I literally just finished looking at the twitter thread, and was about to post. Jesus Christ.
This isn't being supportive anymore (assuming it ever was), Danielle is enabling a toxic relationship. FUCK HIM. I don't give a shit about respecting your gender identity anymore, you absolute skank. Thunt is garbage. Pure garbage. How the hell can you justify doing this to the woman that has had your back DESPITE ALL THIS SHIT. Get over your BDSM fetish and start thinking about someone else, FOR ONCE IN YOUR FUCKING LIFE.
I've hated a lot of things Thunt has done over the years, but cheating on his wife takes the cake. I've officially reached the point of feeling complete contempt, and disgust, for the man. I'm sure he got permission, but who is the one pushing for an open marriage? You don't have to answer, we all know. Since when was Thunt into men, anyway? Being trans is not an excuse to start catching up on all the gay sex you missed out on as a lad, you know, and to act like it's some sort of empowering act of transness... What is wrong with these people? His marriage will end badly, and the sooner, the better. His wife is too good for this moron.
Who would have guessed it would end up like this. I remember back in the say. Thunt made a joke about hypnotizing all the women of the world, and some woman freaked out, which lead to a massive sandal and he ended up donating money to a woman's shelter. For a joke. How tame those days were. After that, he shut up about his hypnosis kink.
That is, he shut up until coming out as trans, and now feels emboldened to just go hard into the BDSM culture.
As for the photos. I had already seen those. Not the first time it's happened. More interestingly, the same day as those nudes went up, she had posted, "I'm feeling really unpretty and dysphoric. I look at those two pics I just posted and all I see is... "him". It's hard not to cry."
The previous pics not being the nude ones. I suspect that the nudes were specifically taken to counter the bad feelings that came from the clothed pictures. I suppose that was probably the reason for doing it the previous times as well. Fishing for complements by showing your nude body to feel like a "real" woman.
In other news the gofundme got the money. No announcement of the goal being reached yet, as per the usual.
On a different note, I no longer think Goblins even has a CHANCE to be made into a cartoon at this point. Imagine some big company that is thinking about investing millions of dollars into a Goblins cartoon. You think they won't be doing a check on how the author acts in public? Does a company want some exhibitionist that cheats on his wife as the sort of trans icon? This has public relations disaster written all over it, and no amount of "but trans" will be able to paper over just how terrible it would be to back a guy like this. Thunt is at the point where his public personality will actively hurt any major project that comes from him.
Welcome to what everyone else realized years ago. Now if you keep your eyes open and look around, you'll realize that Trooning out is used by other narcists to hide all sorts of exploitative behavior behind the the shield of transrights and legions of BLTQ defenders. In fact, you'll notice that's the case with nearly all vocal trannies.
And then you might start to realize why no one uses their made up pronouns.
Also Rebecca Sugar drew Ed Edd and Eddy rule 34 and the didn't stop her from getting her own show.
Did it ever though? They'd have to write entirely new material since the original comic has such a focus on scarring, mutilation, disfigurement, and dismemberment. And new material is out of the question for a guy who can't even write his own comic anymore.
Thanks to Critical Role, and Thunt somehow having industry connections, it had a decent chance.
Critical Role is making an animated series, and enough simps watching for it make $9 million over 2 years - if you bought Goblins, you've have a chance to beat them to market. I think the real problem, in addition to the source material, is that Thunt is coming in half-cocked wanting to get funding for a pilot. If he'd worked with studio to have more than just a (crappy) demo, and say a treatment for Season 1, he might have gotten some traction at Netflix trying to beat Amazon to the D&D cartoon game.
I honestly have no idea how likely the cartoon creation has or had.
I always felt it was extremely unlikely. To my knowledge, there has never been a single American webcomic that has broken through to a studio backed animation.
tl;dr: Because of Creator rights to the work.
Also you're (technically) wrong. RPG World (or at least the main character, confirmed to be the main charcter from RPG World not a Donut Steel) was featured in an episode of OK KO. There was also the Ctrl+Alt+Del & PVP animated series (again, blind ferret was TECHNICALLY a studio; but you mean a major one, I know)
I'm going to type some words and when I get bored I'm going to stop and hit Post Reply, because the tl;dr covers it.
Webcomic artists, especially from the golden age, understand rights to their work like few creatives do anymore. Their webcomic characters are very clearly 100% theirs, no studio has any claim or rights, and that is very, very out of vogue in Hollywood. I will avoid going on about all the ways american cinema is complete shit now, but the fact they only in-house fully-owned ideas is a good reason why.
To be fair, Studios don't want a Jon K/Ren and Stimpy situation on their hands where the creator loses their fucking minds and eventually takes the property to a competitor after rendering it radioactive toxic.
So the problem is these web comics are wholly creator owned and creators are unlikely to sign away their rights to a room full of suits, at least for what the rooms full of suits are willing to pay for it. Because most have no animation experience and they want to keep making their webcomic, and (righty) see what handcuffs the studios want to put on them and say fuck that.
Its cheaper, easier, and has an easier chain-of-rights to use already hired staff (studio owns their work product) to develop ideas and leverage those instead of going external.
You don't have quite the same issues in Japan, where studios and creators are more liberal with character & story rights due to the culture (unlike in hollywood, if you are a complete toxic shithead in the anime/manga world, no one will work for or with you)
A Goblins cartoon would have had fewer of those issues because the Showrunner would be the creator. (See: RPG world characters guest starring in OK KO episode)