Careercow Robert Chipman / Bob / Moviebob / "Movieblob" - Middle-Aged Consoomer, CWC with a Thesaurus, Ardent Male Feminist and Superior Futurist, the Twice-Fired, the Mario-Worshipper, publicly dismantled by Hot Dog Girl, now a diabetic

How will Bob react to seeing the Mario film?


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The more things change, the more they stay the same. Also, working at McDonald's doesn't constitute "cuisine".
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Is he alluding to TellTale Game's bankruptcy and terminating hundreds of employees without severance, but dare not name the name because TTG has been announcing how woke and feminist they are?
 
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Bob shouldn't have to apologize. I think people would actually greatly appreciate it if he had to go afk more often.

If Bob did make a game...

But I've already played Super Mario Bros. 3.
 
For people who don't want to bother watching the MauLer video or Bob's own plot hole video, the TL;DR is he hates people bringing up plot holes for three reasons.
  1. It fails to address the theme and message of the story which are the most important part alongside humans being illogical by nature. Also any plot holes like in the Star Wars sequel trilogy can be handwaved as the characters are supposed to be "young and emotional"
  2. People only bring them up so they can pretend to be smugly Superior to their peers and try to invalidate their enjoyment of certain movies.
  3. Plot hole discussion is weaponized to turn impressionable young minds into hardcore alt-righters. The example given is someone saying "racism isn't real in 2018" among other comments about Black Panther.

This is all shit Chipman actually believes.
 
For people who don't want to bother watching the MauLer video or Bob's own plot hole video, the TL;DR is he hates people bringing up plot holes for three reasons.
  1. It fails to address the theme and message of the story which are the most important part alongside humans being illogical by nature. Also any plot holes like in the Star Wars sequel trilogy can be handwaved as the characters are supposed to be "young and emotional"
  2. People only bring them up so they can pretend to be smugly Superior to their peers and try to invalidate their enjoyment of certain movies.
  3. Plot hole discussion is weaponized to turn impressionable young minds into hardcore alt-righters. The example given is someone saying "racism isn't real in 2018" among other comments about Black Panther.

This is all shit Chipman actually believes.
That's fucking rich coming from Bob Chipman, who's "smug superiority" is the reason why people slap him.
 
That's fucking rich coming from Bob Chipman, who's "smug superiority" is the reason why people slap him.
I think it's even more hilarious that he's attempt to use logic to explain why using logic is bad and "how does the movie make you feel" should be a be all end all. Well what if I feel they didn't think their story through, Bob? Are feelings bad then?

This is also at odds with Bob's self-proclaimed objective world view.
 
Where did this dumbass idea of theme being more important than a coherent story come from anyways? Is this some Post-Modernist garbage where there is no objective truth, therefore we don't need to have a story that makes sense because you felt it worked? I know Bob isn't the only one who sputters on about this point so I wonder if that is what is being taught in communications right now.
 
Where did this dumbass idea of theme being more important than a coherent story come from anyways? Is this some Post-Modernist garbage where there is no objective truth, therefore we don't need to have a story that makes sense because you felt it worked? I know Bob isn't the only one who sputters on about this point so I wonder if that is what is being taught in communications right now.
Makes you wonder how he can hate the Bible then since it's very consistent in theme...
 
Where did this dumbass idea of theme being more important than a coherent story come from anyways? Is this some Post-Modernist garbage where there is no objective truth, therefore we don't need to have a story that makes sense because you felt it worked? I know Bob isn't the only one who sputters on about this point so I wonder if that is what is being taught in communications right now.

Has he ever sperged out about "theme" before The Last Jedi? I feel like that's the straw he groped for to defend that steaming pile of garbage, and somehow turned it into a ludicrous, unsustainable argument for art in general (to be abandoned whenever it becomes inconvenient).
 
Has he ever sperged out about "theme" before The Last Jedi? I feel like that's the straw he groped for to defend that steaming pile of garbage, and somehow turned it into a ludicrous, unsustainable argument for art in general (to be abandoned whenever it becomes inconvenient).
Post-modernist critics loved it because it subverted the expectations people had. There’s also the dissing the filmmakers have towards the fans that the critics see and like.
 
New video:

And more slapfights.
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Way to erase Wonder Woman you sexist shitlord.
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Cause all your ideas have been nothing but solid gold.
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And more slapfights.

New idea: we start consistently referring to him as "Bob Chapman."

Cause all your ideas have been nothing but solid gold.

How on earth was it a bad idea? Lord knows I'm not the biggest fan of Harry Potter, but all the movies were at least of middling quality, and they got eight solid blockbusters out of seven books -- I don't know how much the movies made, but it's got to be in the billions.

Also, Bob shitting on Harry Potter is like a grampa shitting on Super Mario -- okay for me to sneer at your childhood nostalgia, but you better not fucking dare. Typical.
 
Doesn't Bobby realize that Rowling had an extremely tight control over how the movies went?

I really, really hope they'd hire James Gunn to direct the Fantastic Beasts movies, just to spite Bobby, but it won't happen unless Rowling dies.
 
Plot hole discussion is weaponized to turn impressionable young minds into hardcore alt-righters. The example given is someone saying "racism isn't real in 2018" among other comments about Black Panther.

The way he presents it is that it's snuck in with legit plot holes. "How did Black Panther fall off a mountain and land higher up a different mountain? How come no one stumbled across Wakanda before now? There is no racism in 2018. Why don't they build black panther suits for everybody?"

It goes back to the idea that people believe what media tells them to without criticism. It's strange that only works for "problematic" ideas and never their "good" ideas.

Where did this dumbass idea of theme being more important than a coherent story come from anyways? Is this some Post-Modernist garbage where there is no objective truth, therefore we don't need to have a story that makes sense because you felt it worked? I know Bob isn't the only one who sputters on about this point so I wonder if that is what is being taught in communications right now.

Has he ever sperged out about "theme" before The Last Jedi? I feel like that's the straw he groped for to defend that steaming pile of garbage, and somehow turned it into a ludicrous, unsustainable argument for art in general (to be abandoned whenever it becomes inconvenient).

I don't know about films and theme, but I'd say it's like games during GamerGate, or what we're starting to see with comics in ComicsGate. The far-left media is bad and cannot compete, so they try and move the goal posts. "Gameplay isn't the measure of a good game. It's how progressive it is." "Sales aren't the be-all and end-all. It's actually about the respect of your peers."

They will never nail down what "theme" is, and the "theme" argument won't apply to "problematic" films.
 
I've said I totally believe James Gunn and those were nothing more than tasteless Jokes. But damn putting out a video called "Stop trying to make us like the Predator" while simultaneously having the hashtag Rehire James Gunn is fucking hilarious.

The problem is that it wasn't just tasteless jokes that got dug up. There was also a tweet of him re-tweeting a video from a convicted sex offender.
 
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Where did this dumbass idea of theme being more important than a coherent story come from anyways? Is this some Post-Modernist garbage where there is no objective truth, therefore we don't need to have a story that makes sense because you felt it worked? I know Bob isn't the only one who sputters on about this point so I wonder if that is what is being taught in communications right now.
They're both equally important, and it works both ways IMO. Just as you can have a film with an incoherent story that does somehow manage to connect emotionally with some people, you can have a perfectly coherent movie that just fails to cultivate an emotional response. This article kind of touches on that:

https://observer.com/2018/05/the-two-crucial-filmmaking-elements-causing-all-your-movie-feuds/
 
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