Disney General - The saddest fandom on Earth

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Which is Better

  • Chicken Little

    Votes: 433 27.5%

  • Hunchback 2

    Votes: 57 3.6%

  • A slow death

    Votes: 1,087 68.9%
  • Total voters
    1,577
Lone Star said:
If they wanna pretend gayness is what made it fail, I say let them if it'll tone down that shit in the future.
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toning down the gayness or not, it will not change the fact that most of their current output is either tired retreads of what came before, or mediocre diverse works of propaganda
 
Lone Star said:
If they wanna pretend gayness is what made it fail, I say let them if it'll tone down that shit in the future.
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I mean it certainly didn't help. The movies were bad without alphabetical propaganda but when most news articles and such were about gay kiss, another first gay character and so on, it's hard to blame the public for assuming that's what the product is about. Most are willing to tolare but being actively involved goes too far so a gay movie is no go.
 
Vyse Inglebard said:
toning down the gayness or not, it will not change the fact that most of their current output is either tired retreads of what came before, or mediocre diverse works of propaganda
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Come now, some of those works have inspiration for a much better sequel. Wish could have a sequel where a hero goes to a ruined kingdom where everyone's wishes were granted no matter how horrible, and has to fight the witch that stole the wishing star and save the king that was possessed by evil and trapped in a mirror.
 
Betonhaus said:
Come now, some of those works have inspiration for a much better sequel. Wish could have a sequel where a hero goes to a ruined kingdom where everyone's wishes were granted no matter how horrible, and has to fight the witch that stole the wishing star and save the king that was possessed by evil and trapped in a mirror.
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The Wishing Star could even be a cute, evil mascot a la Kyubey.
 
Part of the problem is that so much of the woke pushing shit in media never comes across or feels genuine. There's also a massive competency crisis in writing in Hollywood, fueled in part by DEI over genuine talent and experience influencing who is hired.

Everything becomes boring and predictable. More and more people are picking up on everything being predictable and especially when it comes to woke shit. As the choices are made to support it and not genuine storytelling or inspired writing. So the same choices get made. It's not interesting.

How many times watching things can we see the same scene of a female just looking at another female character. Instantly know it's going to go lesbian and have zero build up.

It's basically,
"woman walks into a bar, man is a slezy pig. Woman makes eyes with another woman, who looks back knowly with bottom lip slightly open. Hard cut to scissoring."
 
Screamer_2 said:
Part of the problem is that so much of the woke pushing shit in media never comes across or feels genuine.
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That's inevitable.

If the core premises are oppose racism, sexism et al by being racist, sexist et al, men are women, 'my truth', morality is immoral or the many other positions adopted that are so obviously false you have a disconnect with any audience built in at the level of basic humanity. You can put the audience into three categories, those who see it as bullshit and can articulate why, those who realise something's wrong but can't see why and, those who see nothing wrong. The third category are retards and (as all the woke fails have shown) an insignificantly small part of the audience. As time has gone on people in the second group increasingly move to the first as they notice why it "feels wrong" and that has become more public as the social pressure (social media and "the elites") to pretend everything is fine has waned/lost credibility. This is why people are increasingly likely to write off shows/films unseen (possibly unfairly) as they learn by repetition what the red flags are from trailers, crew and cast statements and the like.

The mantra of 'I don't want politics in my entertainment' is a gross oversimplification and often untrue. What people don't want is retarded reality denying politics in their entertainment that preclude immersion. People are not going to empathise or engage with the human experience of a story if the story is clearly irreconcilable with the human experience.
 
Disney has always been woke
Screamer_2 said:
Part of the problem is that so much of the woke pushing shit in media never comes across or feels genuine. There's also a massive competency crisis in writing in Hollywood, fueled in part by DEI over genuine talent and experience influencing who is hired.

Everything becomes boring and predictable. More and more people are picking up on everything being predictable and especially when it comes to woke shit. As the choices are made to support it and not genuine storytelling or inspired writing. So the same choices get made. It's not interesting.

How many times watching things can we see the same scene of a female just looking at another female character. Instantly know it's going to go lesbian and have zero build up.

It's basically,
"woman walks into a bar, man is a slezy pig. Woman makes eyes with another woman, who looks back knowly with bottom lip slightly open. Hard cut to scissoring."
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Earlier Disney pushed woke stuff too. It just had more compotent propagandists who grew up in classical culture instead of Disney culture.

Disney is eating its own dog food with people raised on the culture they already watered down and stripped of deeper meaning.
 
Yes, Disney,
You can have two characters of the same sex just be really close friends and there for each other without having them eye fucking each other every other scene.

Most people don't have an issue with gay people in general. It's the militant activist bullshit artist faction of the rainbow mafia that most people have issues with. Somehow that makes you anti-gay?

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The troons at Pixar must be livid knowing that the one film they were explicitly told to make "less gay" wound up making a ton of money. This should make it clear where the general audience's preferences lie, but I'm sure they'll continue to try and force this shit in when given the opportunity.
 
Mac Monster said:
The troons at Pixar must be livid knowing that the one film they were explicitly told to make "less gay" wound up making a ton of money. This should make it clear where the general audience's preferences lie, but I'm sure they'll continue to try and force this shit in when given the opportunity.
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Hopefully at the cost of their jobs
 
Praise the Lord, the Witch is gone. Wonder what went wrong that she's had to step down—oh, maybe it's all that money they lost they pretend is no big deal.

She's still going to be with the company since she has to oversee the Frozen franchise, but hopefully she got demoted instead of promoted.
 
Anon+on+movies_75afa2_11957778.jpg Yo+wtf+thats+actually+true+_ff36e79655a3be8bbd6fcfd4825961cf.png
Right now Disney has a choice to make, now that the one movie they consciously tried to make less gay turned out to be a blockbuster:
  • put their head in the sand and claim it's a fluke and continue to go woke and broke
  • accept that people REALLY don't like the garbage they are putting out and pull back on the woke crap, possibly even doing mass firings.
Also how the hell did the live action Lion King do so well?
 
Betonhaus said:
View attachment 6445969View attachment 6445970
Right now Disney has a choice to make, now that the one movie they consciously tried to make less gay turned out to be a blockbuster:
  • put their head in the sand and claim it's a fluke and continue to go woke and broke
  • accept that people REALLY don't like the garbage they are putting out and pull back on the woke crap, possibly even doing mass firings.
Also how the hell did the live action Lion King do so well?
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I didn't even know it did that good, holy shit.
 
Betonhaus said:
Also how the hell did the live action Lion King do so well?
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Mostly because people love the original and Broadway musical was a hit too. Lion king was a phenomenon and kinda the last Disney renaissance hit. Despite being talked as this long run of great movies, Disney renaissance actually has only four huge movies. The Little Mairmaid, Beauty and the Beast, Aladdin and the Lion King. Rest of the movies were between fine and forgettable but those four movies were juggernauts that held everything higher by association.

So you had tons of nostalgic parents who figured how bad it could be? Not as good as the original sure but it might still be enjoyable. Most people don't go to movies for high art experience but just to have good time. Plus a fully realistic animation movie was an intresting idea to normie at the time and had potential to be especially impressive at theater.
 
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