- Joined
- Feb 24, 2019
Been watching this one lately not as annoying as some since she doesn't fake cry like misery machine.
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I like i am sure many grew up with the 2000s era of internet that "wild west" as i've mentioned. When it was just scary stories and peolpe linking gore sites for shits and giggles it was when this horror side of youtube was niche and nobody but the dedicated actually cared. One of the many problems is when peolpe had easier access to the internet and things got curated and streamlines so every jane and joe with a webcam can just read wikis and posts from strangers for a youtube channel. This isn't a problem in and of itself but as you said the issue is not only are their faces prominent but as many have already said most get an ego.I think this topic has been touched on before, but I think the death of a horror channel starts when they start showing their faces on camera.
I can't stand looking at their faces. I just want to listen to spooky topics with some pictures detailing what's happening, but then these faggots feel the need to show their face and it just throws the entire atmosphere out of the window.
Ad reads mid-topic are a close contender too. Listening in to the details of some murder, then being advertised sandals is crazy.
Idk if i will get hate here for saying this but i was watching the Urbanspook fiasco and channels i watched swear off the series for the use of a child being on the victims to the maniac killer. The series to me reminds me of the surface level of why i liked internet horror stuff because i am not going in to every series needing to be wowed by amazing writing and narrative if it makes me uncomfortable that is the base level of what horror is supposed to do. I never hated the series because to me there is no "too far" because horror at its core is supposed to make you feel at least fearful and uneasy which is what i got on that base level with Urbanspook despite how i agree it's not written that well besides the spooky descriptions and images. I doubt the creator for the series was trying to "fetishize" the child victims but I got annoyed at the moral grandstanding because it made me realize why i don't like most of the current horror corner. It's all "safe" horror that is monitored and curated by these moralistic clowns who tell you what you can and can't make since they are a byproduct of today's internet art circle they screams at other artists for not drawing and producing art that they are comfortable.I don’t care if you’re a victim don’t speak for all victims as a collective because something triggered you it’s so fucking obnoxious. I don’t mind sex abuse used for horror so long as it’s clearly horror related and not some fetish. Faces is good analog horror covering a made up murderer. Real murderers also had child victims so this isn’t fetishizing abuse in any way for horror.
Alright sperging over this is why I don’t have a Twitter account so I can avoid constant streams of retardation.
See this is my problem too they want controlled and curated content. When you observe them talk they legit don't care about anyone else's rights because in their mind the existence of someone who might enjoy what they want is something they cannot let go of. It's something i talk about with some friends i am so tired of everything being a moral issue no matter what it is. This is unreal internet horror and people are treating it like the creator actually did commit these sins which you can legit flip around to everyone like was Alex really guilty of irl suicides because he made a series about creatures who drive people mad to the point of killing themselves?I cannot understate how true this fucking point is. Zoomers can have their bullshit but for fuck's sake, how hard is it for them to just let others enjoy what they enjoy without being all sanctimonious and pedantic about it?
I know they are zoomers but I still find it hard to believe how narrow-minded they are that they can't fathom the idea of other people having different tastes. Like, goddamn.
It's interesting you say that middle part and people here have brought this up too. These people are so obsessed with representation and needing to be represented in media even if it doesn't directly. They CANNOT see anything without a mirror pointing at them through the thing they like so if it is too "edgy" they can't handle it because the reality is these are stunted and sheltered people who don't get something not appealing to them but can still be respected. It's almost always like this because as we've seen their circles and how they interact everything needs to abide by their idealsSometimes they are even inconsistent with that. Child murder (fnaf) is fine but don't you DARE have rape.
Or they are like "I can make this horrific thing into something erotic because it helps me cope. But others can't because that's problematic."
It's the infantile bullshit and childishly selfish hypocrisy that gets to me.
As an artist i can't stand these people. The amount of clinical arrogance you have to be and claim yourself to be an artist while also respecting the medium. But going on to tell someone that you are the person that can "fix" their art is throatpunch worthy lol.>"Alright, The story starts in the 1980's USA, Eureka, California"
You already lost me there.
