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He was also actually in an incredibly kind and generous person who mentored younger writers (including Jews who he supposedly hated). Why would he simultaneously express virulent hatred for groups and then be actually decent to members of the groups he supposedly hated? Who knows?

You really can't just isolate some trait of a person and then act like that was their whole personality or discount them as a human based on it.

You can take any person and separate out some isolated trait they have and say, wow, this guy is a racist or whatever, and therefore we should discount every other aspect of them.

And if you do this you are a terrible person yourself.

he was also a person of his time, the concept of "zeitgeist" exists for a reason (and why judging everything through a 2020 idpol lense pisses me off to no end when those same tards know fuck all to begin with. read a fucking book you fagets).

then there's also a difference between hating an individual and the "concept" of a certain group. fuck, we still do it today where people hating niggers doesn't mean you hate all blacks. plus the notion of anyone going on a sperg-rant itching to string up someone he hates the second he sees one is basically media fiction. even a die-hard skinhead usually has no problem eating another kebab from his pal ali because "he's one of the good ones" or whatever.

as usual the people wailing the loudest about racism and other shit don't know the first thing about it.
 
RPGNet: Where the rights of imaginary, hypothetical people matter more than real people.

Ladies and gentlemen, we've done it. No longer will character matter, from here on out its all skin color.


I remember that one! It was great. I can't find it anymore though. Could you repost?
I got you, bro.

Frankly, I do not expect this to be believed. But I'm going to tell it anyway, simply because its been weighing upon my mind lately. I ran into Flash last weekend, who was back in town, and he spoke to me about it.

Knowledge of the physical environment is essential to an LEO in Patrol. It is one reason why seniority counts for a great deal in this line of work-the longer you work a given juridiction, the better you know it. And locals who become police officers quickly learn that growing up in an area does not mean you truely know it.

Part of it, is that an LEO, unlike most people, has no perception of private or personal space. We can go anywhere, given correct circumstances. And because of that, a great deal of 'idle time' or 'routine patrol' is spent exploring. Can you get a patrol car through the gap in this fence? Where does that track lead? Is there a way to get from this parking lot to another? If you walk this easement or power-line access, what will you see?

This is essential, because at some point this knowledge can mean shaving thirty seconds off a response time, or catching a fleeing subject.

In every police jurisdiction of any size, in my experience, there is always at least one strange place. Not the spots you take rookies and play Find the Mud Hole, or the crime scenes you use to scare Explorers, but the real thing. The places that nobody talks about much. The places you don't find out about until you have to go there. The places you go to only if you have to.

We have a place that is sometimes called the Patch. Its about thirty-five acres of very broken ground covered in scrub oak on the edge of town, completely isolated from everywhere else, out beyond an old brick plant that now makes clay pots. Nothing, as far as I can tell, have ever been built there, nor is it really good for anything. Its at the base of the tall ridge that currently marks the west boundry of our burg, cut by numerous gullies, and whose red-clay soil is about useless from growng anything.

The City seized it for taxes back in 1932 from a land company; it was listed as 'waste land' (no commercial use) back then.

Its really a strange place. I've been on search teams across it six times in eleven years, and every time I've been on it, it creeps me out. It gave me the willies when I first explored it shortly after being cut loose on my own; you can't get a car very deep into it, and frankly, a short walk on foot into it gave me such a bad feeling I never went back without a reason. It wasn't until about eighteen months later that I learned that I was not alone in my reaction to the place.

One factual thing that bothers me about the place, is that I get lost in it. I have, since I was old enough to think about such things, an unerring instinct about the direction north. I can always find it. Night time, snowstorms, forest, whatever; give me a few seconds to concentrate, and I know which direction north is. Even the desert, which screws many people up, never bothered me. And the Army taught me land nav to a fine degree; I've run compass courses with multiple dog-legs and hit my target location every time, even on featureless terrtain such at Fort Hood, where one bit of scrub is identical to every other bit.

But every time I've been in the Patch, I've gotten turned around. In broad daylight, with a ridgeline a quarter-mile away that is only a couple degrees off a true north-south axis. After the first search, I started taking a compass with me.

Near the center of the Patch is a structure we call the Playhouse. Its a building made out of sheets of old galvanized tin nailed to thick posts and four-by fours, with a dirt floor. We call it the Playhouse because there is absolutely no rationale for its positioning or design; firstly, you can't get a vehicle larger than an ATV or dirt bike to it due to washouts and gullies; maybe a jacked-up 4x4 if it was dry and you really did not care about your paint job.

Secondly, because the place is big (about 3000 square feet, as near as we can tell), but has no purpose. There's no animal pens near it, nothing; just a wood framework with tin nailed to it, no tar on the roof-seams, no doors (but several door-way sized openings), no windows at all. Inside its split into at least a dozen 'rooms' by either more tin sheets, or partitions made out of old packing crates from the railroad. Some of the rooms are completely isolated from the exterior walls.

There is no logic or reason to how the rooms are laid out; several have openings that are barely 3' high. It reminds you of how kids put together a fort or treehouse.

