- Joined
- Jul 8, 2022
We live in a cursed timeline where this isn't immediately offered a 4-episode trial run with a modest budget while a bunch of untalented hags are running a 319 million dollar netflix show into the fucking ground after chasing off Henry-fucking-Cavill. I guarantee this animator could get a show off the ground with a livable wage for them and whatever crew they need to crank out some animation. Certainly wouldn't need no 300 million, especially when this person did this one just cause they love The Witcher. Witcher has the potential to be a massive franchise and Netflix fumbled the bag so fucking hard. It's got romance and handsome swordsmen for the ladies, drop-dead-beautiful sorcerors, political intrigue, and monster-hunting for guys, and everyone loves the adventurous swashbuckling genre that this series vaguely nestles into, but-no, we gotta hand this off to a buncha harpies whose talent is probably better served as producers on The View and watch all that potential just shrivel on the vine.
I have a theory that a lot of studio execs are just hiring people around them at the time for these things, and all the people around them are untalented gremlins who only hang around because that's where the money is. They don't have a dream, they just have some half-baked vanity project and aspirations of living in an LA penthouse suite on a fatcat's dime, so when they get handed a show that's not the vague idea they had in mind when they set up in a California flophouse to start chasing bigwigs they throw a fucking temper-tantrum and do whatever the fuck they want and nosedive the IP faster than the cocaine disappears at the Hollywood party where they got the gig. I just think corpos should be investing literally anywhere other than directly around them. Fucking find people who care about the things you have the keys to and lend it to them along with the cost of taking care of their basic needs. They'll turn around a good product, they were doing it for free a week ago, y'know?