Careercow Robert Chipman / Bob / Moviebob / "Movieblob" - Middle-Aged Consoomer, CWC with a Thesaurus, Ardent Male Feminist and Superior Futurist, the Twice-Fired, the Mario-Worshipper, publicly dismantled by Hot Dog Girl, now a diabetic

How will Bob react to seeing the Mario film?


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Meanwhile, having his usual band of sycophants all assembled, Bobby magnanimously allowed Steve to continue the Alien discussion:
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Fatboy sure does strut like a braindead pigeon over a franchise he's trying to denigrate and pretend he's an expert on at the same time.

It's pretty obvious that this dichotomy and his desperate playing to the audience proves he knows the movie like most sci-fi pieces back then had "fuck big business they're terrible" themes and he doesn't want to agree with that. Mainly because Disney and Nintendo are his pantheons.

Also, Alien was woke by being actually diverse without it being a main point. Parker, Lambert, and Ripley were the final three, and it was NOT pushed and marketed BECAUSE OF THAT. Apone knew what he was doing, and it wasn't because he was black; it was because character wise he was an experienced NCO who likely had to deal with wet behind the ears like Gorman before. This is what good writing is; the characters are great because of their personality, beliefs, flaws, and qualities, not because they're an ethnicity or gender. This is why hacks like to Year Zero this shit, because it really shows how full of shit and untalented they are.

Also you utterly failed retard; you're just waddling away to your cult of paypigs because you've NEVER been able to win a fight without someone stronger protecting you, be it your enabling as fuck family or fanbase of hateful stupids like yourself.
 
48% of Americans disapprove of the manner Biden handled crime, according to a poll by ABCNews. Bobby, a Thinker, knows that there hasn't been a crimewave and it's been all a right-wing conspiracy.
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Moviebob : Thinker :: Mahatma Ghandi : Carnivore. I'll just leave it at that.



Loki-Simpson made people apprehensive about Disney's grabby paws. I can't parse what Bobby wrote -- and experience suggests that whenever writes like this he is extremely, extremely upset.
Is he saying he is happy to let Disney deep-throat him even if he feels nauseous deep down?
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As if Bobby knew anything about Renaissance art and their patronage.
I don't even think Moviebob knows much about human history beyond that past 15 seconds.



Only "Fascists" want to regulate media conglomerates:
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For those of you who have playing Moviebob Bingo, if you have "Bob refers to others as 'the people' (in quotes)"...
 
This is what good writing is; the characters are great because of their personality, beliefs, flaws, and qualities, not because they're an ethnicity or gender. This is why hacks like to Year Zero this shit, because it really shows how full of shit and untalented they are.
Exactly.

The reason modern entertainment is so 1-dimensional is because the writers are 1-dimensional.

They have no depth, no perception, no creativity. It’s all a bunch of personal agendas and some of these writers have an axe to grind.

Did you know that Noelle Stevenson, the creator of the woke She-Ra reboot based the Adora/Catra ship on her relationship with her abusive wife who cheated on her?

If that ain’t a cry for help, I don’t what is.
 
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moviebob shilled that Marvel Korean Superheroine because of a Yellow Fever fetish, I guarantee that 100%.

Mostly because she hasn't really been utilized in any major capacity. Look I like her conceptually but you gotta have some more substance to a character. Granted I'd rather they take someone like her and genuinely try to do something than try to Mary Sue-ify Ironheart or Kamala Khan into "girlbosses".
 
Bob is also a dyed-in-the-wool, fedora-tipping atheist who subscribes to the belief that the Catholic Church suppressed knowledge for the centuries following the fall of the Roman Empire
Wait, thats retarded. The majority of the literates in Europe, somehow suppressed knowledge by preserving it. He cannot actually think that. Fucking how. The actual history runs so against that, I cannot conceive how someone would get that idea.

Did they get real life mixed up with video games? Do they think the Pope is just a few cutscenes from revealing that he has been growing moon wheat and he will eat it and become Mecha Pope!!!
 
Wait, thats retarded. The majority of the literates in Europe, somehow suppressed knowledge by preserving it. He cannot actually think that. Fucking how. The actual history runs so against that, I cannot conceive how someone would get that idea.

Did they get real life mixed up with video games? Do they think the Pope is just a few cutscenes from revealing that he has been growing moon wheat and he will eat it and become Mecha Pope!!!
No, I think it's more of him buying the shit Seth McFarlane loves to peddle in Family Guy "If it wasn't fo Christianity, humanity would have advanced super fast by now!"
 
