One thing about the Owl House is, at least 97% of the “queer gay bipoc” bullshit, is coming from the fandoms, a sizable-chunk of the creators, their cult of friends, & the adult troons who project onto most cartoons. The ones who write for the Mary Sue & can’t shut-up about anything ID Pol, etc. Come to think of it, there seems to be quite a bit of overlap between these groups, plus nepotism is very alive & well at Disney.
Watched this show with some kids of a family member, & they noticed nothing. None cared that the main character is Latina, none cared about a girl liking a girl.
The kids focused on the adventure plot, trying to predict if the main character will get home, to see her mom. They also liked the creepy stuff. The show seemed exciting & humorous enough for average kids to watch.
If the show runner & various cults (her friends & weird fandom troons) would btfo, most of the stuff that they praise, would barely even be after-thoughts. Creators & head cases trying to capitalize on the SJW articles & such, make the whole thing reek, more than it needs to.
The show w/ out all that BS gets a solid C grade from me. Average writing, average animation, slight marks down for resembling bean mouth art, neat premise, overall average & passable on its own.
It was idiotic of the creator or her boyfriend (iirc, it was one of them) to give interviews about how they “stuck it to Disney!!!” just for having a show w/ a Latina who dances w/ another chick. Like they did some big thing. Calling your employer “evil assholes” (paraphrasing obviously) is pretty fuckin’ stupid when up for renewal. No wonder their 3rd season got snipped into what amounts to a couple OVA’s.
Whoever called it “Western Little Witch Acadamia” upthread, hit the nail on the head.
Now, watch me get proven wrong; a wild troon character will attack, which will change everything.