Why haven't Sony brought Johan and peewit to the bg screen chris? simple because not everybody's an autist who watches cartoons all day to know who they are. You saw space jam 2 recently didn't you notice how the pop culture references it was crammed with were ones people knew and were familiar with?
Christ don't scare me like that. For a moment I thought the fat retard was gonna start selling his Sonichu drawings as NFTs.
The future looks so shiny. While my family will be dying from the 9999th new variant of the ching chong virus and/or from the insane climate, I'll be outside, taking a good look at the bright and burning blu sky and lamenting the fact that I could have managed the hyper inflation destroying the country if I had bought some fucking Sonichu artworks from a disgusting manchild several decades ago.
Why doesn’t Chris get into NFTs? Make a quick buck off these tech bros.
Are you for real? It requires more than two synapses to do so.
Why doesn't he launch his very own "Sonichu" crypto ? All he has to do is to fork some BSC garbage and we all know it's completely something he could do, right ?
Pump and Dump? Chris knows nothing about it.
I know, it was supposed to be ironic as the thought of Chris coding a new BSC project to rugpull retards is simply magnificient.
We all know he has pumped (his bent duck) and dumped (into his
) many times.
Yeah right, after Chris becomes homeless, he'll try to sell his doodles for some crank. This will be his ultimate fate.View attachment 2367364
Ah yes, another expessionate work of Chris-Chan. Another epiphany of meaning and purpose, begging to be interpreted and appreciated for what it truly is.
Even the background wall, looking like a crude children's drawing made with a nearly empty felt-tip pen to the simple-minded is drenched in human expression,
and a perfect representation for how the boundaries trapping us all within the status quo may seem like a solid wall of bricks at first sight.
This is wonderfully presented by the sharp and harsh geometrical lines underneath the grey colour, which in turn flows so gently and unevenly around the entire artwork that its
perfectly obvious that it symbolises the fact that said boundaries are in fact created and moved every day by the very people they entrap. Truly empowering.
The center piece, a king looking in a confused mixture of smugness and worry behind the viewer,
is indicating the fears buried deep beneath his self-assuring smirk, which in turn is nothing but a thin veneer of confidence and a failing attempt to hide his true emotions.
This wonderfully matches the golden "Key" presented in the top of the drawing, as the king clearly represents the ruling class of society dangling the concept of freedom and a
"Key" to break out of society's brick walls right in front of the working class, while desperately fearing the moment they
(and the audience, which clearly is thrown into the life of a 20th century lower class ironworker while observing this drawing)
may actually obtain it and break out of the daring brick walls holding them back from their well deserved socialist revolution and redistribution of the kings wealth.
In fact, his eyes perfectly capture the tone of the opening of Tsar Nicholas II's final manifesto:
"In the days of the great struggle against the foreign enemies, who for nearly three years have tried to enslave our fatherland,
the Lord God has been pleased to send down on Russia a new heavy trial. "
I am rarely brought to tears by art anymore, but this breathtakingly thorough representation of the last days of Tsar Nicholas's reign,
just before he was forced to abdicate by the February Revolution in 1917 has done exactly that. I am awestruck and still shaking both physically and emotionally while writing this.
So many emotions expressed with such simple tools and an elaborate style that looks like a "lets put it on the fridge where everybody can see it"-tier children's drawing to the
unenlightened observer while almost overwhelming the educated viewer with its love for detail and uncompromisingly honest emotion.
Some fools may think that art is rotten beyond recognition, but Chris-Chan himself is the perfect example for how this could not be further from the truth.
After all, this is just one of his many works that somehow manage to both capture some of humanities most important historical moments
while retaining extra-ordinary contemporary relevance to topics that dominate todays society, thus perfectly capturing that history indeed repeats itself.
For the realm of socially critical art, the works of Chris-Chan are truly the majestic gothic architecture to basquiat's one dimensional british brutalism.
His works are so passionate and intricate that you could gaze at them forever,
finding meaning and purpose to drive your very own life (and society in its entirety) forward with every glance.
Its art like this that makes the difference between simply existing and truly living.
Mark my words, fellow art enthusiasts, this piece will not only hang in a famous "Art Brut" gallery when Chris's time to shine has come,
but be the centerpiece of his very own permanent exhibition. There is nothing that can be done to change this lucky fate of art history at this point.
View attachment 2367362
And people say art-degrees are worthless.
Oh Chris, shut up, you freak.
He was probably searching his own name on twitter and stumbled across some Christian furry thread to just give his unsolicited two cents.
Chris and hypocrisy - two peas in a pod.
Chris, you're not shameless because you're based and ambitious, you haven't any shame because you're autistic white trash who claims to look like female sex symbols like Bridget Bardot, Maryland Monroe, and Ariana Grande. When in reality, you're delusional and your head and face look like a melting muffin in a dog collar that's too tight.
