Setting aside the point others have made that publishers rely on their back catalogues, publishers do seem to prop up a bunch of unpopular "prestige" books or crap like Lindsay Ellis's novel, which, if I recall, sold an abysmal amount but got on the NYT "Bestseller" list.
It's always funny hearing the billionth NPC Strawman line about how noone respects women-written SF and then I point out Mary Shelley, C. L. Moore, Leigh Brackett, Andre Norton, James Tiptree Jr., Ursula K. le Guin, Judith Merrill, Octavia Butler, Joanna Russ, Miriam Allen deFord, etc. There's venerable and respectable names from every generation of SF, of nearly every type of SF. Hell, there's the wives of famous SF authors that got co-author status like Janet Asimov or Katherine de Camp or Karen Anderson. It's like all this weird indoctrination exists as some kind of halfassed attempt to "own" men.
Nowadays everything's about a "milestone" for status like it's some retarded attempt at overcorrection. What's sad is that, ultimately, the good stuff's gonna prove itself and the forced stuff's gonna likely fade; but the diamonds in the rough will get passed over. Potentially good writers that need training and experience will get stiffed because they're not fitting the label.
As much as I dislike Larry Correia, he regularly points out that he sells far more books than a lot of the SF/F award winner types. I'd love to see BookScan numbers for his book alongside something by the likes of N. K. Jemisin.
I don't have any opinions on him, but I believe it. There were plenty of older SF/F writers that sold far more than the average award winner type. I mean, you have your Asimovs and Harrisons and Silverbergs and Andersons who were all extremely prolific and pumped out stuff regularly. Hell, Alan Dean Foster and Gordon Dickson aren't exactly literary masters with shitloads of awards (they're still perfectly enjoyable writers for a reason) but it seems they sold shitloads back in the 70s-90s and their work's still readily available on ebook or cheaply on the second-hand market.
Fuck me I'll bet one of the lower end (not Asimov, Heinlein, le Guin, etc but also not someone as forgotten as William Tenn or Cordwainer Smith) A-listers like Poul Anderson or Robert Silverberg or Larry Niven from the 50s-80s still outsells some of these modern Award-winner types just through ebook sales alone. Fucking David Weber probably outsells them and he seems like he's got a foot in the coffin.
I haven't paid very close attention. Did USAID give money to publishers and game studios? Where did you hear this?
one of the topical threads (Politics? Or something else in the thunderdome) has posts showing all the uncovered shit that USAID and other "funny money" sources were going to all sorts of weird shitlib progressive things like transgender comics in Peru or Atheism in Nepal. It also showed some sources on paying Politco to push the gamergate shit and on paying game studios and etc.
There's little demand because what little boys do read has been filtered through overly female teachers and parents. When was the last time a little boy was handed Conan the Barbarian by a teacher? A female teacher no less.
Hell, they don't even let them read traditional boys stories anymore in the more retardedly woke places. Imagine not being allowed to read Treasure Island.
Lovecraft is slop. He wrote for the pulps. Literally named that for the cheap paper they were printed on.
I think Space Police is trying to make a point that's pretty outdated at best. Also, ebooks as a problem? Lmao.
Your literally blind as a bat.
Retard or Troll? Call it.