Except that this one has cut-down telephone poles for roof supports set several feet into the ground. Whatever else you can say about it, someone built it to last.

There no junk or litter about the PH, and no grafftti; while its not very obvious, its been there since before the City seized the place, and with all the generations of kids, you would expect some beer-drinking, ghost-hunting, or general spray-can antics.

Nor is there any sign of animals taking advantage of the shelter, nor have I seen any bird's nests, although hornet's nests and mud daubers are present.

And it smells odd. That's all I can say about it: it smells different than what I think it should. This has been commented on by others, as well. No specific odor. Just odd.

And flashlights fail in it. Yes, flashlights fail everywhere, but flashlights seem to fail a lot more in it than anywhere else. $70 Streamlight Stingers that are City-issue and have reliable rechargeable batteries go abruptly dead in there. And not in the usual fashion, the light going yellow for twenty minutes, getting dimmer and dimmer until they just fade away; rather, going from hard white light to dead in a minute's span. When you carry the same light every day for years, you know its battery in detail. Yet many of us have been caught by an unexpected dead battery in the Playhouse.

Some time in the past, we were searching for a missing girl. It was likely that she had been carried off by a recent high water after massive cloud burst (10" in ten hours), but foul play was also a possibility, for reasons best unrelated. A search was mounted. I was tasked with taking two officers and checking the area around the old brick plant and the Patch.

I had two veteran officers, both entry team members and well-known to me; call them MD and Flash. They readily accepted my suggestion that we change into tactical gear in order to protect our uniforms from the brush; to be frank, I was less concerned with the brush, than for having an excuse to bring my MP-5 along. I wasn't alone in that, as unbidden, both Flash & MD got their shotguns out of the arms room. Flash had a 14" pump, and MD a Benneli semi-auto.

We searched the Patch first; and although all three of us were carefully keeping track of where we were in a place we had all been in before, we managed to get well and truely turned around twice in the space of ninety minutes.

It took us a lot longer than it should have to search the area, because frankly, we weren't splitting up. At all. Anywhere else, we would have been twenty to thirty feet apart walking on line. Here, we stuck together. We had been on other search teams which had gotten got hopelessly jumbled and separated in the Patch before.

It was late afternoon when we went to the Playhouse. The sky was completely overcast, the color of lead. The ground was muddy, everything was wet, and there was a cold breeze out of the north. To say it was a miserable day was an understatement.

We circled the Playhouse, looking for footprints, and found nothing. However, drainage was such that it was possible that they could have been washed away, so a search was nessessary.

Inside, there were no gaps in the ceiling to speak of, and very few in the walls; the gray daylight hardly made its presence known through what gaps there were, although the dull light through nail holes made you think (unpleasently) of animal eyes in the night.

I led the way in. Twenty feet in a portable metal detector (a wand type used to check for weapons) that Flash was carrying suddenly started beeping, and did not stop until he pulled the battery pack; he swore it had been turned off the whole time he had been out. Later, at the PD, it worked perfectly.

We were clearing the place like a hostile building, rather than a seach; we had not talked about it, but all three of us were on edge. Very much so. The place smelled very wrong; not a smell of anything in particular, just not the way such a place should smell. I can't explain it any way better than that.

I was on one knee checking out a closet sized-'room' when abruptly the light on my MP-5 died, going from white & bright to dead in a couple seconds. Flash took point and MD center while I tagged along and switched batteries (I had a couple full-charged spares on me, as well as two more flashlights and some cylumes).

A minute or so later Flash's light died the same way, and he dropped to the rear to change out, while MD and I moved up a place. We stopped at that point, and we heard something. Flash muttered 'What was that?' and we all listened carefully.

It was coming from ahead and to our right; we did not speak at the time, of course, but later, we never agreed on what it sounded like. To me, it had sounded like a sick cat might sound as it whimpers.

We moved forward towards the noise, and came to a largeish room which had the exterior wall on one side. MD made entry, and at that exact moment his flashlight died. He immedately side-stepped and dropped to one knee; I moved in and past him along the wall as Flash slid along the wall on the opposite side of the 'doorway'.

Flash was to the left of the 'doorway', MD was right, kneeling, and I was about two feet to MD's right . The room was about twenty by eleven, with us at the narrow side.

And something moved in the far right corner. Flash hit it with his light a second before I did; I remember MD yelling, and then both fired.

To this day, I swear I saw a big dark dog, I mean large, 150+lbs, bull mastiff-sized, in Flash's light, moving fast.

I fired, three-round burst, and then kept firing as MD and Flash pounded away. Both went empty and yelled that they were withdrawing (team procedure), and I fired to cover them as I backed out last.

After the first burst, I couldn't see much for the muzzle flash, so I just ripped up the corner with three-round bursts. I fired off the full thirty-round mag.

In retrospect, I can not explain why I fired thirty rounds at a dog. There was no valid reason to simply hose it down; nor for Flash and MD to blaze away like we had. Nerves, is the only explanation I can offer. All I can say is that that encounter was quite simply the most stressful incident I have ever had, bar none.

