Good media that should never have been made

  • 🔧 At about Midnight EST I am going to completely fuck up the site trying to fix something.
Actually, I do got a proper piece of "good" media if you want to call it that, but Transformers (2007) effectively corrupted the entire Transformers franchise, both within canon and outside it. The film spawned a seemingly never-ending franchise that only has returned to the level of " unironically enjoyable" with Bumblebee, given Micheal Bay way more exposure than he needed to have, had replaced the more fitting macguffin (Matrix of Leadership) with a overpowered macguffin (Allspark), turned Hasbro into a money-guzzling multimedia giant even faster, had unintentionally killed off Transformers Animated due to the shockwaves, and has kickstarted a neverending wave of nostalgia-based toys of G1 characters funnily enough...but also the overcomplexity of their figures, which collapsed into oversimplicity later down the line.

Fortunately, the sun seems to be rising again over this decayed franchise, as they have been branching out with Legacy and its well-received so far.
 
It's a ridiculous argument considering that if you ask trannies what are their favourite anime it will be Pokemon, Sailor Moon and Princess Mononoke. Which are very low on sexual fanservice. Being able to access hardcore porn from your pc is far more of a reason for coomerism than seeing animated Japanese shows as a child.

Anyways thread tax, I blame Stephen King for the magical nigger trope. So the Green Mile gets my pick.

The hardcore porn for those said series, is just as bad, if not worse. The fact that some people even get off to the transformation scenes in Sailor Moon, goes to show how low those people are.

Back the topic at hand, Hearthstone brought a lot of negative things to the computer/mobile card game genre. The heavy focus on RNG in the game, i.e. the various Discover effects, cards doing random amounts of damage (i.e. Crackle) makes the game swing from either very fun in your favor, to very frustrating, and some other card games have implement RNG in their own ways, i.e. Artifact's sheer amount of RNG. The wacky aesthetic of the games a whole, i.e. the tavern setting of it, makes it seem like edgier card games won't be as successful. The heavy amount of grinding/microtransactions needed to get cards to make decks is frustrating, and it was even worse, before Duplicate protection was added years after the game's release, in 2017. And it only originally applied to Legendary cards, but was later changed in 2020 to apply to all card rarities. The balance changes of the game have been mostly hit or miss, as if Blizzard uses a literal dart board to determine how cards get buffed or nerfed, which also applies to how they balance their other games, presumably.

The worst part of about Hearthstone's severely declined state today, is that despite the MANY blunders Blizzard made with the game, i.e. the things previously mentioned, but additional things such as how Blitzchung's "FREE HONG KONG" ban was handled, Team 5 (the part of Blizzard that is in charge of HS) getting hit VERY hard by staff departures and layoffs, which makes the cost-cutting very evident with the game right now, the massive cuts to the E-Sports scene (even thought it was inevitable that it would happen), and the rapid player base decline that bots that grind the game to sell accounts are more and more common, the other card games haven't capitalized on HS's decline:
  • Magic Arena, while it's there, wasn't as big of a financial success that Wizards of the Coast expected, and they killed off their other projects, i.e. Magic Duels and that MTG-based ARPG that I don't remember the name of.
  • Artifact, Valve's attempt to use the DOTA 2 license to make a card game, failed to catch on with players at the start due to things such as the mentioned RNG and literally Charging for Everything, the player base dropped like a rock, and Valve pretty much stopped communication about the game, only to announce a rework, and then cancel that rework, and they gave up on the game for good.
  • Gwent is currently in maintenance mode, and the game reworks were mixed in reception.
  • SMITE Tactics/Hand of the Gods had their servers shut down in 2020, and was another example of a Hi-Rez miss, since most of their games are based on the "what's hot" trend, i.e. SMITE for MOBAs, Paladins for class-based FPSes, and Realm Royale for Battle Royales. (Did they shut down Realm Royale yet?)
  • And Marvel Snap, despite former HS director Ben Brode being in charge of the game, is just there.
Also, the Battlegrounds auto-battler part of Hearthstone, is also keeping the game afloat. And just like other card games, other auto-battlers have fallen out of relevance. DOTA Underlords, which had Sweet Baby involved (somehow, I'm not sure what they can do with an auto-battler), quietly stopped receiving updates, and it's Battle Pass end was quietly changed from 2021, to 2031.
 
