Culture Jason Aldean’s Try That in a Small Town sums up the delusions of the right wing - *Grauniad hyperventilating*


Jason Aldean is a country music star and a big fan of law and order. He loves the law so much, in fact, that he’s willing to take it into his own hands.
If you come to his (imaginary) small town and disrespect a cop or engage in any sort of protest, you will regret it.

Such is the theme of Aldean’s new song, Try That in a Small Town, which is all about how the singer and his pals will aggressively deal with unseemly behaviour on their turf. A sample extract: “Cuss out a cop, spit in his face … Well, try that in a small town / See how far ya make it down the road. / Around here, we take care of our own …”

A little later in the song Aldean elaborates further on what might happen if lines are crossed. “Got a gun that my grandad gave me / They say one day they’re gonna round up. / Well, that shit might fly in the city, good luck.” He is, it would appear, referencing a conspiracy theory that the government is going to confiscate Americans’ guns to impose martial law.

Try That in a Small Town was released in May but when the music video came out last Friday it generated immediate controversy. The video leaves little doubt as to what Aldean is trying to communicate: it intersperses footage of him singing in front of Maury county courthouse in Tennessee – the site of the lynching of a Black man, Henry Choate, in 1927 – with footage from protests, looting and civil unrest. Small towns are wholesome, the message is. Full of “good ol’ boys” who were “raised up right”. Cities, meanwhile, are hotbeds of violence … and diversity.

That last bit isn’t spelled out – it’s not like Aldean yells “I’m a massive racist!” in the middle of the track – but the dog whistles are difficult to ignore. The song has been called “a modern lynching song” by detractors and the video was pulled from Country Music Television (CMT) on Monday. (While CMT has confirmed the video was taken off rotation, it hasn’t put out a statement as to why.) Fellow country star Sheryl Crow has also voiced her disapproval. “There’s nothing small-town or American about promoting violence,” Crow tweeted on Tuesday. She further noted that Aldean should know better, “having survived a mass shooting”. Crow was referencing the shooting at Las Vegas’s Route 91 Harvest festival in 2017: the deadliest mass shooting by a lone shooter in modern US history. Aldean was performing and got out unscathed. He was lucky. Sixty people were killed and 867 injured. Those people weren’t killed and injured by a Black Lives Matter protester. They were killed by Stephen Paddock, an angry white man from Iowa.

Try That in a Small Town has generated a lot of criticism, but it also has fervent supporters. Including, of course, GOP lawmakers. “I am shocked by what I’m seeing in this country with people attempting to cancel this song and cancel Jason and his beliefs,” the South Dakota Republican governor, Kristi Noem, posted in a video on Twitter on Wednesday. The Tennessee house GOP leader, William Lamberth, similarly tweeted: “Loved this song since it was released and will continue to fight every day to spread small town values … Give it a listen. The woke mob will hate you for liking this song.” Sarah Huckabee Sanders, the governor of Arkansas, also didn’t miss the chance to stoke a little culture war. “The Left is now more concerned about Jason Aldean’s song calling out looters and criminals than they are about stopping looters and criminals,” she tweeted.

Aldean, for his part, is furious at insinuations there is anything racist in his song about shooting outsiders who come to his little country town.

“In the past 24 hours I have been accused of releasing a pro-lynching song,” Aldean tweeted on Wednesday, “and was subject to the comparison that I (direct quote) was not too pleased with the nationwide BLM protests. These references are not only meritless, but dangerous. There is not a single lyric in the song that references race or points to it – and there isn’t a single video clip that isn’t real news footage.”

If Aldean isn’t trying to make a point about the Black Lives Matter protests, what is Try That in a Small Town about then? Community, apparently. “When u grow up in a small town, it’s that unspoken rule of ‘we all have each other’s backs and we look out for each other,’” Aldean wrote on Instagram when he launched the video. “It feels like somewhere along the way, that sense of community and respect has gotten lost.”

Perhaps you’re wondering which quaint small town Aldean grew up in. The answer is: he didn’t. Aldean is from Macon, Georgia – a city with a population of about 153,000 people. Now he lives in Nashville, a city with a population of approximately 700,000. The small town he’s singing about is a product of his imagination.

But that’s conservatives for you. Last month Nikki Haley tweeted about how much better the US used to be back in the days before marginalized people had rights. “Do you remember when you were growing up, do you remember how simple life was, how easy it felt? It was about faith, family, and country,” she tweeted.

Was the past really that easy for the former South Carolina governor? By her own admission things have got a hell of a lot better for people who, like her, aren’t 100% white. “Years ago I was disqualified from a pageant because they didn’t know whether to put me in the white category or the black,” she wrote on Facebook in 2012. “I was neither. Tonight I watched my daughter get first place in her school pageant. God has an amazing way of bringing things full circle.” God also has an amazing away of depriving people like Haley of self-awareness.

