- Joined
- May 4, 2021
Having people talk like that breaks the "historical drama" attitude the OT and the PT had. A big reason for the OT's long term viability is the fact that they spoke the language of Star Wars instead of what would have been considered cool at the time. Snark will date your media really hard in the long run.At least they tried with Finn, which is why he's a better character in TFA. But they immediately undercut their efforts by giving him ridiculous, Whedonesque dialog to Poe and then Rey. For all the shit Lucas takes about stilted dialog look at how damaging that "natural" (aka smarmy) style is.
Rey.... what did she wanted? All she did was living alone and collecting junk. She had no dreams or ambitions. The OT characters in comparison had future plans other than the plot. If the opening scene didn't happen the characters would be still trying to achieve their goals and not just exist until the bad guys start the plot. A big problem with superheroes and that kind of story telling is that they are extremely passive and reactive, that is why they don't make compelling movie worlds.Contrast that maREYsue, who is shown to be doing cool things right from the get go. Her environment doesn't seem to bother her very much at all. She actually looks to be enjoying it. Obviously they wouldn't dare show her being vulnerable. They could never have dreamed of having some white dude tell her she had to stay.
I will also blame this on a more trope based story telling, you are checking boxes without thinking about how those elements will interact.
I haven't watch much of the ST, but the Force Awakens was enough to feel that there is no chemistry between the characters.
Contrast this how nicely Leila, Han and Luke contrasted and boosted their own roles. Sometimes an actor/character shines best when facing with a opposite. See how Star Trek's Spock is emotionless in contrast with Kirk's bold presence. While Spock was more emotional when Pike had a less defined presence on the screen.
Exactly. You can set the tone or help reinterpret a movie just by some acting and prop work. A reason why SW can be watched multiple times is the fact that you can change your understanding just by noticing new things or looking at things from a different lens.The cost of that environment is immediately apparent on Luke in a couple of scenes. Him flying his model T-16, dreaming of better things. Asking Owen about leaving and his frustration at being told "one more year". His aunt letting us know his friends are gone and he is now lonely. Luke's life was not glamorized, it was shown to be drudgery - even if it did obviously give him some skills he would use later on.
Many movies miss out on the potential of the medium by having things filled up by product placement or cheap references.
I reckon that many movies are simply made with a formulaic script in mind, that is not really personally inspired and just work with tropes.
Perhaps that is just my own bias at play.