- Joined
- Jan 15, 2018
Ultimately it's not the edginess that hurt comics, it was 1) pandering to the collector's/speculator's market with tons of #1 "Special Collector's Issues" of comics that sucked, 2) endless crossover/crisis comics and massive story arcs that required you to follow a dozen comics that made it even more difficult to get into a comic from a newbie's perspective. The dark and edgy stuff that's associated with the 90's really never died- Ultimate Marvel was chock full of that shit. The only difference between the 2000's onward and the 90's is that Liefeld and McFarlane lost some of their former popularity and their art style fell out of favor, so it was less immediately visible. You can't tell me that an era where the Joker rips off his face and staples another over it and the Blob eats The Wasp on panel is a return to Silver Age "fun" that Bob has a nostalgia boner for despite being born about 15 years too late for it.I honestly forgot that there were two Pacific Rim films.
My brain is doing the pretzel thing it does when it tries to understand Bob's politics.
I understand that Watchmen (alongside Crisis on Infinite Earths, Batman: The Killing Joke and Frank Miller's The Dark Knight Returns) kinda ruined comics for awhile, because they were very successful, which made everyone want to copy them. This made the 90s a very edgy period for comics and ended up hurting the industry as a whole. I don't think that the same thing can be said about the mecha genre. I don't really know much about it, but I don't really hear anyone saying that NGE changed it in the same why Watchmen changed comics. NGE was a great show, but (unless I'm mistaken) people still make mecha shows the same way they used to. Maybe this comparison would work if he talked about what Madoka did to magical girl shows, but he didn't. Also what does Pacific Rim have to do with anything?
Now, if you want to talk about NGE's largest legacy, I would have to say that it would be character design. NGE and Slayers have, through the characters of Asuka Langley Sohryu and Lina Inverse, have brought character design to heights that it hasn't seen since. It's very sad. It's like comparing Roman art to Medieval art.
Edit: Just realised that I'm rehashing most of what @RockVulnutt said. Sorry about that.
Watchmen and TDKR just represented some of the best work of a trend that started in the 70's with the O'Neil/Adams Batman run.
Ultimately in the 90's the speculator's market hurt comics, the difficulty of jumping in for new readers hurts it, and nowadays the expense for what might be a half hour of entertainment hurts it. Another factor might be that comics are mostly only available in specialty shops or through direct order now; I haven't seen them at a grocery store or bookstore in ages.
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