You say that like it's a bad thing. I for one would fucking love a Rated R Star Wars made by Tarantino (if we could throw out the Disney shit, that's what I'd start with, probably.). Motherfuckers would get slaughtered with the Force left, right, and center.
Was there ever a time when there was no distinction between Sith and Jedi?
Cause Tarantino would rock the fuck out of a movie in such a setting.
Even if Rey being freakishly strong or talented was part of her character, you could still work some shit in. Have her be too arrogant or lazy enough to not apply herself except during useless circumstances. Maybe even give her an emotion-related excuse to be crazy strong--an overly large sense of empathy and a motherly need to protect others that causes her powers to surge to the point of being destructive. Any of this shit could work.
With Luke in the OT, there were some stakes that Luke might fall to the dark side (I mean, when you're genre savvy, you know it won't happen, but there was a chance that he might be tempted). So while one might expect him to end up a good guy, you simply didn't know whether he might be tempted and do something bad or how he'd overcome the temptation.
With Anakin in the PT, we knew he would be tempted and fall to the dark side. We just didn't know which direction the temptation would come from and how it would take shape and pan out.
With Rey and her lack of flaws, it would be unbelievable for her to fall to the dark side. Even if there was a scene where she was tempted, there wouldn't be the slightest shred of a doubt to her overcoming the temptation. That is boring.
Maybe if they had explained the space in that area was some sort of massive expanse, or the path to nun planet was protected by an asteroid field and required specific coordinates to use for a flight plan. Easy explanation and it doesn't make the movie look silly.
Or they could have put the planet in a nebula, would also have given an interesting set-piece and something unique to look at.
Unless it's 3 months from now and IX will make Rey the Chosen One, in which case it'll be stunning and brave, since there has never been a story with a "chosen one" woman.
Just like there was no movie with a female main cast before Ghostbustettes 2016. Or how there was never a black action movie star before whatshisface that played Black Panther.
As a sidenote it's really funny. These progressives do not want to support ongoing social progress, they want to be at the forefront of the change itself. They want to be the spearhead of the movement, therefore they have to be the first ones to support something and if anything similar or identical has ever happened before, it has to be ignored.
That's why Rey is treated like she's the first female character in a movie that's not just a screaming, fainting 50s horror-schlock bimbo.
SJWs don't want to support a movement that celebrates Rosa Parks as a great personality that made a change, they want to be Rosa Parks - and just to top that off, they want to be Rosa Parks by tweeting the right tweets, consuming the right products and regurgitate the right agenda bullet points.
They march in the endless lockstep of anonymous masses of SJWs, expecting to stand out from the faceless, nameless crowd, for doing the very same things everyone else does.
A German writer coined a neat term: Gratismut. Essentially, it's "costless courage", which is the spirit of saying or doing something, that carries no risk whatsoever, it's saying what no one would argue against, doing what no one would disprove of. The difference between this costless courage and regular cowardice is that costless courage is treated like it's a brave thing to do, a sarcastic self-inflation and virtue signaling amongst a crowd of like-minded people.
It's SJWs in a nutshell.
But I digress, Chuck Wendig is a terrible idiot and I would not be surprised if he thought LOTR was written around the early 2000s when the movies came out. Otherwise, I see no reason why or how he could criticise the books for using a "tired trope", the book is so old, it
predates these tropes.
Also, the whole point of the book is that it's not a novel, it's a chronicle, so of course it has a lot of worldbuilding in it. It's not meant to be a modern, plot-driven novel, it's meant to be an epic tale in the tradition of Beowulf or the Song of Nibelungs.
And for that jab at the world being too white, male and straight, man. I hope I ever get the chance to punch this fucker in the face. He's the Dobson of literature, only he managed to suck enough cocks to get a few awards and a jig as a writer. I've not yet read a line of text written by this clown that wasn't cringe inducing as fuck.