, because in the original series he was dressed as a Ching Chong Chinaman
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Amusingly this is allegedly because the production notes just specified "Celestial Toymaker" meaning spaceman, but the costume designer thought it was "Celestial" in the incredibly old timey slur for Chinese people way.

Anyway this is a silly children's TV show about an alien who goes on adventures with a human companion through time and space. That's all the show needs to be.

But the first post-Christmas episode, "Space Babies" manages to ham fistedly allude to the Rwandan Genocide (the Doctor says he was adopted and his people died in a genocide - Ncuti is Rwandan but moved to the UK as a toddler), abortion rights/pro life rhetoric (they won't stop the baby farm producing babies, but they don't care what happens to the babies once they're born), the plight of refugees ("refugees have to turn up on someone's shore, nobody rescues them"), children fearing divorce is their fault... also the plot involves boss baby style talking babies who are being terrorised by a literal bogeyman made of bogeys and the Doctor saves the day by making the space station fart with the dirty nappies from the babies. It was genuinely insufferable and I had to watch in double speed because I want to be accurate with my seething.

The second episode, "The Devil's Chord", features drag queen Jinx Monsoon playing a villain who introduces himself to a 1920s music teacher as non-binary and then uses magic powers to steal all the unexpressed music from the music teacher. Then the Doctor and Ruby go to watch the Beatles record their first album but they're shit - because music has been stolen (and the Maestro climbs out of the piano and murders people who try and make music using his music powers). They go back to the modern day and it's a nuclear wasteland because without music humanity collapsed, and then the Maestro appears and sings a song that goes "Daddy was so mean, daddy was so tough, daddy daddy'd me and that was quite enough". Then the Doctor and the Maestro have a "music battle" in Abbey Road studios. At the last minute John Lennon and Paul McCartney save them by finishing their tune. Then there's inexplicably another musical number

It wasn't as actively bad as the space baby one (that's not to say it was good) but it doesn't seem to bear much of a relationship to Doctor Who... it's basically a completely different show that borrows the branding off the old one.
 
Can't wait for them to blame straight white men for not watching the show when it dies.
And from how folks are reacting, some may be happy if it doesn’t come back again after 15-20 years.
It's a show made for children to watch with their parents. The writing is targeted to children. It's just slightly deeper than the average episode of the smurfs, and never more complicated than batman the animated series.
Which means, if shows like Gravity Falls, Steven Universe, and The Owl House are any indication, it’s prime for a bunch of folks on Tumblr and Reddit to overanalyze to Hell and back.

Chris Ecceleston was the only good doctor in recent history, he was sour cranky and a fucking ugly britbong, and i loved him for it (he is also a phenomenal actor).
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I'm not even a Dr Who fan i just really enjoyed that season, obviously what ever this abomination is i hope it goes up in flames like everything else Disney touches.
Really? Just 9? Folks are saying the Tenth Doctor’s run is some of the best the series had, and I personally enjoyed Matt Smith. But 9 is my favorite hands down.



@AssignedEva Well, thanks for telling me that this current season is basically turning into somebody’s shitty fanfiction. I’m reminded of when 13 had an episode involving Rosa Parks.
 
Here's the thing.

Doctor Who has had a huge gay fanbase for years. As far as I know, it's well known for that in Britain, but not as much in the US. Gay British kids in the 80s and 90s gravitated towards this sexless, alien hero who didn't fit in.

Russell T Davies and Chris Chibnall, two of the last three showrunners, are such people.

But...

They aren't all or even the majority of fans. Showrunner Stephen Moffat and two of the recent actors, David Tennant and Peter Capaldi, were mega fans since childhood too. And they are straight.

Russell T Davies restarted the show in 2005 as a fan, but not as a gay fan. He made it for everyone. He had black characters and gay/bi characters and nobody much minded. But it was a mainstream show, so much that it became an international phenomena.

This new iteration is not for everyone. It is Gay Science Fiction, created for gay, lesbian, bi, trans, queer, genderspecial and whatever. He brought back David Tennant specifically to shit on his legacy-make him bi, make him get owned about pronouns and not being a woman anymore. It was a definitive slap in the face to any fan who wasn't queer to say "this show isn't for you now. If you want to watch, you are allowed, but this is not a show meant for you."

