The Internet Archive is defending its digital library in court today - Based Internet Archive vs Greedy (((publishers)))

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Book publishers and the Internet Archive will face off today in a hearing that could determine the future of library ebooks — deciding whether libraries must rely on the often temporary digital licenses that publishers offer or whether they can scan and lend copies of their own tomes.

At 1PM ET, a New York federal court will hear oral arguments in Hachette v. Internet Archive, a lawsuit over the archive’s Open Library program. The court will consider whether the Open Library violated copyright law by letting users “check out” digitized copies of physical books, an assertion several major publishers made in their 2020 suit. The case will be broadcast over teleconference, with the phone number available here.

The Open Library is built around a concept called controlled digital lending, or CDL: a system where libraries digitize copies of books in their collections and then offer access to them as ebooks on a one-to-one basis (i.e., if a library has a single copy of the book, it can keep the book in storage and let one person at a time access the ebook, something known as the “own-to-loan ratio.”) CDL is different from services like OverDrive or Amazon’s Kindle library program, which offer ebooks that are officially licensed out by publishers. It’s a comparatively non-standard practice despite implementation in places like the Boston Public Library, partially because it’s based on an interpretation of US copyright doctrine that hasn’t been strictly tested in court — but this is about to change.

This lawsuit wasn’t actually spurred by classic CDL. As physical libraries closed their doors in the first months of the coronavirus pandemic, the Internet Archive launched what it called the National Emergency Library, removing the “own-to-loan” restriction and letting unlimited numbers of people access each ebook with a two-week lending period. Publishers and some authors complained about the move. Legal action from Hachette Book Group, HarperCollins Publishers, John Wiley & Sons, and Penguin Random House — a list that includes three of the print industry’s “Big Five” publishers — followed soon after.

The lawsuit takes aim at the Internet Archive’s response to the pandemic, but its arguments are much broader

Publishers took aim not just at the National Emergency Library, however, but also at the Open Library and the theory of CDL in general. The service constitutes “willful digital piracy on an industrial scale,” the complaint alleged. “Without any license or any payment to authors or publishers, IA scans print books, uploads these illegally scanned books to its servers, and distributes verbatim digital copies of the books in whole via public-facing websites. With just a few clicks, any Internet-connected user can download complete digital copies of in-copyright books.” More generally, “CDL is an invented paradigm that is well outside copyright law ... based on the false premise that a print book and a digital book share the same qualities.”

The Internet Archive isn’t the only library or organization interested in CDL, and its benefits go beyond simple piracy. As a 2021 New Yorker article outlines, licensed ebooks give publishers and third-party services like OverDrive almost absolute control over how libraries can acquire and offer ebooks — including letting them set higher prices for libraries than they would for other buyers. (In 2021, Sen. Ron Wyden (D-OR) and Rep. Anna Eshoo (D-CA) took publishers to task for “expensive, restrictive” licensing agreements.) Libraries don’t own the ebooks in any meaningful sense, making them useless for archival purposes and even letting publishers retroactively change the text of books. And many books, particularly obscure, older, or out-of-print ones, don’t have official ebook equivalents.

Publishers can offer unique benefits, too, like the obvious fact that they let libraries get around literally scanning the books. Unofficial scans are sometimes rough and inconvenient compared to, say, a neatly formatted Kindle title. Even in a world where CDL was uncontroversial, many libraries might choose to go with official licensed versions. But there are clear reasons why libraries would want the option to digitize and lend their own books, too. CDL advocates argue it’s philosophically akin to conventional lending, which also lets lots of people access the same book while only purchasing it once.

The legal situation is much dicier and depends on how you interpret earlier cases about US fair use rules, which let people use copyrighted material without permission. On one hand, the publishers’ reference to “illegally scanned books” notwithstanding, courts have protected the right to digitize books without permission. A 2014 ruling found that fair use covered a massive digital preservation project by Google Books and HathiTrust, which scanned a vast number of books to create a database with full searchable text.

“The Open Library is not a library, it is an unlicensed aggregator and pirate site.”

On the other, services like ReDigi — which let people place music files that they owned in a digital “locker” and sell them — have been shut down by courts. So have services like Aereo, which tried to get around paying rebroadcasting fees by receiving individual over-the-air TV signals from tiny antennas and streaming them to subscribers. Both cases involved someone trying to use a digital file in an unapproved way, and neither made much progress. CDL legal theorists argue that the ReDigi case doesn’t spell doom for unauthorized library ebook lending, but until a court rules, we won’t know.

