People will increasingly associate shit that trannies scream insanely about with stuff they like. Trannies screaming will increasingly improve the sales of stuff they scream insanely demanding that normies boycott shit for reasons that nobody gives a single shit about.
I didn't much like Long Legs. I haven't seen the others but I guess this guy is a thing now.
I guess no one is talking about Keeper because it fucking blows. It's basically that Boys or Sons or Men movie whatever from A24 about that Irish chick from that Fargo series and the message is basically MEN BAD BOO THEY LIVE THROUGH TAKING WOMEN'S ENERGY
As predicted when the first trailer premiere months back:
King does love his magic nigger trope.
Never heard of it but sounds auspicious
Yeah, I'm going to have to hunt this one down.
I'm going to add on to this and say, I tired of horror movies just ending, they don't have an ending they just end on some weird shot. I'm tired of it, a movie ending like that makes me feel like I wasted my time. And directors that just repeat the same story over and over and over, yeah yeah, family trauma, family trauma, my mama didn't love me, family trauma. The sad thing is dealing with grief and trauma in a horror movie can and has worked, the problem I have is the ending. I think the Babadook is one that did this well because it had a happy ending, at least for the mother and her son. Is it realistic no, but it's a nice story with a nice ending, and sometimes people want something simple like that. Lady in the yard or whatever it was was called didn't hit the same for me. It felt like it was trying too hard and the ending wasn't as enjoyable. I think it's because it's a bit of a downer with the message of "She's going to try and kill herself again because she's depressed" While that is a more realistic depiction of depressions and suicidal thoughts it's not a good movie that you watch to escape from the world for a bit. Horror movies especially should be escapism experiences, because they're built for it. The classic story of good vs evil, a priest sacrifices himself to save a possessed girls soul, a group of kids fight demons to close a portal to hell that opened up in their backyard, the first two Hellraiser movies. I'm not saying we need to go back to the Hays code and have every monster die from falling rocks, but it's nice to have a happish ending even if you add sequel bait. Not everything has to be symbolic sometimes it's fun to watch a big retard in a mask kill people then get killed then come back. I don't know I'm ranting, a lot of recent horror has just been meh for me at best, not even bad, it's just that once you get what the "message" is it's not interesting. I'm just ranting.
The horror space became pretty outsider-friendly once it went indie in the '60s. You'd struggle to find many people involved who weren't counterculture types, somewhat above-average involved in weird sex, drugs, civil activism, ecological activism, etc. Horror is also the easiest genre to play counterfactual hypothetical games with, in which the fantasy demon can represent any type of gender or political symbol.
