Weeb Wars / AnimeGate / #KickVic / #IStandWithVic / #vickicksback - General Discussion Thread

5t3n0g0ph3r said:
Let's hope Funimation's 2020 will be like Rooster Teeth's 2019.
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It's called God is angry.


Immaculate Ape said:
I don't have access to this FB group, but we already have folks sending us leaks from FB groups that are planning mob attacks. How embarrassing.
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Natalie...who cares about your fucking table? No one knows you. Oh, well now we do, you pathetic germ.
 
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Immaculate Ape said:
I don't have access to this FB group, but we already have folks sending us leaks from FB groups that are planning mob attacks. How embarrassing.
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Natalie, no one except your circlejerk likes you, and even the circlejerk will close in on each other like it did with Lynn.

You not coming to Kitchener is more of a boon than a bane to the con anyway.

And they banned you for being fucking exceptional and mad at some Japanese cartoon convention, like any normal person would.
 
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giraffes on coffee said:
This was cute.


They plan to upload the whole panel from LCCC and if this is the angle they filmed from, it'll be a better shot of the day one panel than the previous upload.
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Watch everything else but that last bit be cut, just Vic yelling, and screaming "WHO ARE YOU CALLING A PIPSQUEAK" be written off as abusive and not as a wholesome moment by KV
 
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halsmowlwurf said:
No, what happend is different,
the company tried to ride the woke train, because they thought this would be trendy and trends give money,
now they're slowly realizing that Anime and Woke don't work together and they can't publish lewd stuff anymore.
The Vic stuff didn't worked out the way they hoped, they're now trapped and can't go back to normal Anime stuff,
without angering the rest of Woke Fans they still have.

Sex Sells, No Sex No Sells
Go Woke, Go Broke,
and they can't go back,
because they fucked up beyond repair.
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Equivalent Exchange is exchange is in effect and Truth-Kun is pointing and laughing at them.
 
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General Gunther said:
Over 300 characters and many of them (excluding the ones she's known for) are episodic or bit parts. If you go to her BehindTheVoiceActors page they seem to have this obsession with cataloguing every one of her roles regardless or how small or minor it is.
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Jamie's boon is that she plays notable minor characters in popular shows. What's ironic though, is the main following her specific characters would have (Mt. Lady, Cana, etc) is the exact guys she's been decrying, which is to say lonely guys jerking it to rule 34s of cheesecake background characters. Mt. Lady's superpower is that she can make herself really big (proportionally) and her whole shtick is that she tries to raise her popularity by usually thot'ing it up while huge.
 
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halsmowlwurf said:
On Issue is that the Japanese IP-Owning companies are incredibly slow,
usually you would say:
1. Open Dubstudio
2. Snatch IP
3. Stream Dubs
4. Profit
All you need is a halfway decent Streaming Site and a half way decent dubbing studio,
and you would be miles ahead of Funimation. Netflix for example could snatch them,
hell they could even make a Netflix:Anime Subscription for 20 Bucks a month.

The Sad Truth is, that this is not how Japan does business, they will take years to react and when they react,
they will pull the dubs and take another year or two to look for another service.

I used to do business with a Japanese Company, those guys are slower than Ents when it comes to contracts with foreigners.
Years till they sign them and Years till they revoke them.
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It's not that the companies take years to react, its that their court system is slow as fuck. Businesses would run more smoothly if you didn't have to go through Japan bureaucracy. There are a lot of foreign affair articles written about the country when doing business there.
 
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5t3n0g0ph3r said:
Let's hope Funimation's 2020 will be like Rooster Teeth's 2019.
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I’m thinking that won’t happen because that was taking Ls on a biblical scale.
halsmowlwurf said:
On Issue is that the Japanese IP-Owning companies are incredibly slow,
usually you would say:
1. Open Dubstudio
2. Snatch IP
3. Stream Dubs
4. Profit
All you need is a halfway decent Streaming Site and a half way decent dubbing studio,
and you would be miles ahead of Funimation. Netflix for example could snatch them,
hell they could even make a Netflix:Anime Subscription for 20 Bucks a month.

The Sad Truth is, that this is not how Japan does business, they will take years to react and when they react,
they will pull the dubs and take another year or two to look for another service.

