- Joined
- Jul 14, 2018
The entertainment industry as a whole just doesn't know what to do with black actors because if they're given negative traits it gets condemned by liberal psuedointellectuals for perpetuating stereotypes and thus playing into "systemic racism." The comedy genre and its slow neutering is a prime example of this.Nothing wrong with the cadets, but it's a kids club and should be treated as such. Claiming it constitutes actual training is laughable.
However, I would pay good money to See Ollies warface as he's doing bayonet drills in a dress.
I really don't even take issue with it when doing historical characters. I take issue more woth the double-standard which has established itself whereby a white person playing a black person is stealing a black role, but visa versa it's empowerment, and if you say anything you're a bigot.
So for example they got a black actress to play Margaret of Anjou in a screen version of a Shakespeare play. I take zero issues with this, it's character driven and it's not meant to represent what medieval Europe was like. The race, sex of the actors and even the time period is almost irrelevant to the story.
Where I do draw the line is when you have something trying to represent a historical time period, even if it is a fantasy version, with all the grit and grim and human drama and yet everyone is racially diverse. It's jarring, and it destroys the immersion, plus there are ways of including such characters that can help build a believable world so it's not like you need to leave them out...
You know what was one of the biggest sitcoms of classic television that no one under 50 is aware of? The Jack Benny Program, it ran for 15 seasons on American television and before that was a long running radio program. A true comedic institution. It's forgotten and only occasionally aired now on an easily overlooked cable channel JLTV (Jewish Life Television) because the most popular character was Jack Benny's comedic foil butler "Rochester", a lazy drunken black man with a hilarious voice. America loved Rochester because he was just funny and had most of the punchlines, and most normal flawed people can relate to the character.
The irony is that generations later audiences still enjoy the comedy portrayed by good natured "salt of the earth" niggas. Eddie Murphy, Chris Rock, and Dave Chappelle are hugely popular because they used negative stereotypes as a form of self deprecating humor. Way more entertaining and memorable than the woke garbage spewed out by Kenya Barris or Jordan Peele. For crying out loud Black People love Tyler Perry's "Madea" which has been reasonably compared to the Black Minstrel shows of vaudeville.
Why am I sperging on the subject of Blacks in Comedy? Because "black empowerment" more or less is fucking insulting to black audiences. Disney is so terrified of how it portrays Black People now to the point that they simply can't give any of the Black Marvel Superheroes any real flaws in the movies. In my eyes it's straight up patronizing.
Of course we live in a clown world where a true total loser asshole like George Floyd is earnestly proclaimed a patron saint by liberals and mass media. So there clearly is enough people in the world who want this horseshit. I'm interested to see if anyone cares to remember the utterly one-dimensional Black Power fantasies besides the mythical infallible Barack Obama.