In the second room, we reloaded, and MD switched out batteries. Then we re-entered the long room.

There was no dog. No body. No blood. Zip.

None of us decribed what we saw the same way. Flash was extremely reluctant to describe what he saw at all.

But there are a couple facts: all three saw a target 'in motion'. Despite the fact that we all perceived it as being in motion, we all saw it in a corner, and never shifted our point of aim, despite the fact that we all trained regularly on moving targets, MD & Flash were hunters (I shoot lots of moving varmits), I served in military actions, and both Flash and I had been in fatal police shootings.

And we had twelve 12 gauge 3" magnum hulls and 30 expended 9mm brass. Thirty bullets and 108 000 pellets were fired at a specific area, in this case an area consisting of a dirt floor and tin walls. All three of us were classified as expert shots.

No matter how closely we, nor the two investigators who came out later, looked, we could find no hits on the floor, and only 23 projectile penetrations in the tin walls. Out of 138 projectiles fired (000 pellets are 0.36" in diameter steel balls; 9mm bullets are roughly 0.38), 105 remain unaccounted for. The 23 holes we found were concentrated in the target corner; 9 to the left, 14 to the right of the corner, with the two groups 22" apart at the closest.

As if something solid between the two groups had soaked up the missing rounds.

The dept wrote the incident off as an 'accidental discharge'.

The girl was eventually found elsewhere.

Flash, MD, and I never realy talked about the indicent except indirectly. All three admitted having felt more stress than before or since.

None of the three of us have been to the Patch since. Both MD and Flash have moved on to other agencies for unrelated reasons.

Thats all there is to it.

Another one I found:
With the last trial over on Friday, I thought I would share this.

Undercover work is a skilled and exacting business; more importantly, managing an undercover operation is an extremely demanding task, and one which should never be taken lightly. I have done only the most casual tasks of the former, and none of the latter.

Eighteen months ago, a neighboring agency (about 55 miles away) contacted our department for assistance. They were working a deal on some of their locals who they had learned were attempting to locate a large quantity of C-4 explosives. Their undercover guy had gotten his foot in the door, but they were now hung up; they needed an outsider to the area to pose as the seller. Worse, they had already painted themselves into a corner by describing this mythical seller to the buyers.

So now they were looking for a cop who could pass as a retired Army NCO with ties to the Republic of Texas who was willing to take part in their ramshackle operation. I was volunteered.

It wasn’t a very sophisticated part to play; I’m retired from the National Guard after two enlistments in the Regular Army, and I know enough about the RoT to pass muster to a non-member. My part was a one-encounter meet to clinch the actual deal. Shouldn’t take much more than a half-hour of face time. No problem.

They get me a ’73 Chevy pickup with clean plates and a high-freq digital recorder built into the body whose hard drive can store six hours of video & audio footage. I’ve got the mike & camera built into the bill of a ‘gimme’ ball cap, with a backup audio mike in a Casio digital watch. They provide a clean cell phone with a panic button feature: all I got to do is twist the case, and the cavalry comes to the rescue. As a bonus, there’s a GPS chip in it.

All I have to do is go there and make the deal. No problem. I put some mail circulars (bulk mail, no addresses) & the like in the truck, along with an old tool box & assorted other crap. I dump the spare into the bed.

The day of the meet, I’ve got a .380 Bersa in a clip shoulder holster, a Colt Gold Cup stuck in my belt at the small of my back with two spare mags in my back left pocket, and two Berretta Model 21A’s in .25 ACP stashed about my person. I’m wearing a baggy green Hawaiian shirt over a tucked-in tee shirt to hide the hardware. I got the cap on, and the cell phone hanging off my pocket.

I drive out to this guy’s place, call him Ben. Ben lives in the boonies, a good 25 miles from the nearest building. My backup is stashed 20 miles away, meaning if things go south, I’ve got to last 20-odd minutes. That’s OK, its just a deal-maker; there’s no money changing hands. I’ve got a folding-stock semi-auto AK stashed in the truck with twelve 30-round mags just in case, and a ’73 Chevy has a lot of steel in it. I’m not terribly worried.

I show up at the place-its late afternoon. Ben meets me at his barn/workshop. He’s strange. His 20-something nephew is really weird. And they want to buy enough C-4 to vaporize a bulldozer.

The customer is always right. Ben and the nephew are drinking Pearl Lite; they give me a Coke, because I don’t drink. We learn against an old pickup and talk. I’m trying to find out why Ben wants the C-4, and using the excuse that I don’t want to be caught up in some Homeland Security-controlled slaughter.

Turns out Ben has come up with the idea of blowing up a truck with some dark-skinned Mexicans in it, along with a Koran & some other bits. The plan was to blow it as it passed through the drive-through of the Nephew’s wife’s place of business, killing her. The idea was that it would appear that a group of Moslem terrorists had accidentally blown themselves up.

I marveled at their cunning plan, and we worked out a price for the C-4 and various accessories. As we were wrapping it up a truckload of people drove up. I casually checked my phone, because this might be an unpleasant development.