I don't know what happened to Davies in the last 10 years. But he made a conscious decision to create a Queer Sci Fi show by and for queers. Ncuti Gatwa presents as specifically gay. His dialogue is coded as gay. He dresses gay. Davies could have created an entirely new show to do this because as a gay man it is clearly important to him. He seems to feel now he has to have a show that caters to trans issues, stars a gay hero, overly represents disabled people as being superheros and never bad, everything that he feels he didn't address enough before.

He could have made a whole new show, but the BBC and Disney came to him begging him to save the show and his values and agenda happened to wholly align with theirs. Why create a new show when you could use the name recognition of an internationally known hit?

And that's fine. If he and the BBC and Disney want to make a queer sci-fi show, good for them. But I have no desire to watch it. It's not for me. I'm sure Empire is a fine show. But it's by and for black people, about their culture. It holds no interest to me. So I don't watch it. And I have zero desire to watch this new Doctor Who.
That's marxism for you. They can only co-opt and destroy. Never create anything new. Which is appropriate. Since marxism is just hegel's phenomenology of spirit mixed with economic theory.
 
because in the original series he was dressed as a Ching Chong Chinaman
Less a ching chong chinaman more an evil space wizard with chinaman garb type elements. You don't see people throwing a shitfit over stuff like Ming the Merciless and he's like 500% more chinaman looking.


People have pointed out online already but the Toymaker's"game" in the new episode is extremely fucking shitty brainless stuff and reads like someone who didn't even look at the clips of the original thing where he had weird bullshit esoteric mind puzzle shit meant to basically trap the tardis guys in a hell type situation where they couldn't win. The doctor literally has to find a way to bend the fucking rules in the original toymaker story as an out to destroy the guys pocket dimension. He acts like a bootleg john simm master in the new episode where in the original thing he was just some dude who was a kinda menacing immortal space wizard.

EDIT:

Ok see how that first one says he's unstoppable and the only thing they can really do is destroy his pocket dimension by making him "lose?"
Yeah no apperently him losing the game (fucking CATCH) is now like genie wishes where you can just banish him from existence and have him be spooky cgi foldyman.
This is also like the one scene where he kinda sorta channels the OG space wizard toymaker instead of "WACKYMAN!!!" Shame honestly.
 
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I don't usually endorse violence,

post/av combo

Pretty sure if you asked the creator when he made the show he would have said he did create it for white males.

if you asked a British man in the 60s if his show is made for cis hetero white males you'd probably get thrown in the looney bin

But the first post-Christmas episode, "Space Babies" manages to ham fistedly allude to the Rwandan Genocide (the Doctor says he was adopted and his people died in a genocide - Ncuti is Rwandan but moved to the UK as a toddler), abortion rights/pro life rhetoric (they won't stop the baby farm producing babies, but they don't care what happens to the babies once they're born), the plight of refugees ("refugees have to turn up on someone's shore, nobody rescues them"), children fearing divorce is their fault... also the plot involves boss baby style talking babies who are being terrorised by a literal bogeyman made of bogeys and the Doctor saves the day by making the space station fart with the dirty nappies from the babies. It was genuinely insufferable and I had to watch in double speed because I want to be accurate with my seething.

The second episode, "The Devil's Chord", features drag queen Jinx Monsoon playing a villain who introduces himself to a 1920s music teacher as non-binary and then uses magic powers to steal all the unexpressed music from the music teacher. Then the Doctor and Ruby go to watch the Beatles record their first album but they're shit - because music has been stolen (and the Maestro climbs out of the piano and murders people who try and make music using his music powers). They go back to the modern day and it's a nuclear wasteland because without music humanity collapsed, and then the Maestro appears and sings a song that goes "Daddy was so mean, daddy was so tough, daddy daddy'd me and that was quite enough". Then the Doctor and the Maestro have a "music battle" in Abbey Road studios. At the last minute John Lennon and Paul McCartney save them by finishing their tune. Then there's inexplicably another musical number

ivanka-trump-what-smol.gif
 
Less a ching chong chinaman more an evil space wizard with chinaman garb type elements. You don't see people throwing a shitfit over stuff like Ming the Merciless and he's like 500% more chinaman looking
He is wearing an actual chinese robe, taken by brits as trophey, as far as I know. Interesting how TV logic plays with perception.

reads like someone who didn't even look at the clips of the original thing
They had like 8 tie-in media appearances by him in the meantime (ching-chong garb intact), of varying quality, this is just showrunner being dum.
 
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