TGWTG Linkara / Lewis Lovhaug - HMMMMMMM? (Dead Gay Muppet Gangbang)

Lewis seemed to think that his 'friendship' with Doug and Brad was stronger than it actually was, to the point of his unreasonable demands of Doug's studio for shooting his own movie. Lewis really seems to be like that nightmare houseguest that comes in, acts like he owns your place, puts his feet up on your coffee table, and demand you go get him some Arby's because he doesn't like what you're cooking. I think Avonelle and Loren are to blame for this attitude.

I remember Lewis tweeted as another bad mark on Doug that Doug refused to fly to cons Lewis was attending just to 'hang out'. Lewis seemed to think any favor he gives must be paid back(him doing a guest voice in DBZA and using the favor as a way to get Lani to play a part in his movie), and everyone always owes him what's theirs(his disgusting attitude about Doug's studio).

Just seems strange to me. I thought it was always taught that favors to friends aren't something you expect to get repaid; you just do them because they're your friends. And being a good guest means in turn not being demanding when you're invited over.
Lewis was being delusional about the end of his friendship with Doug because Doug wouldn't respond to his email. At the end of the day, Lewis ended the friendship when he openly talked shit about CA management with people like Lupa and Marzgurl on Twitter when #ChangeTheChannel got formed. Doug was probably not that happy about that fact but he's never going to say it because it would just give ammo to the alogs in that movement. It's pretty amazing just how much Doug seems to rile people up just by still being on the internet. Is it possible #ChangeTheChannel is the biggest alog movement to ever exist?
 
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The performance is what matters most at this point, it's clear that Game Freak can only do so much with the size of their studio and the insane demands put on them by TCPi. With any luck the framerate will improve to the degree it did for Legends from the first reveal to the launch trailer.
 
Regarding Doug's studio: I can maybe understand where the idea came from because Doug picked a larger studio than his own house, and with the grandiose airs that several members of CA used to put up at the time about their own work, the notion that this was going to be the first step in a Chicago Hollywood was all over the place. People expected the studio was going to be used by Channel Awesome staff, to produce Channel Awesome content, especially if the quality could be higher. One of the first projects involving the studio was an insane game show for crying out loud.

Of course, the fact that they couldn't actually afford to bring the rest of the staff over to work there long time or permanently meant that the studio couldn't actually be used the same way. None of the CA content makers was going to leave the comfort of home to try to 'make it big' on a different city when they couldn't even afford an apartment of their own long term. Lewis assumed his plan was good but he misunderstood the space distribution and how bad things were in terms of sound proofing and such, that they couldn't actually give him the space he wanted to record his stuff.
 
He could just watch the first episodes, decide whether he likes it or not, and then continue with the extended canon if he wants. But nope, better to just tl;dr when the experience of watching something is almost always better than reading the summary
To be fair, ARGs like Marble Hornets can be a pain to follow... its much the same reason I don't read comic books, ironically, because I don't want to have to follow 5+ different comics just to get ONE story arc.

It wouldn't surprise me if this is Linkara's default even for stuff that would be easy to follow though.

Why would you not assume the thing the game is constantly giving you might need to be used occasionally?
Because RPGs in general are bad about giving you stuff that sounds useful is actually crap. How many RPGs give you "sleep" spells that basically don't work?

Pokemon especially is bad about this, pretty much any move that isn't healing or element damage is useless.
 
To be fair, ARGs like Marble Hornets can be a pain to follow... its much the same reason I don't read comic books, ironically, because I don't want to have to follow 5+ different comics just to get ONE story arc.

It wouldn't surprise me if this is Linkara's default even for stuff that would be easy to follow though.
Monument mythos is better than marble Hornets it’s less bullshit
 
Pokemon especially is bad about this, pretty much any move that isn't healing or element damage is useless.
I just remember Repels. But even then, I don't remember much about Pokemon except later generations got to the point where battles weren't just "spam this move" and HMs got to a point where HM slaves weren't really a thing players did.
 
Regarding Doug's studio: I can maybe understand where the idea came from because Doug picked a larger studio than his own house, and with the grandiose airs that several members of CA used to put up at the time about their own work, the notion that this was going to be the first step in a Chicago Hollywood was all over the place. People expected the studio was going to be used by Channel Awesome staff, to produce Channel Awesome content, especially if the quality could be higher. One of the first projects involving the studio was an insane game show for crying out loud.

Of course, the fact that they couldn't actually afford to bring the rest of the staff over to work there long time or permanently meant that the studio couldn't actually be used the same way. None of the CA content makers was going to leave the comfort of home to try to 'make it big' on a different city when they couldn't even afford an apartment of their own long term. Lewis assumed his plan was good but he misunderstood the space distribution and how bad things were in terms of sound proofing and such, that they couldn't actually give him the space he wanted to record his stuff.

