Blue Rose is a good example of someone wanting to make a Romantic Fantasy game without ever having read any Romantic Fantasy.
Actual Romantic Fantasy often have pretty grim settings, you know, to give the heroine something to strive against. Deer Privileged McGoodGuy nation is not how they do it.
Right?
I actually read romantic fantasy. It's a guilty pleasure of mine, plus, well. I'm a faggot. Blue Rose is not Romantic Fantasy. It's Romantic Fantasy
-esq, in that it has some of the same trappings, but it misses the actual spirit by a mile.
The single most equivalent setting to the Blue Rose setting is Mercedes Lackey's
Heralds of Valdemar setting. It's like... I don't know, 30+ books probably at this point. You an see some clear
analogs to a lot of the things in Lackey's works in Blue Rose. But in every respect, it's a soleless, lackluster copy - and sometimes goes
against the things you need for real romantic fantasy. You
need suffering and hardships for romantic fantasy. Not just external ones, either. Valdemar is
not a utopia. It's better than average. That's it. Many... hell,
most of the main characters actually lived pretty shitty lives in the beginning.
- Vanyel technically had a privileged life, sure, the son of a lord, land, an inheritance coming to him, etc. But he was raised by a homophobic father, physically abused "for his own good", and more tolerated than loved or even liked. His home life was a constant source of stress for him, almost until the end. There was no "wrongthink" for his family to get punished for, nothing made it right, it was just shit.
- Skif was a homeless orphan for most of his childhood, literally begging for food and sleeping in alleys. There was no social programs rescuing him - the bright point of his childhood was going to free breakfasts at a charity school, because it was real food. Things got so bad he had to become a thief to survive, and then all his friends were murdered by a what amounted to a corrupt merchant who just wanted to get rid of the building they were living in.
- Talia was born and raised Holderkin, which are a sort of Muslim-Amish hybrid society of insular clans where women were treated like shit. That she was allowed to read was considered a bad thing. Holderkin are an accepted and tolerated part of Valemar society (after a certain point in the timeline), and they aren't a redemption story - that's just how they are, and how they continue to be. No magic comes in to fix that. Plenty of other people are suffering under it.
- Lavan, like Vanyel, was ostensibly "privileged", to a lesser extent - he was the son of a moderately wealthy member of a merchant guild. But his parents neglected him, and he was sent to a school that essentially encouraged abusive bullying to keep the students in line. He was pushed to the point he collapsed from stress more than once, and ultimately to the point he (quasi-unintentionally) murdered his tormenters. And while some characters in the setting did condemn the school's behavior, it was known about before Lavan snapped, and nothing was done about it.
- Darren actually had it comparatively easy, in that he lived in a tiny village on the border, his parents were (assumed) killed, and he was sent to live with the most looked-down-upon member of the town... And then constantly criticized because he wasn't grateful for that.
And that's not counting the most recent handful of books that I haven't read, or characters that were born outside of Valdemar proper. And it's only the ones that were victims of
"systemic" sorts of problems, where it was a known problem, and just nobody bothered to do anything to fix it.
Most of those stories wouldn't
work in Blue Rose, without going outside the main nation anyways, because the setting almost explicitly prohibits them for one reason or another. It's like living with the fucking Smurfs.
... Still bought the book, because the art was fucking fantastic.