The "I fixed your art/design/story" leftie movement and it's conquences
have been a disaster for anything creative.
Sometimes they are even inconsistent with that. Child murder (fnaf) is fine but don't you DARE have rape.See this is my problem too they want controlled and curated content. When you observe them talk they legit don't care about anyone else's rights because in their mind the existence of someone who might enjoy what they want is something they cannot let go of. It's something i talk about with some friends i am so tired of everything being a moral issue no matter what it is. This is unreal internet horror and people are treating it like the creator actually did commit these sins which you can legit flip around to everyone like was Alex really guilty of irl suicides because he made a series about creatures who drive people mad to the point of killing themselves?
This is so funny because these folks love going "separate the artist and their creation" when it is shit they love but the bias and hypocrisy shows up when you're not allowed to do the same and if you like the thing that has the "problematic" content you are as guilty of imagined crimes.
The guys behind No Through Road were very early to this 'genre' and were, of course, one of the best, if you just count their first video. The follow ups get pretty weak and try way too hard to explain things that didn't need to be explained.Going on a wikipedia dive as one does, I ended up here. Pretty interesting selection the wiki editors whittled it down to, imo.
No Through Road
Pretty sure this covers a bunch of short joke meme clips from an sfm animator's channel. Gay if true. There's no greater story going on there from what I can tell.
They are concepts and what people in these circles like more than themselves is to attach themselves to something. Spoke about this many times as others have but UrbanSpook shook the core of a boring and stale genre because it showed something that didn't leave ambiguity these people can attach to. Regardless of its presentation it used topics that as you said are too real for them to handle since they're used to ambiguous, mascot bait they can make into trivialize drivel that is amb extension of themselves by making it trans or adding pronouns.Zoomers like their monsters. You will see them in memes and fan videos. Fanart that won't try to be consistent with the official art style and with a pronoun sheet attached.
I feel the shift from content to personalities have been extremely detrimental to a lot of places on the internet and are getting worse. These same people who create cults of personalities don't seem to get why everywhere they go there is drama when they hype these individual's heads up so far they let their little internet fame get in the way of better judgement and logic. The thing i thought of and someone might have already said about MamaMax is that he is a good example of this because he might have started out with good intentions but people hyped his head up to make them "THE" Pedo slayer of Youtube and this isn't helped with the corny vigilante larp. Eventually these types will try to forge situations or over exert something to the point where people will start seeing the cracks that they are faking events to get their dopamine hits of attention.tbf is a general rule for channels of all genres and its worse when you can tell is because the YouTuber is question thinks he/she looks good enough now to be simped over.
tbf is a general rule for channels of all genres and its worse when you can tell is because the YouTuber is question thinks he/she looks good enough now to be simped over.I think this topic has been touched on before, but I think the death of a horror channel starts when they start showing their faces on camera.
We already have Emesis Blue and nothing is ever topping that. I'm a TF2sperg so I've seen every fucking tweaked model in Garry's Mod and the gay ARGs they are attached to and none of it ever comes close to being half as good as Emesis, where despite the whole point being how the game itself is fucking up physically with the mercs the true horror is how its fucking up their minds.
The kind of fuckers that compulsively make Wikipedia articles about their favourite Internet nobodies like to justify their spastic passtime by attaching it to shit people actually care about. In that fucking index there's a very clear gap between found footage, fake public access and the spooky Powerpoints Wendigoon likes.I really wouldn't consider what they did to exactly be 'analog' horror anyway, and doesn't fit with most of the tropes of the genre. It's basically just found footage stuff from when that was getting big, but I can see how it may have influenced some of the later material. It's closer to Marble hornets which was going on around the same time than The backrooms.
emesis blue also works on the simple basis of it not treating the viewer like a complete retard + having a plot that isn't written by redditors and has more depth than "oh look, entities are alive and the mc is a dick to the pwoor digital entities", while also being closed and vague like the thing, you can re-watch it as many times as you want and still find yourself engaged because there's details that end up giving even more depth to the plot itself.@Blue Gem Muslim Queen I feel like the reason that Emesis Blue is so much better than all this ARG shit is the fact that it's actually set in the universe of TF2 and not some guy playing around in GMOD with TF2 assets with spooky stuff in the background.
