- Joined
- Feb 19, 2020
A flashback or is it?Oh and apparently Menard has picked up the main characters in his car and is busy telling Anne how her father died, complete with an extended flashback of the scene from the beginning.
An underdiscussed detail in the movie (I never noticed, until it was pointed out to me) is that the flashback doesn't match the pre-credits scene. I don't think it's likely to be a mistake, since it would've been a lot less work to reuse the same footage. I believe the discrepancy is meant to imply that Menard is lying about what happened.
In the intro, Dr. Menard is shot in silhouette. He holds the gun steadily in front of him when he domes Dr Bowles. He delivers the line "the boat can leave now" coldly.
In the flashback, the scene is brightly-lit, he can barely bring himself to shoot him, and his line delivery is shaken:
The story Menard tells Dr. Bowles's daughter makes him out to be a hero: he pleads with her father to leave the island, but he refuses. Her father volunteers to be a guinea pig, over his objections, and when he finally shoots him, it's only with great reluctance. Menard is our only source for that version of events, and it makes him out to be a lot more noble than anything else we see him do. I don't think any of it happened the way he said it did.
His wife flat-out tells him he's crazy and threatens to tell the world what he's up to. Whatever that is, we never learn about it. In a normal non-Italian movie there would be a big reveal that Menard is the true bad guy, but instead it's left way in the background. For that matter I don't think we even get a clear explanation for why the boat travels to NYC, or why Menard doesn't approve its departure until Dr. Bowles is dead.
Anybody who needs a disclaimer about watching 50 year old movies probably shouldn't be taking recommendations from me anyway.the standard "this shit is from half a century ago and takes a while to get going so temper expectations accordingly" disclaimer