The phone was dead. Stone dead. Absolutely, utterly toast.

No backup.

OK, I’m cool. Still no money involved, things ought to go fine.

The truck discharged a group of shaved-head, prison-tattooed Hispanic males and a bunch of girls; the leader (I figured these were to be the unwitting participants in the botched terrorist action) promptly starts arguing with Ben about a late payment for meth & pot. It gets heated.

This is not good. Now we’ve got money involved. If it goes south, I’m gonna be just another white guy. Phone’s still dead. I activate the signal anyway. You never know.

One of the vatos asks me who I am. I tell him I’m there selling Ben some military hardware. That ends the argument; suddenly, the head vato, call him Jorje, is trying to work a deal to swap meth & a bale of pot for a M-249 Squad Automatic Weapon. I tell him I can get the gun & ammo, no problem, but that I don’t have connections for drugs, so I’ll need something else.

After some debate, I get a Best Buy circular out of ‘my’ truck, and we work out a trade-in value for LCD or plasma TVs in factory packaging for the gun & a couple cases of belted ammo. Jorje says they can rip off a Wal Mart, no problem. We work out some details.

There is a blast like a shotgun going off. Everybody hits the deck, and guns come out. After a couple seconds, we realize the battery on my truck has exploded. Because the frigging recording unit is putting too much strain on it, apparently.

So now I am on foot. I kick my truck, curse it roundly, dig through the cab, announce my phone is dead, and manage to ditch the ball cap under the front seat.

Ben has no phone. Jorje’s crew cannot raise enough of a signal with their service to call on theirs. Jorje says they’ll give me a ride to a bar about thirty miles away where I can use a pay phone. Ben say’s he’ll keep an eye on my truck. I say OK.

I ride in the cab of the truck, as befits a guest. Jorje drives with his arm around his girlfriend, and a cute little Latina in a halter & cutoffs cuddles up next to me.

We head to the bar, which is a dump of the first degree. Jorje says its not safe for an outsider, so he & his crew come in to have a beer & play some pool. I buy them a round, which they consider to be fine manners, and I call my backup, who are now about 50 miles from me since they’re north of Ben and I’m south.

Later, I will learn that they sent two guys in a pickup to get me. It had a flat along the way. So I sit, the only Anglo in a really, really rough Tejano dive in BFE, for 91 minutes. It’s the sort of bar with bullet holes in various areas and items of furniture. I’m the only guy with all his teeth and no visible prison ink. I got a hot little latina who has taken a shine to me hanging off my arm. She’s Jorje’s cousin, so I can’t offend her, no matter how it pisses off the bar patrons.

It is the longest 91 minutes of my life. I have been in firefights that were less stressful. I lost twenty bucks shooting pool, I buy another round, and get some surprisingly good chile con carne. I spend the entire time convinced that within seconds, its going to turn to shit and I am going to get blown away (or fatally knifed) because the idiots I agreed to help could not plan a basic operation.

Help finally arrives. The recording is perfect, and the other agency wraps things up. People end up in prison. I will never, ever do even the most minor undercover work again.
 
Ladies and gentlemen, we've done it. No longer will character matter, from here on out its all skin color.



I got you, bro.

Frankly, I do not expect this to be believed. But I'm going to tell it anyway, simply because its been weighing upon my mind lately. I ran into Flash last weekend, who was back in town, and he spoke to me about it.

Knowledge of the physical environment is essential to an LEO in Patrol. It is one reason why seniority counts for a great deal in this line of work-the longer you work a given juridiction, the better you know it. And locals who become police officers quickly learn that growing up in an area does not mean you truely know it.

Part of it, is that an LEO, unlike most people, has no perception of private or personal space. We can go anywhere, given correct circumstances. And because of that, a great deal of 'idle time' or 'routine patrol' is spent exploring. Can you get a patrol car through the gap in this fence? Where does that track lead? Is there a way to get from this parking lot to another? If you walk this easement or power-line access, what will you see?

This is essential, because at some point this knowledge can mean shaving thirty seconds off a response time, or catching a fleeing subject.

In every police jurisdiction of any size, in my experience, there is always at least one strange place. Not the spots you take rookies and play Find the Mud Hole, or the crime scenes you use to scare Explorers, but the real thing. The places that nobody talks about much. The places you don't find out about until you have to go there. The places you go to only if you have to.

We have a place that is sometimes called the Patch. Its about thirty-five acres of very broken ground covered in scrub oak on the edge of town, completely isolated from everywhere else, out beyond an old brick plant that now makes clay pots. Nothing, as far as I can tell, have ever been built there, nor is it really good for anything. Its at the base of the tall ridge that currently marks the west boundry of our burg, cut by numerous gullies, and whose red-clay soil is about useless from growng anything.

The City seized it for taxes back in 1932 from a land company; it was listed as 'waste land' (no commercial use) back then.

Its really a strange place. I've been on search teams across it six times in eleven years, and every time I've been on it, it creeps me out. It gave me the willies when I first explored it shortly after being cut loose on my own; you can't get a car very deep into it, and frankly, a short walk on foot into it gave me such a bad feeling I never went back without a reason. It wasn't until about eighteen months later that I learned that I was not alone in my reaction to the place.

