- Joined
- Jun 17, 2018
I’ve said this before, but it’s not a problem with Japanese culture, it’s a problem with weekly/monthly serialized storytelling. Hell, with serialized storytelling in general.I haven't followed Attack on Titan but I know the feeling you're describing all too well, this last decade has been fucking rough with few highlights.
For me one of the biggest highlights has been Red Letter Media.
But anyway, I meant to get into this series years ago but never did and I'm not sure whether I made the right call or not, it's of course turned into a clusterfuck but it sounds like maybe it's an interesting clusterfuck at least?
I do know if one thing can be said about Japanese storytellers it's that they struggle with endings, I remember how fucking hyped the Hellsing manga made me but the ending basically peters out instead of offering a real satisfying conclusion even though all the pieces were there for an epic showdown, but you could tell at some point Kohta Hirano was just sick of it and rushed the ending.
And more often than not that's how it goes for anime and manga, it's definitely about the journey and not the destination.
I mean hell, this doesn't just apply to anime/manga but video game series as well, Metal Gear Solid and Silent Hill have after all is said and done just left us wanting more.
Not sure why this seems to be such a problem for Japanese culture.
With a story that’s being released weekly or monthly in small chunks, immediate excitement and payoff is incentivized over building an overarching narrative, and having an interesting concept that immediately hooks the reader and keeps them hooked chapter to chapter is by far the MOST important thing to do. It’s possible to do this and ALSO build an overarching narrative, but that requires the ability to make a plan and be able to adapt it on the fly as the situation inevitably changes, OR the latent talent of being able to retcon/incorporate new plot points without hurting the integrity of your story.
The other issue is that by its very nature, a long, monthly-serialized story like Attack on Titan is written in chapter-sized portions over the course of nearly a decade. That’s a long-ass time - people change, your vision for what the story was supposed to be is going to change as well. So, you either stick to your original vision and risk writing a story you’re no longer passionate about, or you sacrifice the overall thematic/tonal cohesion and write what you want to write. There’s no winning here.
I for one am enjoying the recent trend of Shonen manga getting much shorter and having a more-or-less cohesive overarching plan, and just.... ending when it’s supposed to instead of dragging on interminably well past its sell-by date.