I used to do business with a Japanese Company, those guys are slower than Ents when it comes to contracts with foreigners.
Years till they sign them and Years till they revoke them.
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5t3n0g0ph3r said:
Anonymus Fluhre said:
It's not that the companies take years to react, its that their court system is slow as fuck. Businesses would run more smoothly if you didn't have to go through Japan bureaucracy. There are a lot of foreign affair articles written about the country when doing business there.
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So what I’m hearing is Toei won’t do shit about this situation, just not for the reasons that I thought.
OneHandClapping said:
And then they get some papers for breach of contract.
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I feel like it’ll be they’ll do everything possible to humiliate Vic, and do whatever they can to skirt the line to avoid breach of contract charges. It’s how SJWs do law breaking. And that’s not getting into the legal games that can be played.
xyz741 said:
Jamie's boon is that she plays notable minor characters in popular shows. What's ironic though, is the main following her specific characters would have (Mt. Lady, Cana, etc) is the exact guys she's been decrying, which is to say lonely guys jerking it to rule 34s of cheesecake background characters. Mt. Lady's superpower is that she can make herself really big (proportionally) and her whole shtick is that she tries to raise her popularity by usually thot'ing it up while huge.
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Also, Cana can drink like a fish.
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Immaculate Ape said:
I will pass along the compliments. That's our media coordinator at work, really not sure how they do it. I'd be roasting chestnuts by now, but will pass along the encouragement. I'm sure they need it.

Basically our marching orders are to ignore, archive and report (to Vic's attorney). We were told that there's no sense in engaging any of them, and rightfully so. When David Wyldstar (who lives near Kitchener, Ontario) is trying to get a group in California up our ass, there's no logic to take a foothold on.
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Props to the crew for handling things in a mature fashion. Engaging with those fools will only make them scream louder. Give them an inch and they'll take a mile. It is best that they know their place is one that has no control. It seems to be similar to what happened at Matsuri. Despite the threats of a boycott, one never came. (Three people going to a bar to whine about it doesn't count.) So it is probably a bunch of empty threats being made to try and bully people into giving in. I think the con will run relatively smoothly as all the others have done so with Vic already. The complainers are people who never been to these cons they complain about and never planned to go whether Vic would be there or not. So for them to act as though they are potential customers is laughable
 
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Watched the Savannah con panel. Vic talked about directors at anime studios, mentioned that a lot of times, studios would be so desperate for directors they'd hire people with no prior experience or knowledge, like a dude working for an ad agency. He also brings up Funimation directors thinking he's difficult to work with. He claims he always made an effort to be easy to work with (always on time, finishes work quickly, friendly and humourous while working). The only reason directors found him difficult to work with was because he wanted to do certain takes more than once, because he wanted the end result to be perfect. He said that the end product often suffered because the directors didn't really care, because they either didn't really know what they were doing or just didn't care.

Just thought it was interesting. Really puts the whole "difficult to work with" thing in perspective.
 
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Random Internet Person said:
So let me get this straight: this Interapecies Reviewers is the closest thing to hentai one can find without digging through the internet? And Funimation noped after they found conflict with their moral high ground. Is this them trying to atone for Panty and Stocking or something?
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They knew what the show was and what they were getting into. Funi has released other shows with content just as strong. Hell, their version was still censored. Someone wasn't happy with that show and wanted it axed, be it pressure from a voice actor or a bootlicker bitching about anime tiddies. But it's nice to know that they do have standards, especially during comic conventions.
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theworstkindofeurofag said:
Watched the Savannah con panel. Vic talked about directors at anime studios, mentioned that a lot of times, studios would be so desperate for directors they'd hire people with no prior experience or knowledge, like a dude working for an ad agency. He also brings up Funimation directors thinking he's difficult to work with. He claims he always made an effort to be easy to work with (always on time, finishes work quickly, friendly and humourous while working). The only reason directors found him difficult to work with was because he wanted to do certain takes more than once, because he wanted the end result to be perfect. He said that the end product often suffered because the directors didn't really care, because they either didn't really know what they were doing or just didn't care.

Just thought it was interesting. Really puts the whole "difficult to work with" thing in perspective.
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And somehow this makes him a monster. Somehow this is worse than Michael Camino doing hundreds of takes and spending too much time and money directing Heaven’s Gate. Difference is that firing Cimino would’ve saved UA money whereas firing Vic has cost Funimation some.
 
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