The publishers’ complaint also relies heavily on arguing the nonprofit Internet Archive isn’t running a real library. As one header put it, “The Open Library is not a library, it is an unlicensed aggregator and pirate site.” Among other things, publishers argue that the organization is a commercial operation that’s received affiliate link revenue and has received money for digitizing library books. In a response, the Internet Archive says it’s received around $5,500 total in affiliate revenue and that its digital scanning service is separate from the Open Library.

American fair use law depends on balancing several factors. That includes whether the new work is transformative — basically, whether it serves a purpose different from the copyrighted work it’s using — as well as how it affects the original work’s value and whether the new work is a commercial product. (Contrary to one popular misconception, commercially sold work isn’t automatically disqualified from fair use protections.) Whatever judgment a court makes will be specific to the Internet Archive’s fairly unique situation.

But the ruling may lay out broader principles and reasoning that could affect any attempt to repurpose physical books in ways publishers don’t approve of. Digital rights organization Fight for the Future has supported the Internet Archive with a campaign called Battle for Libraries, arguing that the lawsuit threatens the ability of libraries to hold their own digital copies of books. “Major publishers offer no option for libraries to permanently purchase digital books and carry out their traditional role of preservation,” the site notes. “It’s important that libraries actually own digital books, so that thousands of librarians all over are independently preserving the files.”

And if the Internet Archive loses the case, it could potentially be on the hook for billions of dollars in damages. That could threaten other parts of its operation like the Wayback Machine, which preserves websites and has become a vital archival resource.

Either way, it’s a potentially landmark copyright case — and the arguments of both sides are getting their first real test later today.
 
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first repost on twitter but,...
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Was it ever explained why they decided to go from lending only one digital copy to multiple? I don’t want to read the briefs. What was even their defense and appeal based on?
 
All this shows is that freedom of information is only free for a select few, but not for the ones that need it the most. TPTB does not like it when we want to have freedom of choice.

I don’t know if it’s the death of IA as a whole, but it’s on thin ice.
 
I will make it my life goal to watch the death of every last free speech and free information hating Jew corporation if it’s the last thing I fucking do
At some point, there may be so little left to live for that the cost of one's life will be well worth laying it down for liberty.

The fuckers pushing this shit better hope that day never happens.
I don't think this is going to kill Internet Archive, and if you want books, you should start with shadow libraries like Anna's Archive or Library Genesis.
μολὼν λαβέ
 
Karma for bowing down to troons and removing all archives of the Kiwi Farms, and for removing all archives of Taylor Lorenz’s fathers public government connections.
This. I'd say I feel sorry for them, but I don't. By letting anybody delete content from the archive its usefulness is vastly diminished. Although the copyright mafia still needs to die and burn in hell.
 
A sad day indeed, but I can't understand why the fuck they felt the need of tickling the balls of the worst copyright sharks while they where doing something as useful as archiving tons of internet pages.

If you want to test the limits of abusive copyright laws, do it as an anonymous side project, not as the only fucking internet archive there is.

An absolutely asinine idea, albeit a noble one.
 
I cant feel too sorry. They went full retard during covid and didn't think it would bite them in the ass. The book cabal is almost as old as the banks. You were always going to lose.
My schizo-theory is that this was a deliberate attack of sorts from the history-disliking leftist faggots, wanting an excuse to see some inconvenient archives destroyed.
 
Just so everyone can see this

This sets a horrible precedent. The IA isn't blameless, but I never want to hear these fucking people complain about "burning books" ever again.
The thing is, something like the Internet Archive hurts preservation more than it helps it. If everyone believes that there’s a single site dedicated to preserving everything, nothing gets preserved. ‘Someone else probably uploaded it’. IA didn’t preserve anything particularly well, either. Search for No-Intro and you’ll get a bunch of random snapshot versions with no idea as to how complete or correct they are. The Wayback Machine never seems to have anything I actually want to find.

The Library of Congress, and similar organizations in other countries, handles a great deal of the published material already. The autists will curate their own personal sites for the various differences and minutia in different editions (e.g. originaltrilogy.com for Star Wars). What’s more important is preserving valuable things that aren’t published (Chris Chan) and media that people haven’t really thought to preserve because of its novelty (video games, online services). IA couldn’t even make the Wayback Machine proper for archiving web pages, which you’d think the name ‘Internet Archive’ would point.

Decentralization is the answer. Going underground is the answer. Being an asshole and making people who upload stuff to your site include details like the source and encoding method used is the answer. Don’t dox yourself. Don’t be a moron. Don’t ask for ‘donations’ or set up a Patreon. Keep local copies of stuff that you like and keep circulating the tapes.
 
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