One Piece - I'm Gonna Be the Pirate King!

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whatever I feel like said:
With the power of AI surely they could just turn LA One Piece into Lego directly. Still not gonna watch a single second of it, though.
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They already have.

LEGO-One-Piece-75637-Buggy-the-Clowns-Circus-Tent-1-1536x1449-3931222610.webp
 
i keep seeing people saying that because imu showed up a straw hat needs to die or else imu is a joke. which i dont really understand. kuma was able to give the straw hats a major defeat without killing a single one of them. so why cant imu do the same? there are already 2 possible exits for the straw hats in the event that imu proves to be too much of a threat. so killing a straw hat would just be silly

that being said if a straw hat absolutely has to die its going to be either jinbe (he already gave up a lot of his lifespan to big mom) or brook (he will most likely just come back because of the revive fruit) most people seem to think usopp should die but he still needs to meet yasopp plus he is generally quite important for the dynamic of the crew so i dont see him going anywhere
 
Tetragrammaton said:
i keep seeing people saying that because imu showed up a straw hat needs to die or else imu is a joke. which i dont really understand. kuma was able to give the straw hats a major defeat without killing a single one of them. so why cant imu do the same?
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Because A Game of Thrones and GRR Fatfuck poisoned the shit out of our culture with "Main characters have to die!" in the same way that Tumblr poisoned our culture with "EVERYONE HAS TO BE A FAG!"
 
Incecticyder said:
The Deconstruction Age of Entertainment has left giant scars in our perception of stories and fiction.
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Why did the Death of The Merry and of Ace hit so hard?

Because those are the exceptions, we didn't even think of the Merry as a crewmember..until it showed up to save them out of no-where in Water Seven.

Ace? Oda made Luffy go through hell to save Ace and had "The Crew of the World's Strongest Man" to back him up. Of course Luffy would save Ace..he EARNED it..and he did save Ace. Luffy managed to achieve his goal..and then Ace died anyways because Ace did not learn the lesson about pride.
 
Honka Honka Burning Love said:
Because those are the exceptions, we didn't even think of the Merry as a crewmember..until it showed up to save them out of no-where in Water Seven.
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I cried in that scene.

Honka Honka Burning Love said:
Ace? Oda made Luffy go through hell to save Ace and had "The Crew of the World's Strongest Man" to back him up. Of course Luffy would save Ace..he EARNED it..and he did save Ace. Luffy managed to achieve his goal..and then Ace died anyways because Ace did not learn the lesson about pride.
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And in the entire process he invalidated every sacrifice everyone had made for him. That was a true tragedy. That is how you write that stuff.
 
Incecticyder said:
The Deconstruction Age of Entertainment has left giant scars in our perception of stories and fiction.
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man you don't know how much i am deeply annoyed at how we can't get over this as a society. People spent way too long and way too much time deconstructing the characters, heroes, and worlds people like for so long it started to warp reality. When people see these things as they were supposed to happen in their fiction they get confused because the deconstruction became the reality. And as we know, It's why entertainment started to become less fun.
 
Snake of Diamond said:
man you don't know how much i am deeply annoyed at how we can't get over this as a society. People spent way too long and way too much time deconstructing the characters, heroes, and worlds people like for so long it started to warp reality. When people see these things as they were supposed to happen in their fiction they get confused because the deconstruction became the reality. And as we know, It's why entertainment started to become less fun.
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They are confusing deconstruction for intelligent writing, pessimism for realism and subversion for interesting ideas.
 
Incecticyder said:
They are confusing deconstruction for intelligent writing, pessimism for realism and subversion for interesting ideas.
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i said it in another thread but in a modern writing perspective it is a weirdly juvenile way of looking at something creatively. Take superheroes as an example where they think breaking them down makes them "deep" when in reality most of them were meant to not make any sense in the context of reality and were just stories about interesting worlds and people with powers doing crazy shit.
 
Snake of Diamond said:
i said it in another thread but in a modern writing perspective it is a weirdly juvenile way of looking at something creatively. Take superheroes as an example where they think breaking them down makes them "deep" when in reality most of them were meant to not make any sense in the context of reality and were just stories about interesting worlds and people with powers doing crazy shit.
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They are edgelords repackaged. Substitute "Dark and Gritty" for "Realistic". We want stories that feel real. Realism is having an entire cast of a movie set in the Middle Ages die of cholera. It is realistic but also lazy and boring. Also, reality is filled with stories that feel fake but are actually 100% real.
 
Incecticyder said:
They are edgelords repackaged. Substitute "Dark and Gritty" for "Realistic". We want stories that feel real. Realism is having an entire cast of a movie set in the Middle Ages die of cholera. It is realistic but also lazy and boring. Also, reality is filled with stories that feel fake but are actually 100% real.
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They legit cannot understand the point of fiction and exaggerating factors of life to tell a story or create a world. Some people say they don't understand fiction I say they can't because they're just mentally incapable of doing so. They ask questions they don't need to ask when the point is your logic is left at the door when viewing these doors into fictional worlds it's SUPPOSED to not make sense with reality as we know and perceive it. They try to line the fiction up with reality and end up doing both a worse job.
 
Honka Honka Burning Love said:
Ace? Oda made Luffy go through hell to save Ace and had "The Crew of the World's Strongest Man" to back him up. Of course Luffy would save Ace..he EARNED it..and he did save Ace. Luffy managed to achieve his goal..and then Ace died anyways because Ace did not learn the lesson about pride.
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i sorta feel the same about vegapunk in a way. because they all tried really hard but in the end vegapunk was killed. sure he is technically still alive but it was another reminder that the world government is not fucking around.
 
Snake of Diamond said:
They legit cannot understand the point of fiction and exaggerating factors of life to tell a story or create a world. Some people say they don't understand fiction I say they can't because they're just mentally incapable of doing so. They ask questions they don't need to ask when the point is your logic is left at the door when viewing these doors into fictional worlds it's SUPPOSED to not make sense with reality as we know and perceive it. They try to line the fiction up with reality and end up doing both a worse job.
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Even reality has extraordinary stories. Look at history and you will find stuff that is stranger than fiction. You just need to accept that weird things happen.
 
Tetragrammaton said:
i sorta feel the same about vegapunk in a way. because they all tried really hard but in the end vegapunk was killed. sure he is technically still alive but it was another reminder that the world government is not fucking around.
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yes and no.

Vegapunk died but Vegapunk also is the only one in that complete clusterfuck that actually won.
 
Incecticyder said:
Even reality has extraordinary stories. Look at history and you will find stuff that is stranger than fiction. You just need to accept that weird things happen.
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There's so many stories you can tell from wars alone and we have plenty already. It's a time where human ingenuity is at its peak just so we can kill each other (of course it's more complicated than that) so we have a lot of stories from individual experiences being on the battlefield and the civilians caught in the worst case scenarios but lived to tell their tale.

One thing about these types that you see a lot on the writer/creator teams is that they themselves are usually mundane. They use their opportunities to take the piss out of something creative due to not being able to relate to it.
 
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