My major gripe with HB (same with Hazbin Hotel) is the writing leaves a lot of loose ends that the show doesn't address.
If I need to consult the show's comics, the QnA streams, the creators Twitters, the official Reddit, give into the "because hell", or make up my own schizo headcanon theories to
support the shows story... Well, then the shows not doing a very good job telling it's story.
Just look at the
TVTropes Headscratcher section for Helluva Boss (I know, I know, TVtropes lul but bear with me). There are some questions that bewilder even the fans.
Stuff like what decides sinner's demon forms? How do characters in HB know what happens after they die? Why don't humans in HB give a single fuck about demons/angels inhabiting their world?
That sort of stuff just remains "out there" and never gets answered unless the show decides to retcon later.
And theres nothing wrong with retconning. and I get that mystery gives the audience something to chew on. But sometimes it just feels lazy. And relying on excessive amounts of interpretative lorefaggotry can be bad. Because it becomes about what a show COULD be rather than what it actually is, and this has been known to set people up for warped expectations.
Wasn't a fan of the humor either. Not because of the offensiveness. But because most of it really doesnt land.
It's either in your face sex jokes (since there really is no consequence for sex in the afterlife, at least among sinners, why care?)
in your face murder jokes (which don't hold any weight since nobody really "dies" in this universe, they just get isekai'd into hell/heaven where they're free to be their old crappy selves)
and when the show finally gets around to jokes about morality, the takeaway is usually "wealthy people bad, bad people wealthy"
which has been the case in a lot of episodes in HB so far. (the cheating woman, the disney land spoof, the succubus, the old dude, hell I'd even argue the owl couple and their dying marriage count too).