One factual thing that bothers me about the place, is that I get lost in it. I have, since I was old enough to think about such things, an unerring instinct about the direction north. I can always find it. Night time, snowstorms, forest, whatever; give me a few seconds to concentrate, and I know which direction north is. Even the desert, which screws many people up, never bothered me. And the Army taught me land nav to a fine degree; I've run compass courses with multiple dog-legs and hit my target location every time, even on featureless terrtain such at Fort Hood, where one bit of scrub is identical to every other bit.

But every time I've been in the Patch, I've gotten turned around. In broad daylight, with a ridgeline a quarter-mile away that is only a couple degrees off a true north-south axis. After the first search, I started taking a compass with me.

Near the center of the Patch is a structure we call the Playhouse. Its a building made out of sheets of old galvanized tin nailed to thick posts and four-by fours, with a dirt floor. We call it the Playhouse because there is absolutely no rationale for its positioning or design; firstly, you can't get a vehicle larger than an ATV or dirt bike to it due to washouts and gullies; maybe a jacked-up 4x4 if it was dry and you really did not care about your paint job.

Secondly, because the place is big (about 3000 square feet, as near as we can tell), but has no purpose. There's no animal pens near it, nothing; just a wood framework with tin nailed to it, no tar on the roof-seams, no doors (but several door-way sized openings), no windows at all. Inside its split into at least a dozen 'rooms' by either more tin sheets, or partitions made out of old packing crates from the railroad. Some of the rooms are completely isolated from the exterior walls.

There is no logic or reason to how the rooms are laid out; several have openings that are barely 3' high. It reminds you of how kids put together a fort or treehouse.

Except that this one has cut-down telephone poles for roof supports set several feet into the ground. Whatever else you can say about it, someone built it to last.

There no junk or litter about the PH, and no grafftti; while its not very obvious, its been there since before the City seized the place, and with all the generations of kids, you would expect some beer-drinking, ghost-hunting, or general spray-can antics.

Nor is there any sign of animals taking advantage of the shelter, nor have I seen any bird's nests, although hornet's nests and mud daubers are present.

And it smells odd. That's all I can say about it: it smells different than what I think it should. This has been commented on by others, as well. No specific odor. Just odd.

And flashlights fail in it. Yes, flashlights fail everywhere, but flashlights seem to fail a lot more in it than anywhere else. $70 Streamlight Stingers that are City-issue and have reliable rechargeable batteries go abruptly dead in there. And not in the usual fashion, the light going yellow for twenty minutes, getting dimmer and dimmer until they just fade away; rather, going from hard white light to dead in a minute's span. When you carry the same light every day for years, you know its battery in detail. Yet many of us have been caught by an unexpected dead battery in the Playhouse.

Some time in the past, we were searching for a missing girl. It was likely that she had been carried off by a recent high water after massive cloud burst (10" in ten hours), but foul play was also a possibility, for reasons best unrelated. A search was mounted. I was tasked with taking two officers and checking the area around the old brick plant and the Patch.

I had two veteran officers, both entry team members and well-known to me; call them MD and Flash. They readily accepted my suggestion that we change into tactical gear in order to protect our uniforms from the brush; to be frank, I was less concerned with the brush, than for having an excuse to bring my MP-5 along. I wasn't alone in that, as unbidden, both Flash & MD got their shotguns out of the arms room. Flash had a 14" pump, and MD a Benneli semi-auto.

We searched the Patch first; and although all three of us were carefully keeping track of where we were in a place we had all been in before, we managed to get well and truely turned around twice in the space of ninety minutes.

It took us a lot longer than it should have to search the area, because frankly, we weren't splitting up. At all. Anywhere else, we would have been twenty to thirty feet apart walking on line. Here, we stuck together. We had been on other search teams which had gotten got hopelessly jumbled and separated in the Patch before.

It was late afternoon when we went to the Playhouse. The sky was completely overcast, the color of lead. The ground was muddy, everything was wet, and there was a cold breeze out of the north. To say it was a miserable day was an understatement.

We circled the Playhouse, looking for footprints, and found nothing. However, drainage was such that it was possible that they could have been washed away, so a search was nessessary.

Inside, there were no gaps in the ceiling to speak of, and very few in the walls; the gray daylight hardly made its presence known through what gaps there were, although the dull light through nail holes made you think (unpleasently) of animal eyes in the night.

I led the way in. Twenty feet in a portable metal detector (a wand type used to check for weapons) that Flash was carrying suddenly started beeping, and did not stop until he pulled the battery pack; he swore it had been turned off the whole time he had been out. Later, at the PD, it worked perfectly.

We were clearing the place like a hostile building, rather than a seach; we had not talked about it, but all three of us were on edge. Very much so. The place smelled very wrong; not a smell of anything in particular, just not the way such a place should smell. I can't explain it any way better than that.