Since these types are so heavily embedded into everything it will take a while for them to be weeded out. It's the same thing i see with people in the gaming sphere some think the biting back against the woke progressive nonsense is a sign but it is very minor steps into what needs to be an extreme jump. Same people that are hoping 2025 will be better said the same thing about 2024 and things are changing but not by much. When we go get out of this heavily left leaning rut it won't be overnight it's gonna be after years of a vast amount of people finally fighting back.I hope Project 2025 is real so trannies and zoomer NPCs fade back into the shadows so the 90s/2000s era of horror can begin again. Make America Edgy Again.
Fuck censorship of all forms and fuck your moral policing within a community that has nothing to do with morality.
Horror and punk has been infested by these subhuman lots. You cant tell me its not a psyop because horror and punk were the two communities that actually fought against the mainstream and its obsession with purity, that obsession leading to authoritarianism. It upheld the idea of freedom at any cost, which meant allowing everyone to have their opinion and to be able to create anything regardless of whether or not it offends anyone. If anything, offending someone was something that was encouraged. It was seen as cool to be as shocking and crude as humanly possible. There was NO "you cant do that" when it came to creating something.
Curated social media and the fact that everyone is on the internet having to share the same places. I miss the whole idea of "if you didn't belong there then don't go there" where every place was its own community and you abided by the rules or fucked off.As for horror itself, Internet horror stuff can never go back to the 90s/2000s unless the internet itself crashes down to go back to the old days when everything wasn't so centralized.
Oh man, I can't wait for Vagineer to make a comeback.
>Fuck censorship of all formsI hope Project 2025 is real so trannies and zoomer NPCs fade back into the shadows so the 90s/2000s era of horror can begin again. Make America Edgy Again.
Fuck censorship of all forms and fuck your moral policing within a community that has nothing to do with morality.
Horror and punk has been infested by these subhuman lots. You cant tell me its not a psyop because horror and punk were the two communities that actually fought against the mainstream and its obsession with purity, that obsession leading to authoritarianism. It upheld the idea of freedom at any cost, which meant allowing everyone to have their opinion and to be able to create anything regardless of whether or not it offends anyone. If anything, offending someone was something that was encouraged. It was seen as cool to be as shocking and crude as humanly possible. There was NO "you cant do that" when it came to creating something.
Yeah No Through Road is a classic example of something not needing a sequel. It kept explaining and giving lore that only made things less scary.The guys behind No Through Road were very early to this 'genre' and were, of course, one of the best, if you just count their first video. The follow ups get pretty weak and try way too hard to explain things that didn't need to be explained.
They got in first, hit the peak
And left within a few years. The latter uploads to their channel have nothing to do with horror, everything after No Through Road 4, which I would recommend not watching. Just keep it to the original.
I really wouldn't consider what they did to exactly be 'analog' horror anyway, and doesn't fit with most of the tropes of the genre. It's basically just found footage stuff from when that was getting big, but I can see how it may have influenced some of the later material. It's closer to Marble hornets which was going on around the same time than The backrooms.
If we're counting TF2 videos as horror, then I should probably post my favorite one: Emesis BlueOh man, I can't wait for Vagineer to make a comeback.
This is something that always bugged me about The Misery Machine - While the people who run the channel certainly try to avoid the usual trappings of shittily-made YouTube true crime content - i.e. constantly saying unalive instead of any of the other non-offensive euphemisms for death - they certainly have some rather glaring faults. For example, saying "SA" every time they refer to sexual assault; I get that SA is an official, accepted abbreviation which does show up in investigations, but they use it like a verb, which just sounds wrong. If YouTube gets hung up on the word 'sexual', then they could just say "assaulted" or "violated" and get away scot free.she doesn't fake cry like misery machine.