- Joined
- Sep 13, 2018
Literally the magical negro.
These people talk a lot about "tropes" but when Netflix give them a pen and a paper, that's the only thing they can write.
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Literally the magical negro.
That's because the magical negress child of voodoo gods is a self-insert edit.Literally the magical negro.
These people talk a lot about "tropes" but when Netflix give them a pen and a paper, that's the only thing they can write.
This floored me too because it is a genuinely great idea. A time of great societal upheaval, violence, villains on both sides with true evil seeping in to take advantage. Richter enters the picture as a man caught between both sides of the revolution with the goal of hunting the monsters that killed his mother, forced to choose sides in a conflict both bigger than himself but also more ancient and evil than the revolutionaries or the nobles could possibly know.cannot believe how much they wasted the French Revolution setting
I always assumed that Hell did exist in the Iga timelime in the form of The Abyss which is apparently seperate from Chaos as established in Dawn of Sorrow.Just here to say Lords of Shadow was underrated (not the sequel, just the first game). It had a number of nitpick problems and absolutelystoleborrowed numerous elements from other popular games at the time, but it blended them well enough to work as a fun little game. What took it a step from "just good" to "Great" in my opinion was the excellent music, voice acting, and plot. Robert Carlisle and Patrick Stewart edify each moment they speak in, and the narration by Stewart perfectly sets the mood (a quality bestiary and "hidden note hunt" helps too). The musical quality goes without saying in my opinion...
I love the way the game depicts the villains and even Satan himself, having them use more delicate language and acknowledging that God and Angels exist. Lords such as the Lycanthrope still refer to their heavenly counterparts as "beloved brothers", and Lucifer tries to persuade Gabriel to his side by saying he will "Love him more than God". It's such a more believable take on demons/fallen angels. It makes more sense to put on a beautiful front to try and seduce people with lies and soft words than to look like Cthulhu.
It's like, and this is my assumed theory/rumor so please correct me if I am wrong, someone over at PR knew about how much shit Netflix Castlevania had truly becomeWow the xitter for netflixvania is completely dead, aside from a tweet from a couple weeks ago there's been no activity since mid octoberDid they kick out the account manager after they had to delete that tweet?
No, the problem is autistic, degenerate coomers.It's like, and this is my assumed theory/rumor so please correct me if I am wrong, someone over at PR knew about how much shit Netflix Castlevania had truly become
I'm still pissed that we didn't at least get that battle of 1999 game with Julius.I love that this thread exists, but the rape of the series by Netflix killed my enthusiasm for the series a while. It’s not canon, so there’s that, but it’s still the only new entry into the franchise we’re getting.
I hate that they get abuse the name, while a current canon game doesn’t exist to override the bullshit. Netflix needs to just can that skid row abomination and be done with it.
Not surprisedNo, the problem is autistic, degenerate coomers.
>likes RE: Welcome to Raccoon CityI can go blow by blow later of how I felt bout everything but I actually enjoyed the season.
The black chick was completely forced but not terrible in a character sense. It wasn't as good as season 1 and 4 but I liked it more then 2 and 3.
Genuinely hope it gets another season.
The issues people bring up about Nocturne do exist, but I feel like they are blown out of proportion. Here's a rundown of everything I liked and hated from watching the show. Personally I felt the pros outweighed the cons, but some people are more forgiving then othersNot surprised
>likes RE: Welcome to Raccoon City
>likes Netflixvania
have fun with your shitty taste