I was on one knee checking out a closet sized-'room' when abruptly the light on my MP-5 died, going from white & bright to dead in a couple seconds. Flash took point and MD center while I tagged along and switched batteries (I had a couple full-charged spares on me, as well as two more flashlights and some cylumes).

A minute or so later Flash's light died the same way, and he dropped to the rear to change out, while MD and I moved up a place. We stopped at that point, and we heard something. Flash muttered 'What was that?' and we all listened carefully.

It was coming from ahead and to our right; we did not speak at the time, of course, but later, we never agreed on what it sounded like. To me, it had sounded like a sick cat might sound as it whimpers.

We moved forward towards the noise, and came to a largeish room which had the exterior wall on one side. MD made entry, and at that exact moment his flashlight died. He immedately side-stepped and dropped to one knee; I moved in and past him along the wall as Flash slid along the wall on the opposite side of the 'doorway'.

Flash was to the left of the 'doorway', MD was right, kneeling, and I was about two feet to MD's right . The room was about twenty by eleven, with us at the narrow side.

And something moved in the far right corner. Flash hit it with his light a second before I did; I remember MD yelling, and then both fired.

To this day, I swear I saw a big dark dog, I mean large, 150+lbs, bull mastiff-sized, in Flash's light, moving fast.

I fired, three-round burst, and then kept firing as MD and Flash pounded away. Both went empty and yelled that they were withdrawing (team procedure), and I fired to cover them as I backed out last.

After the first burst, I couldn't see much for the muzzle flash, so I just ripped up the corner with three-round bursts. I fired off the full thirty-round mag.

In retrospect, I can not explain why I fired thirty rounds at a dog. There was no valid reason to simply hose it down; nor for Flash and MD to blaze away like we had. Nerves, is the only explanation I can offer. All I can say is that that encounter was quite simply the most stressful incident I have ever had, bar none.

In the second room, we reloaded, and MD switched out batteries. Then we re-entered the long room.

There was no dog. No body. No blood. Zip.

None of us decribed what we saw the same way. Flash was extremely reluctant to describe what he saw at all.

But there are a couple facts: all three saw a target 'in motion'. Despite the fact that we all perceived it as being in motion, we all saw it in a corner, and never shifted our point of aim, despite the fact that we all trained regularly on moving targets, MD & Flash were hunters (I shoot lots of moving varmits), I served in military actions, and both Flash and I had been in fatal police shootings.

And we had twelve 12 gauge 3" magnum hulls and 30 expended 9mm brass. Thirty bullets and 108 000 pellets were fired at a specific area, in this case an area consisting of a dirt floor and tin walls. All three of us were classified as expert shots.

No matter how closely we, nor the two investigators who came out later, looked, we could find no hits on the floor, and only 23 projectile penetrations in the tin walls. Out of 138 projectiles fired (000 pellets are 0.36" in diameter steel balls; 9mm bullets are roughly 0.38), 105 remain unaccounted for. The 23 holes we found were concentrated in the target corner; 9 to the left, 14 to the right of the corner, with the two groups 22" apart at the closest.

As if something solid between the two groups had soaked up the missing rounds.

The dept wrote the incident off as an 'accidental discharge'.

The girl was eventually found elsewhere.

Flash, MD, and I never realy talked about the indicent except indirectly. All three admitted having felt more stress than before or since.

None of the three of us have been to the Patch since. Both MD and Flash have moved on to other agencies for unrelated reasons.

Thats all there is to it.

Another one I found:
With the last trial over on Friday, I thought I would share this.

Undercover work is a skilled and exacting business; more importantly, managing an undercover operation is an extremely demanding task, and one which should never be taken lightly. I have done only the most casual tasks of the former, and none of the latter.

Eighteen months ago, a neighboring agency (about 55 miles away) contacted our department for assistance. They were working a deal on some of their locals who they had learned were attempting to locate a large quantity of C-4 explosives. Their undercover guy had gotten his foot in the door, but they were now hung up; they needed an outsider to the area to pose as the seller. Worse, they had already painted themselves into a corner by describing this mythical seller to the buyers.

So now they were looking for a cop who could pass as a retired Army NCO with ties to the Republic of Texas who was willing to take part in their ramshackle operation. I was volunteered.

It wasn’t a very sophisticated part to play; I’m retired from the National Guard after two enlistments in the Regular Army, and I know enough about the RoT to pass muster to a non-member. My part was a one-encounter meet to clinch the actual deal. Shouldn’t take much more than a half-hour of face time. No problem.

They get me a ’73 Chevy pickup with clean plates and a high-freq digital recorder built into the body whose hard drive can store six hours of video & audio footage. I’ve got the mike & camera built into the bill of a ‘gimme’ ball cap, with a backup audio mike in a Casio digital watch. They provide a clean cell phone with a panic button feature: all I got to do is twist the case, and the cavalry comes to the rescue. As a bonus, there’s a GPS chip in it.

All I have to do is go there and make the deal. No problem. I put some mail circulars (bulk mail, no addresses) & the like in the truck, along with an old tool box & assorted other crap. I dump the spare into the bed.