Lewis had a $10K+ set built in Minneapolis. When Lewis was done with shooting, was he going to transport that set back? Lewis apparently left it in a shed in the backyard of his last rental, and a tree collapsed on the shed and Lewis left the set to get rained on and water damaged beyond repair, and then getting mad at his insurance company because 'spaceship set' wasn't on his policy.

I can totally see Lewis leaving the set in Chicago, fucking off and getting mad if anything happened to it under Doug's care.

Lewis also wanted Doug to stop all production in the studio, go back to filming Nostalgia Critic in a back room while Lewis took over the studio space, unsupervised, without insurance.
 
I just remember Repels. But even then, I don't remember much about Pokemon except later generations got to the point where battles weren't just "spam this move" and HMs got to a point where HM slaves weren't really a thing players did.
To be honest I'm not big on Pokemon--I've played Red/Blue and played the GBA games on emulator, and always got bored before beating them (sometimes within minutes or hours). Even Moemon is boring once the lol factor wears off.

But my experience was the games are stupid simplistic, especially by 1998 RPG standards (remember that even older Gameboy RPGs like Final Fantasy Legends had more complex mechanics... hell, even the original Dragon Warrior was a bit more nuanced). Even repel is kind of stupid because the whole point of Pokemon is you grind, grind, and grind some more, so something that stops you from grinding is actually counter-productive.

But the big problem in Gen 1 was that all fights were one on one and everyone got one move per turn. Which really defeats the purpose of, say, stat buffs, because you won't begin to benefit from them until after you've given the enemy a free hit (which if the enemy is stronger than you or has your weakness, that one hit could be all they need).

Not to sperg, I just never understood how Pokemon got so big. Even in 1998 it was the dumbest fuck thing.

...........

On another note, its weird how this page and the last one have been a lot of justifying some of Linkara's stupidity... well, not so much "justifying" as admitting that some of his behavior was based in something other than Linkara being an idiot.

I fully get it though. I'm not here to defend Linkara (I'd say "fuck that guy" but he'd probably enjoy that), but it does sometimes get tiring reading threads which just wail on people and 100% represent everything as being proof of a person being the biggest idiot ever, especially when you start finding points where, as Tropes would say, "the Strawman has a point."
 
Regarding Doug's studio: I can maybe understand where the idea came from because Doug picked a larger studio than his own house, and with the grandiose airs that several members of CA used to put up at the time about their own work, the notion that this was going to be the first step in a Chicago Hollywood was all over the place. People expected the studio was going to be used by Channel Awesome staff, to produce Channel Awesome content, especially if the quality could be higher. One of the first projects involving the studio was an insane game show for crying out loud.

Of course, the fact that they couldn't actually afford to bring the rest of the staff over to work there long time or permanently meant that the studio couldn't actually be used the same way. None of the CA content makers was going to leave the comfort of home to try to 'make it big' on a different city when they couldn't even afford an apartment of their own long term. Lewis assumed his plan was good but he misunderstood the space distribution and how bad things were in terms of sound proofing and such, that they couldn't actually give him the space he wanted to record his stuff.
That was the plan, and maybe they've kind of done it with Brad moving up there, but as you said they didn't have the money to do it and no one else would move. Before Spoony left, Doug actually offered him a permanent role in Demo Reel and asked him to move to Chicago. If the others had made the move on their own dimes, they might have been a part of Doug's projects. But that required them to put in effort on their sides and they hate that.
I can totally see Lewis leaving the set in Chicago, fucking off and getting mad if anything happened to it under Doug's care.
That was probably what Lewis was going to do, either put it in the storage space Doug and co used for their other sets, or just leave it out so Lewis could come back whenever he wanted to film something on the set.

Doug having better things to do was clearly not something that occurred to him.
 
That was the plan, and maybe they've kind of done it with Brad moving up there, but as you said they didn't have the money to do it and no one else would move. Before Spoony left, Doug actually offered him a permanent role in Demo Reel and asked him to move to Chicago. If the others had made the move on their own dimes, they might have been a part of Doug's projects. But that required them to put in effort on their sides and they hate that.

That was probably what Lewis was going to do, either put it in the storage space Doug and co used for their other sets, or just leave it out so Lewis could come back whenever he wanted to film something on the set.

Doug having better things to do was clearly not something that occurred to him.

In a hypothetical scenario, let's say Doug did let Lewis film at the Chicago studio at a 'friends and family' rate, Lewis transported the spaceship walls to Chicago, and left them there.

Movie would be exactly the same quality. And let's take the clock forward and Lewis joins CTC and then demands Doug transport the set back to Lewis in Minneapolis on Doug's dime.

And let's say Lewis decides to cite his dad's legal expertise on this just like he did on fair use. Note: Loren Lovhaug isn't a lawyer and never was a lawyer. Lewis claimed his dad studied law in college, which is ambiguous to mean as little as taking a single prelaw class but implying a law degree.

Doug dodged a major bullet by having Mike shutting down Lewis's request.
 
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