I love Origins. It makes me a faggot to say this, but it's probably the most important piece of media in my life, more than any book or movie or TV show. It meant everything to me in middle and high school. 2 sucks shit, but Inquisition really does have its moments, despite all of its issues. Ten years ago, Dragon Age: The Dread Wolf would have been my most anticipated game, without any question.
But this is just unrecognizable. It doesn't surprise me that BioWare would make such a pozzed game in 2024, but it's still hard to believe that any corporate office would really let someone write shit like this. You had ten years and this is what you came up with?
The problems are so obvious that I guess everyone else has already mentioned them. The SkillUp review is absolutely brutal, and it seems pretty much airtight. I didn't expect Veilguard would be good, but this is just shockingly awful. The art is horrible. The faces look terrible. The animation is bad. The combat seems, somehow, more boring than Inquisition. And the writing--you really can find better fanfiction on Tumblr, which is probably where all of the current generation of BioWare narrative designers were recruited from anyway.
What really stands out to me, though, is that inserting this woke shit into what was always supposed to be EA's flagship "Dark Fantasy" serious GRRM fantasy ripoff series is just so fucking lazy, stupid, gay, retarded, and inbred. If I were to sit down and make a game that was explicitly anti-woke but set in a medieval fantasy setting, I would come up with metaphors to illustrate the point. I would use evil demons who convince innocent young women to mutilate themselves as a stand-in for troons. I'd have there be some kind of story that stands in for sex changes but involves magic rather than HRT, and maybe, to obfuscate the meaning while keeping the themes relevant, changes your age or race or species or something like that. You could, if you were a serious, pozzed artist, make a woke game that was actually "art," and tell stories about troons being oppressed in some interesting fantasy way. Inquisition sort of did this with the tranny scout character you can meet, IIRC.
What you would not do, if you were actually making "art," is have the characters sit around, IN THE MIDDLE AGES, and talk like they're in the coffee room at Kotaku, discussing their gender identities. You would not let the player become transgender for no reason. As though they didn't have Darkspawn to worry about instead. Like what's the point? What's the message? What's the meaning of it? How does it fit into the world? What thematic weight does this decision carry?
None, nothing, nothing at all. You can do it because it's a thing in real life that the gay developers think is cool.
That isn't fantasy. It's just real life. It's not even real life: it's this particular moment, right now. Tomorrow it will already be outdated. It's so pointless, so fleeting, so temporal, it's not even recognizable as an expression of art. I used to believe that anything that tried to be artistic had to be "art." but I do not think Veilguard actually qualifies. It's just the HR department down the hallway during Halloween.
I was going to hate-play it and write a review, but I don't see how I can anymore. This game is good for nothing but forgetting. In a hundred years people will look back at it and be utterly baffled.