The day of the meet, I’ve got a .380 Bersa in a clip shoulder holster, a Colt Gold Cup stuck in my belt at the small of my back with two spare mags in my back left pocket, and two Berretta Model 21A’s in .25 ACP stashed about my person. I’m wearing a baggy green Hawaiian shirt over a tucked-in tee shirt to hide the hardware. I got the cap on, and the cell phone hanging off my pocket.

I drive out to this guy’s place, call him Ben. Ben lives in the boonies, a good 25 miles from the nearest building. My backup is stashed 20 miles away, meaning if things go south, I’ve got to last 20-odd minutes. That’s OK, its just a deal-maker; there’s no money changing hands. I’ve got a folding-stock semi-auto AK stashed in the truck with twelve 30-round mags just in case, and a ’73 Chevy has a lot of steel in it. I’m not terribly worried.

I show up at the place-its late afternoon. Ben meets me at his barn/workshop. He’s strange. His 20-something nephew is really weird. And they want to buy enough C-4 to vaporize a bulldozer.

The customer is always right. Ben and the nephew are drinking Pearl Lite; they give me a Coke, because I don’t drink. We learn against an old pickup and talk. I’m trying to find out why Ben wants the C-4, and using the excuse that I don’t want to be caught up in some Homeland Security-controlled slaughter.

Turns out Ben has come up with the idea of blowing up a truck with some dark-skinned Mexicans in it, along with a Koran & some other bits. The plan was to blow it as it passed through the drive-through of the Nephew’s wife’s place of business, killing her. The idea was that it would appear that a group of Moslem terrorists had accidentally blown themselves up.

I marveled at their cunning plan, and we worked out a price for the C-4 and various accessories. As we were wrapping it up a truckload of people drove up. I casually checked my phone, because this might be an unpleasant development.

The phone was dead. Stone dead. Absolutely, utterly toast.

No backup.

OK, I’m cool. Still no money involved, things ought to go fine.

The truck discharged a group of shaved-head, prison-tattooed Hispanic males and a bunch of girls; the leader (I figured these were to be the unwitting participants in the botched terrorist action) promptly starts arguing with Ben about a late payment for meth & pot. It gets heated.

This is not good. Now we’ve got money involved. If it goes south, I’m gonna be just another white guy. Phone’s still dead. I activate the signal anyway. You never know.

One of the vatos asks me who I am. I tell him I’m there selling Ben some military hardware. That ends the argument; suddenly, the head vato, call him Jorje, is trying to work a deal to swap meth & a bale of pot for a M-249 Squad Automatic Weapon. I tell him I can get the gun & ammo, no problem, but that I don’t have connections for drugs, so I’ll need something else.

After some debate, I get a Best Buy circular out of ‘my’ truck, and we work out a trade-in value for LCD or plasma TVs in factory packaging for the gun & a couple cases of belted ammo. Jorje says they can rip off a Wal Mart, no problem. We work out some details.

There is a blast like a shotgun going off. Everybody hits the deck, and guns come out. After a couple seconds, we realize the battery on my truck has exploded. Because the frigging recording unit is putting too much strain on it, apparently.

So now I am on foot. I kick my truck, curse it roundly, dig through the cab, announce my phone is dead, and manage to ditch the ball cap under the front seat.

Ben has no phone. Jorje’s crew cannot raise enough of a signal with their service to call on theirs. Jorje says they’ll give me a ride to a bar about thirty miles away where I can use a pay phone. Ben say’s he’ll keep an eye on my truck. I say OK.

I ride in the cab of the truck, as befits a guest. Jorje drives with his arm around his girlfriend, and a cute little Latina in a halter & cutoffs cuddles up next to me.

We head to the bar, which is a dump of the first degree. Jorje says its not safe for an outsider, so he & his crew come in to have a beer & play some pool. I buy them a round, which they consider to be fine manners, and I call my backup, who are now about 50 miles from me since they’re north of Ben and I’m south.

Later, I will learn that they sent two guys in a pickup to get me. It had a flat along the way. So I sit, the only Anglo in a really, really rough Tejano dive in BFE, for 91 minutes. It’s the sort of bar with bullet holes in various areas and items of furniture. I’m the only guy with all his teeth and no visible prison ink. I got a hot little latina who has taken a shine to me hanging off my arm. She’s Jorje’s cousin, so I can’t offend her, no matter how it pisses off the bar patrons.

It is the longest 91 minutes of my life. I have been in firefights that were less stressful. I lost twenty bucks shooting pool, I buy another round, and get some surprisingly good chile con carne. I spend the entire time convinced that within seconds, its going to turn to shit and I am going to get blown away (or fatally knifed) because the idiots I agreed to help could not plan a basic operation.

Help finally arrives. The recording is perfect, and the other agency wraps things up. People end up in prison. I will never, ever do even the most minor undercover work again.

Imagine a website dedicated to fantasy, science fiction, horror, and other weirdness in game form being stupid enough to ban this guy.
 
Imagine a website dedicated to fantasy, science fiction, horror, and other weirdness in game form being stupid enough to ban this guy.
Both of those stories would have made great episodes of like... Supernatural and Burn Notice respectively.

