He’s literally David Brent.
It doesn’t fucking matter. The point is Bob and his ilk are religious nuts about their warped “equality” that forces everyone down to the same miserable level. It’s untreated mental illness masquerading as ideology.
This is why I always wanted him and Dobson to collaborate on a project because the levels of unintentional comedy would be great.From his past work, I imagine him more like Neil Breen or that guy from Geteven. Making ego projects were his obvious author insert walks around wooing ladies and killing the obsoletes.
Something I'm surprised nobody has commented on. There's the implication that the only reason he hasn't done animation is because lip syncing was hard, but more importantly can you imagine what monstrosities Bob could create if he actually does take the time to learn this and make things?
So THAT'S the origin of the King in Yellow...
"young female films" aka chick flick drek that makes even blacksplotation C-movies look like Citizen Kane. Ignorance thigh name is Bob.
I think you're confusing MovieBob with Andrew "has a gay brother he doesn't get along with for no known reason" Dobson. I can totally see him having a gay bully family member.
Ahh yes, I remember that arthouse film I saw with the love triangle with the sparkly vampire, Native American werewolf, and boring stupid girl. It's much too obscure for you to have heard of it (great art often is), but as I recall it was called Twilight.
It's almost like, generally speaking, men and women have different tastes in films, and the things that men like draw in bigger crowds. There's a reason the 18-34-year-old male demographic is the most sought after, and it has nothing to do with dudebros hating "arthouse fare." Chick flicks (romance movies, romcoms, basically anything primarily marketed towards women) are just nowhere near as big of a draw as the latest action movie with explosions and hot chicks. It's simple fact, not sexism. It's also why you're seeing those sorts of movies primarily released on streaming services instead of in theaters; studios want asses in seats, and a romcom doesn't really benefit from the big screen like an action movie.
The Twilight series was more or less the exception that proves the rule. They were released at the height of the Twilight craze, and that brand recognition certainly played no small role in the movies' success. If the first movie were released as just another vampire romance movie without the name behind it, I doubt it would have done anywhere near as well, let alone well enough to greenlight four sequels.
It's a bit awkward and very noticeably Google Translated (as if this wasn't obvious).
shit, there's one obvious reason staring everybody straight in the face. Dobson's an unpleasant, arrogant, selfish butthole to anyone - even his family members - if they don't cater to his every whim, and I'm guessing dobbro isn't keen on keeping the blue bear happy for any reason because dobson is a spoilt entitled brat and dobbro has had enough. Likely no person on earth knows the true depths of Dobson's laziness and malice better than Dobbro.
Bob tries to pretend that all women everywhere really like the artsy-fartsy Cannes Film Festival Indie-style shit and drooling male mayo ghouls from the wastelands only like mindless action movies with no 'redeeming qualities' or artsy galaxy brain hidden meanings.
Nah, CinematicRoberta would still be a vile monster and - Most importantly - still a shut in. No way to meet people.