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Actually, I do got a proper piece of "good" media if you want to call it that, but Transformers (2007) effectively corrupted the entire Transformers franchise, both within canon and outside it. The film spawned a seemingly never-ending franchise that only has returned to the level of " unironically enjoyable" with Bumblebee, given Micheal Bay way more exposure than he needed to have, had replaced the more fitting macguffin (Matrix of Leadership) with a overpowered macguffin (Allspark), turned Hasbro into a money-guzzling multimedia giant even faster, had unintentionally killed off Transformers Animated due to the shockwaves, and has kickstarted a neverending wave of nostalgia-based toys of G1 characters funnily enough...but also the overcomplexity of their figures, which collapsed into oversimplicity later down the line.

Fortunately, the sun seems to be rising again over this decayed franchise, as they have been branching out with Legacy and its well-received so far.
Bayformers was the only form of that franchise that actually had an auter vision as bad as it was. Transformers as a whole sucks ass and is for autists
 
Binding of Isaac, it and spelunky influenced a whole generation of mid shovelware from indies

Parasite, its alright but it opened the floodgates for a whole bunch of twittards and coommunists to invade the foreign cinema community who today claim Godzilla is a trans icon

Vampire Survivors, please just stop already

Boondocks, people like to say ATLA and that is debatable but these two laid the groundwork for "western adult animation" which people claim theyre making when they make cringy calarts tranime shows, like Arcane. And no, Ralph Bakshi is not cited as an inspiration for adult animation anymore, nobody working in animation in the states below the age of 50 even knows who Ralph Bakshi is.

GTA V, first game to cross the 50 GB threshold at the time on PC I think and now every piece of garbage is above 70 GB minimum. I dont even like GTA V
 
Soulslikes. Every. Fucking. Where
Never happened. It takes a lot of effort and autism to make a soulslike and no one has the budget for it.

It's [blaming anime and manga porn -- S] a ridiculous argument considering that if you ask trannies what are their favourite anime it will be Pokemon, Sailor Moon and Princess Mononoke. Which are very low on sexual fanservice. Being able to access hardcore porn from your pc is far more of a reason for coomerism than seeing animated Japanese shows as a child.
Porn anime and manga provide the toasterfucking fetish scenarios. "Wholesome" anime provide the characters. Pedophiles drew (copyright-infringing) porn of "wholesome" characters long before the current crop of troons was born. Jap media would've never reached such prominence among troons and influence on troons if not for Jap drawn porn. For Western audiences especially, the porn and the non-porn were available at the same place; they'd watch Misty catching pokemon and some noname "Tanaka Yuna" getting her girlcock milked by a squid and have no problem combining the two. The same goes for pooners, they'd get the scenarios from drawn gay porn with nonames, then go rape wholesome characters like Edward Elric and Captain Harlock (who until that atrocious movie had been safe due to the absence of a second non-caricature humanoid male in his stories).

In contrast, the sin and bane of Western animation is furry shit. Aside from that, it didn't really get in bed with pornography. So there's porn of Disney princesses like there's porn of everything but no herds of Disney Princess troons, but there are packs of dogfuckers introduced to dogfucking through talking animal cartoons and porn of them. Had there been dogfuckers before? Sure, a retarded male only needs to see a hole to stick his dick in it; some of them had a "sexual awakening" after seeing two dogs fucking. But there was no gateway media and the number stayed small. Now you won't really see two dogs fucking in cities with functioning animal control, but you can see them on the online without wanting to. There are aspiring cattle- and horse-fuckers who have never seen a cow or horse IRL.

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Thread tax: Treasures of the Savage Frontier started romances in Western RPGs. Also, Avatar: the Last Airbender ("muh serious stories" with childish resolutions) but that has already been mentioned.
 
Shrek took a massive ogre shit and stank up the entire film industry. Canon btw.
Shrek also pushed interracial relationships on its viewers via the two interspecies relationships. Shrek feels like the fairy tale equivalent to the ghetto black guy who gets the white girl and who disgusts her parents and Donkey getting Dragon felt like a forced interspecies relationship. The dronkeys/ogre triplets are the equivalent of the mixed race children who look weird/look like their darker parent. The viewer is supposed to accept this despite how weird it is. Shrek 1 and 2 were the two good ones but felt emotionally manipulative when they forced interracial relationships.
 