I wonder if he took that girl out on a date later...
 
The mods take their ball and go home after too many people push against their hugbox and they start to lose their argument. #OrcLivesMatter.

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The mods take their ball and go home after too many people push against their hugbox and they start to lose their argument. #OrcLivesMatter.

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There is going to be some content that hurts someone so long as there's any level of conflict- allowing media to be dictated by the most-easily offended causes media to cease to exist. It depresses me that Ray Bradbury spelt this out in the 60's and we're still having this argument today.
 
There is going to be some content that hurts someone so long as there's any level of conflict- allowing media to be dictated by the most-easily offended causes media to cease to exist. It depresses me that Ray Bradbury spelt this out in the 60's and we're still having this argument today.
We're still arguing about it because it's still an effective weapon for cynical leftists to beat their opponents over the head with. They don't care who gets caught in the crossfire as long as every single person they hate gets hit too.
 
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We're still arguing about it because it's still an effective weapon for cynical leftists to beat their opponents over the head with. They don't care who gets caught in the crossfire as long as every single person they hate gets hit too.
I remember the 80's and 90's having the Right having their shake on the cannon as well (Hell, Bradbury was responding in part to the Red Scare when he wrote 451)., but I agree that it's the Left that's been at the controls since the mid-to-late 2000's.
 
Has a single black person said "yeah we look at orcs and see us." This is some white nonsense.
A little more than nonsense. It does sort of confirm, even in this small part of the culture war, how manifestly racist these white woke blokes are.

"Black people are NOT OrcMunkeys!"

"Yeah! Wait, you think we look like THEM?"
 
I was thinking of their FATAL review from years ago and how actually hilarious it was. (In hindsight, it still had a little bit of complaining about homophobia and sexism, but considering how over the top it was in the game, it felt justified to mock it.)

Can you imagine Darrin MacLennan writing this today and not getting banned immediately? And I’m pretty sure Sartin was banned years ago for offending people.

 
I was thinking of their FATAL review from years ago and how actually hilarious it was. (In hindsight, it still had a little bit of complaining about homophobia and sexism, but considering how over the top it was in the game, it felt justified to mock it.)

It would be like reviewing RaHoWa without mocking the racism, especially considering the actual mechanics of the game are so stupid that if taken literally they basically accidentally made Jews completely invincible.
 
I was thinking of their FATAL review from years ago and how actually hilarious it was. (In hindsight, it still had a little bit of complaining about homophobia and sexism, but considering how over the top it was in the game, it felt justified to mock it.)

Can you imagine Darrin MacLennan writing this today and not getting banned immediately? And I’m pretty sure Sartin was banned years ago for offending people.

The worst part about absolutely notoriously shitty RPGs like FATAL is that the childish racism and sexism, along with the now infamously memetic "anal circumference charts", are not even the worst things. Then there's the actual game mechanics which seem like someone looked at Rolemaster and concluded that the game wasn't nearly as autistic and convoluted enough for their tastes.
 
FATAL itself is an RPGNet meme. Nobody knew about its existence before some genius got upset about it. It was not played by anyone except maybe one bunch of horny dudes, and it was not published in the real sense. I think someone found it hidden on a university website, and immediately made a noise about his find. (This was the shitty old threaded forum.)
 
FATAL itself is an RPGNet meme. Nobody knew about its existence before some genius got upset about it. It was not played by anyone except maybe one bunch of horny dudes, and it was not published in the real sense. I think someone found it hidden on a university website, and immediately made a noise about his find. (This was the shitty old threaded forum.)

I always figured FATAL wasn't even played by anyone at all and was pretty much published online as some sort of "dirty Mad Libs" type of joke. I wouldn't even be surprised if it was created as some kind of inside joke in someone's gaming group and then early pre-SJW RPGNet found it and made it into the meme it is now.
 
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I always figured FATAL wasn't even played by anyone at all and was pretty much published online as some sort of "dirty Mad Libs" type of joke. I wouldn't even be surprised if it was created as some kind of inside joke in someone's gaming group and then early pre-SJW RPGNet found it and made it into the meme it is now.
FATAL's almost a thousand pages long iirc, that's a lot of autism for a practical joke.
 
FATAL's almost a thousand pages long iirc, that's a lot of autism for a practical joke.

True, but I'd chalk that up to being a group effort. If it was on some university's website back in the 90's/early 2000's before RPG.net found it, then it could've been an inside joke in the local gaming club.

Or maybe it was intended as some Andy Kaufman/Deagle Nation prank where the joke works best because it presents itself as real. Call me optimistic, but I don't think it's meant to actually be played given how utterly unplayable the rules are. Even Phoenix Command is less dense than FATAL
 
I always figured FATAL wasn't even played by anyone at all and was pretty much published online as some sort of "dirty Mad Libs" type of joke. I wouldn't even be surprised if it was created as some kind of inside joke in someone's gaming group and then early pre-SJW RPGNet found it and made it into the meme it is now.

We played it here a couple times.

 
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