I'm exhausted with the "everything is politics" stance. This... discussion, if you want to call it that, that Bob's having about Alien is just unreal. Because a work contains symbolism, it means the story is about the symbols? That's his argument?

None of the fuckwits in this circle jerk have ever made an elevator pitch. If they had, they'd know the first thing you cut out is all your political crap because it muddles what your story is actually about. Worthwhile editors and producers will make you tone that down. Yes, there's uncomfortable symbols of rape and sexuality in Alien, but that has nothing to do with what the movie's actually about. That's all secondary. The movie wouldn't have succeeded if Ridley Scott put that bullshit out there on front street and made the movie ABOUT that, it works because those elements are so subtle that they warrant further discussion 40 years later. It's interpretive. You can argue the meaning of those themes. That's good.

In 2017, Disney pounded an aborted fetus on to Kodak film and called it The Last Jedi. According to RT, 90% of all critics recommend this film. In this movie, the story stops so the two most diverse actors in the story can tell the audience how capitalism is the real enemy. This isn't interpretive. It sure as hell isn't subtle. There's nothing to argue! The shitty script is telling the audience what to feel! It's insulting, honestly. If this doesn't demonstrate the current issue with modern film criticism, nothing will.

When done well, politics in film is present when the director gives you enough of a kernel to interpret. And more so, only if you want to. Beating politics into your script with a sledgehammer might kindle critical jizz, but it's probably going to kill your franchise.
 
And all that effort just for her to get completely and deservedly bodied for stomping the career of a trans author to dust, over a story which - and here's the best part - Jemison later admitted she hadn't even read before calling down the mob.
Which is even funnier because that's the case with EVERY story they critique. (Because they can't risk being made impure by naughty thoughts.)

You give Bob too much credit. He isn't any different from every other weak-willed literally who on social media. If Snyder's shit was popular, conservatism in again, and Trump hailed as the messiah rather than the antichrist, he'd be all for them. The essence of blob is the same, but he'd be in red rather than blue or blue rather than red in capeshit war terms.
HAHAHHAHAHAHHA no.

Bob is a follower you are right. But is 100% a grade-A masshole Democrat as you can see from some of the comments I posted from the archive of some right-wing blogs.
Did you know that Noelle Stevenson, the creator of the woke She-Ra reboot based the Adora/Catra ship on her relationship with her abusive wife who cheated on her?
I did not and would love to know more.
 
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Let's go through this bit by bit, because unlike the Dread Diabeeto, he of the Frictionless mind, I'm a loser who genuinely loves these films and have actually watched them.

1. Bob misrepresents via not actually watching the films. WeyYu did not send the crew of the Nostramo, Sulaco, AND a retrieval team to Fury 161 to get killed by the monster. They did it to capture the fucking things. Out of those films, only the Nostromo crew had no clue on the beast, as the Colonial Marines did have Ripley's reports, and they also had them for Alien3. Also the Prisoners on the planet had Ripley herself as an advisor. I'm not including Resurrection since that was a government project, but Bob probably is too stupid to catch that the Company was eaten by Walmart in that one.
2. The first movie effectively a slasher movie merged with a monster movie. The class elements in 1 are the only time it really gets brought up. Wanna know why? Because Ridley Scott's English. Brits are still autistic about class structure. Cameron didn't have that, but had corporate greed. Fincher had faith as an element, which also was reflected in the comics at the time, as religion is hilariously a big thing in the franchise. I guess Bobby never read those scawy comics tho.
3. Alien wasn't fucking based on Nostramo; that's just the book that they took the name from. It was a Dave O'Bannon schlock film that was created from a WW2 script he made about gremlins possessing and fucking with an airplane and then changed to sci-fi. It was then elevated via team effort, much to O'Bannon's initial dislike for it. Fuck off you smoothbrained blue curtain analyzing crayon eaters.
4. Bob of course desperately ignores the big message: humans are in a way worse than actual monsters, and fuck corporations. This is because Bob wants to believe he's a perfect being, and corporations are his pantheon.
5. Ripley being right proves this dumb bastard only knows the series because he watched blind reactions and looked at fan proceedures and he just parroted them. This was more a thing in Aliens, which by the way was much more anti-corporation, about the concept of overcoming trauma, motherhood, and slight Vietnam nods by how the group of Marines were structured.

I only wanted to do this because you really need to get an idea of how fake this fat stupid alcoholic is with everything he touches.

Burke explains to Ripley that if they bring back the facehugggers, they can get rich selling them to the bioweapons division. Ripley gets pissed and asks who is worse - us or the aliens? Because they don't screw each other over for a profit. Burke then releases the facehuggers on a sleeping Ripley and Newt in the hopes of impregnating them to get the creature through quarantine.