I think it’s more accurate to say Pewdiepie is what screwed YouTube Gaming. Before him, let’s plays required you to actually play through a game. Now people switch games every week to jump on the popular trend, which was Pewdiepie’s thing. He is also what started the screaming at horror indie trash thing that Markiplier and others would latch onto.

Pewdiepie seems to be regarded as the end point of old YT, and honestly, he is probably one of the reasons why YouTube has gotten worse other than the Vine refugees and general corporatism.
I also think that Pewdiepie’s fame inspired a lot of YT creators to think that they would always make a shit ton of money on YT if they got famous. PDP wasn’t the first content creator to make a lot of money off of ad revenue, but his fame was massive and it became common knowledge that he was making millions off his videos. This caused a lot of creators to quit their day jobs once they got rich and famous. They thought they would always make a lot of money, but after YT made demonetization become commonplace, they became desperate. They did everything they could to make sure they got enough money, like making longer videos (such as video essays) to get more ads, getting support from shady sponsors, and creating Patreons.

YT was never meant to be a full-time job, but these stars who got rich during YT’s peak era made a lot of people believe that the gravy train would keep rolling.
 
The anime titles that kicked off the CGDCT (Cute Girls Doing Cute Things) genre, i.e. Lucky Star, Yuru Yuri, and K-On!, may have unintentionally caused long-term damage to both Japanese and Western media.

On the Japanese side, the success of those titles and the timing of them being around (ether before or after) the 2008 recession has also caused studios to drastically cut back on making risky titles, and just going all-in on making low-risk moeshit. The lack of responsibilities characters face in those shows (for the most part) also may give a warped view on the world, thinking that people IRL can do the same, and thus contributing further to the NEET movement in Japan, and similar movements in their neighbors China and South Korea. The stagnation of the anime industry as a result of that could be just as bad as how Western media has been in the past couple of years. It's to the point that it comes off that Western media actually tries to do other stuff and take bigger risks, even though that resulted in uggo wokeshit that almost no one wants in the first place. Also, the KyoAni Arson attack (since it's also the studio that created Lucky Star and K-On!), despite it being because the attacker thought his work got plagiarized, may have been seen as him getting sick of the moeshit too, and decided to take actions into his own hands. (And yet it didn't kill off KyoAni completely, so the attack could have been seen as a failure, and it had a smaller death toll than South Korean mass casualty incidents such as the 2003 Daegu subway fire.) I don't remember if Westerners that hate moeshit cheered for the attacker and the incident happening though, like how people cheered for "problematic" people like TotalBiscuit dying, and seethed when Donald Trump evaded death by less than an inch.

The Western side of media also may have suffered drastically as a result. Western people may have gotten so sick of moeshit getting popular, that they decided to make the most ugly shit of media that doesn't use the word "fun" literally (THANKS NEIL CUCKMANN) intentionally, just to try drown out the moeshit. It's as if Larry Fink himself got so sick of K-On!, that he created the DEI/BRIDGE policies to try to get Western media to make ugly shit on purpose, as well as influencing East Asian countries to do the same. So things like Concord, Dustborn, The Last of Us Part II, and the cut Moon Girl and Devil Dinosaur trans volleyball girl episode may have all been made directly in response to things like K-On! existing, in very convoluted reasoning.

Also on the Western side, the moeshit may have influenced the troon movement to begin and grow like the LA and Maui wildfires, since men may have been brainwashed to believe that if they inject themselves with estrogen and get their dicks chopped off, they can become the anime girl IRL that they dreamed of becoming without the need for major responsibilities like in those CGDCT shows.
 
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The Dark Knight started it imo. It also ruined any chance of the Joker ever being portrayed as a....joker again. Now he always has to be an edgy mass murderer. *clicks tongue*
Pretty much, The Joker is just not allowed to just be the Joker anymore but some fart sniffing philosopher that has to be a commentary on society in some way. I was fine with this version of the Joker for awhile but it gets old.
You know, i never liked the concept of Isekai. That's why i felt so off seeing Inuyasha when i was a kid.
It's more better seeing a fantasy setting rather than your protagonist being a self-insert in another world.
And if i really want to self-insert in a fantasy setting, you can simply write a horrendous fanfic or creating a big ass novel with the protagonist not being obvious.

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