Aldean’s song doesn’t just epitomize manufactured rightwing nostalgia, it also encapsulates rightwing paranoia. People on the right are obsessed with the idea that big cities are violent hotbeds of crime where you risk your life every time you nip out for a pint of milk. In reality, however, big cities tend to be safer than small towns. A 2013 study by the University of Pennsylvania, for example, found the risk of death from an injury was more than 20% higher in rural small towns than in larger cities. “Cars, guns and drugs are the unholy trinity causing the majority of injury deaths in the US” one of the researchers told NBC News at the time.

The pandemic, to be fair, saw a rise in violent crimes in cities. But even still, you’ve got a better chance of living a long, healthy life in a city. A 2021 US Centers for Disease Control and Prevention report on mortality data from 1999 to 2019 found people living in rural areas die at higher rates than those living in urban areas. That’s because they have less access to healthcare and are more likely to live in poverty.

So what’s next for Aldean? Well, I’ve got some good news for all the Republican lawmakers screeching about how unfair it is that Aldean has been cancelled by the woke mob: he’s going to be fine. Indeed, he’s going to be more than fine. Country music (and America) has a way of opening its arms to people accused of racism and making them feel right at home. Just look at Morgan Wallen, for example. In February 2021 TMZ published a video of the musician drunkenly yelling the N-word during a conversation with a friend. He was shunned from polite society for a few months but made a rapid comeback. He won album of the year at the Academy of Country Music Awards in 2022. His song Last Night is currently in its 14th week at number one on the Billboard Hot 100. If it sticks there a little longer he’ll beat the 19-week record currently held by Lil Nas X’s Old Town Road, featuring Billy Ray Cyrus.

While people on the right may be railing about Aldean being “cancelled”, the sad truth is that this will probably help his career. He’ll go on Fox News and yell about wokeness. He’ll wallow in his imagined victimhood. His song will probably be played in rallies for the next Republican nominee for president. Aldean hasn’t been cancelled or silenced – his message has been amplified.

“The Left is now more concerned about Jason Aldean’s song calling out looters and criminals than they are about stopping looters and criminals,” she tweeted.
Where's the lie?
He is, it would appear, referencing a conspiracy theory that the government is going to confiscate Americans’ guns to impose martial law.
You faggots at the Guardian demand exactly this. Get the fuck outta here with that "conspiracy theory" bullshit.
Aldean’s song doesn’t just epitomize manufactured rightwing nostalgia, it also encapsulates rightwing paranoia. People on the right are obsessed with the idea that big cities are violent hotbeds of crime where you risk your life every time you nip out for a pint of milk. In reality, however, big cities tend to be safer than small towns. A 2013 study by the University of Pennsylvania, for example, found the risk of death from an injury was more than 20% higher in rural small towns than in larger cities. “Cars, guns and drugs are the unholy trinity causing the majority of injury deaths in the US” one of the researchers told NBC News at the time.
Put your money where your mouth is and spend a night on the streets in Oakland.
 
I think that the thing that has changed is that it's not just the occasional Democratic moralist joining in with the screaming, squealing evangelicals to censor like it was in the 90s or 2000s, but young people on the left have joined in on this. Really, what I noticed about terminally online young left-wingers as the 2010s dragged on was that they were trying their damnedest to imitate the evangelicals. Anytime that I've tried to point this out to those types, which were usually people that lived through all the evangelical crap during the Bush presidency, it would fall on deaf ears.
 
I gave the song an honest listen driving home yesterday. I expected a "built Ford tough" at some point. The way people are acting you'd think there was a lyric like "we'll take you outback to shoot some cans. Like Africans and Mexicans", but no, nothing.

edit: spelling
A part of me thinks the left has to manufacture conflict and propaganda to stay relevant as the power they have is well quite problematic.
Infiltrated with troons too. In fact, the first troon I encountered online wasn't part of any LGBTQIP shit. He was a metalhead with a fetish for women dressed up in rubber or latex and posed like furniture while wearing gas masks.
The metal scene is chalk full of people who all are pozzed and left wing as all the chuds got forced out of anything cultural because trans rights during the hysteria of 2016-2021.
 
A part of me thinks the left has to manufacture conflict and propaganda to stay relevant as the power they have is well quite problematic.

The metal scene is chock full of people who all are pozzed and left wing as all the chuds got forced out of anything cultural because trans rights during the hysteria of 2016-2021.
Pantera fans have been getting a lot of chud action too. The band isn’t intense but the songs definitely aren’t pro-pozzing.
 
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A part of me thinks the left has to manufacture conflict and propaganda to stay relevant as the power they have is well quite problematic.
That's the only reason they have any relevance.

The real racism and discrimination of yore is gone. But they want to keep reliving their 1960's golden age of moral crusading.