Those are two of the most climactic scenes in the film that lays out WeyYu's agenda clearly. This asshole is the biggest fake nerd I've ever seen.
 
Bob's response here was so dumb I literally lost a processor.

I mean racism was once universal to humanity, therefore it's not political, right?


Cap Marvel made 1 bil INTERNATIONALLY. It only made $400+ mil domestically.
Avengers? $600+ mil domestically. Endgame 800+ mil domestic.

Of course Bob doesn't realize it.
Pew data finds that 3% of the population creates 90% of all tweets sent. Only 8% of the US population is “active” on Twitter.​
Late-night TV, award shows, and comedy have adjusted content to correspond with Twitter reaction. Appealing to just 8% of viewers is bad business. Now, all three hemorrhage viewers for a nominal group of actual viewers.​
In addition to a misleading sample size, Twitter has convinced the media, corporations, and politicians to adopt a narrow worldview.​
The same Pew study finds that Twitter users are D+15. Were Twitter a state, it’d tie Hawaii and Vermont as America’s most liberal. What’s more, the 10% of Twitter users who post 92% of all tweets are D+43.​


Do you have the link to the study ? It actually sounds interesting.

Also I'm pretty sure Disney realized they had a bomb on their hand with Cpt. Marvel and they put it right next to Endgame to benefit from its wake.
 
I'm exhausted with the "everything is politics" stance. This... discussion, if you want to call it that, that Bob's having about Alien is just unreal. Because a work contains symbolism, it means the story is about the symbols? That's his argument?
The strange thing is I have seen him argue differently. I remember he had a spergout over Spawn awhile back where he was ranting about how they have symbolism in that franchise but they never do anything with it.
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Spawn ultimately has a lot more symbolism in this department than the Aliens franchise does. But like every other opinion he has it all is shaped by whatever the current fight he's having on Twitter is over.
 
Do you have the link to the study ? It actually sounds interesting.

Also I'm pretty sure Disney realized they had a bomb on their hand with Cpt. Marvel and they put it right next to Endgame to benefit from its wake.
Just my two cents on the topic, I'm expecting Disney to start massively cutting back on the budgets of the MCU films going forwards. They must have realised that the series peaked in popularity with Endgame and it's all downhill from here. I'll be shocked if the MCU is anything more a few C grade action movies and TV shows in another 5 years. Makes me wonder if Bob will spend the rest of his life claiming he was at the forefront of reviewing during the MCU and that even Disney respected his visions for the franchise. A part of me hopes his lives well into his 60s so we get to see him talking about the good old days when racism was defeated and the theaters were filled with capeshit.
 
I'm exhausted with the "everything is politics" stance. This... discussion, if you want to call it that, that Bob's having about Alien is just unreal. Because a work contains symbolism, it means the story is about the symbols? That's his argument?

None of the fuckwits in this circle jerk have ever made an elevator pitch. If they had, they'd know the first thing you cut out is all your political crap because it muddles what your story is actually about. Worthwhile editors and producers will make you tone that down. Yes, there's uncomfortable symbols of rape and sexuality in Alien, but that has nothing to do with what the movie's actually about. That's all secondary. The movie wouldn't have succeeded if Ridley Scott put that bullshit out there on front street and made the movie ABOUT that, it works because those elements are so subtle that they warrant further discussion 40 years later. It's interpretive. You can argue the meaning of those themes. That's good.

In 2017, Disney pounded an aborted fetus on to Kodak film and called it The Last Jedi. According to RT, 90% of all critics recommend this film. In this movie, the story stops so the two most diverse actors in the story can tell the audience how capitalism is the real enemy. This isn't interpretive. It sure as hell isn't subtle. There's nothing to argue! The shitty script is telling the audience what to feel! It's insulting, honestly. If this doesn't demonstrate the current issue with modern film criticism, nothing will.

When done well, politics in film is present when the director gives you enough of a kernel to interpret. And more so, only if you want to. Beating politics into your script with a sledgehammer might kindle critical jizz, but it's probably going to kill your franchise.
Bob and co. don't just want politics to be in media, they want THEIR politics to be the main focus of ALL media.

They use the excuse that Drumpf being elected proves the world is teetering on the knife's edge of utopia and dystopia, and the only way to stop the coming genocide of trans PoC is for every piece of media to constantantly stop the show to reaffirm that "trans rights are human rights", but this is a lie.

In reality, Bob and co. are addicted to the dopamine rush people get when they see the media agree with their political stances and want to create a world where they can get their fix from literally everywhere at any time.
 
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