Without any real bigotry to fight, they have to get bent out of shape over every perceived (emphasis mine, it's their favorite gaslighting word) inequality.

It's now at the point where they consider any form of adverse reaction to be rooted in irrational prejudice. In their minds, there is no good reason for anyone to be considered an undesirable (unless, of course they perceive you as racist/sexist/fascist).

Hence, the worse an individual or group behaves, the more they like them. Convincing undesirables that their "marginalization" is unjustified is a clever way to gain votes.
 
The metal scene is chalk full of people who all are pozzed and left wing as all the chuds got forced out of anything cultural because trans rights during the hysteria of 2016-2021.
It goes back further than that, depending on the sub-genre of metal anyway. Someone else mentioned Pantera, who yeah, had a more apolitical (at least before 9/11) or chud audience. This, plus their proud use of Confederate flags, got them derided by other people into other types of metal (along with the fact that they started off as a cockrock band then ripped of Exhorder and took on fake tough guy images). But metal was even like this in the 2000s. There was that whole portion of time post 9/11 and pre-melanated Jesus Obama taking office, where everyone, left and right, went full retard. The more left-leaning types like musicians used to do their little "protest" tours, where they'd skip out on touring the US, or at least the South, all together. Virtue signalling before the term existed which did nothing but punish the fans.
I can remember going to a well known US metal festival and asking a guy in a gore grind band if they'd tour down South some time. He proceeded to act like a tard and go on a Dubya/South Derangment Syndrome rant about how "The South actually won" because Bush Jr was in office. An utterly bizarre interaction that forever tainted the band for me.
 
Here's some more Johnny Rebel for those pantywaist faggot liberals to cry about.
 
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It goes back further than that, depending on the sub-genre of metal anyway. Someone else mentioned Pantera, who yeah, had a more apolitical (at least before 9/11) or chud audience. This, plus their proud use of Confederate flags, got them derided by other people into other types of metal (along with the fact that they started off as a cockrock band then ripped of Exhorder and took on fake tough guy images). But metal was even like this in the 2000s. There was that whole portion of time post 9/11 and pre-melanated Jesus Obama taking office, where everyone, left and right, went full retard. The more left-leaning types like musicians used to do their little "protest" tours, where they'd skip out on touring the US, or at least the South, all together. Virtue signalling before the term existed which did nothing but punish the fans.
I can remember going to a well known US metal festival and asking a guy in a gore grind band if they'd tour down South some time. He proceeded to act like a tard and go on a Dubya/South Derangment Syndrome rant about how "The South actually won" because Bush Jr was in office. An utterly bizarre interaction that forever tainted the band for me.
This is one of the reasons why the music and culture scene is dying is you tend to have faggot retards so concerned over Nazis and confederate flags that they do things like tank the music industry and stop getting people into the scene because they want to be cool to their friends in LA and the lower east side.
 
The McMichaels were looking after their own when they shot that "jogger." That happened in a small town, and their neighbors threw them under the bus for it.

The problem with this song is that it's cope. Fart huffing, redneck cope that does nothing but kick the can down the road until this shit DOES come to your small town and you either roll over for it or get rolled up for shooting someone.

This shit about the right wing sucking off the cops needs to stop, as well as playing into the whole anti racism grift. It is a game that you are designed to lose.

You will like this cover.


 
Its just another data point enforcing that the progressive left has become the jack thompson & tipper gore censoring faggots of my youth.

I hate nu-country. Its just twangy pop. However when I first heard this song I immediately thought it was Jason Aldean trying to channel stuff like Hank Jr's "A Country Boy Can Survive", that was absolutely uncontroversial in the mainstream 20 years ago (and less). So common it has its own whole sub-genre of country music, "Outlaw Country"
Outlaw country is great, the stuff that makes me think of the wild west is the best though.
 
Pretty easy to disprove the song, I'd think. Just go try to assault some people in a town of 500 in bum fuck nowhere. The local sheriff will help the locals bury you after your sudden "hunting accident".
 
And of course they edited the fucking music video, supposedly it was the record label and related to "copyright" but I smell bullshit
Let's see if that'll create a Streisand effect where people will search for the unedited version.
 
And of course they edited the fucking music video, supposedly it was the record label and related to "copyright" but I smell bullshit

No, that's basically what happened. Instead, the MSM wants to spin it like Jason Aldean caved to woke censorship. Even some of his supporters online are convinced that he folded under pressure (which is completely false). It is entirely a copyright issue. Anyone who understands how the music industry works knows it was the music controllers who did this. The actual musical artists rarely have a say in how their music is distributed.
 
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Yeah man, ask the McMichaels how relying on your good ol boy country pals will work out for ya.

Part of me thinks the psyop here isn't to get the left riled up (they always are, whatever) but to get right wingers back on the plantation of thinking they're nice and safe in their based and redpilled "small towns".
 
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